The Voyeur (1994) DVDRip

Buxom women,faithful husbands,uncanny atmosphere,strange _aggressivity and =
twisted desire,perverts ....One of the best five erotic movies ever made.

There are persons whose creativity is a constant source of delight for thei=
r admirers; plus, they have the advantage ,or the constitutive gift of the =
largescale. They create MANY fine, satisfying things. Their creativity is s=
ometimes uneven; in this we see but a sign that it's an organic fact. Their=
 lesssuccessful things reveal to analysis the secret of the failureit is th=
at factor ,or that.

You can't lie yourself about these things. You can't cheat. You like the ma=
n as expressed in his creativity, in his reflection, in his objective thoug=
ht, in his achievements. It's the most obvious thing; you begin by noticing=
 it. There are nonetheless the works, the achievements themselves that you =
admire, that you savor ,and not 'the man' (who would be a mere abstraction =
if considered otherwise than the mind that created those plentifully pleasi=
ng things).

This is how I feel about Brass (and also about a few othersfirstly Welles, =
Giuseppe Patroni Griffi, Hitchcock, etc.).These persons mean movies. It's a=
 primary factthe mere concreteness of it guides the thought.=20

I came to know Brass' movies when I was 18. He has been since one of the fe=
w directors whose work is a source of immediate interest for meon my side o=
f life, hither, hereby. Speaking about his best movies (he has some flops t=
oo, this is here beside the point) I never need to plead ;I simply indicate=
 the qualities of his movies.

The one here is among his very best films. Very atmospheric, very interesti=
ng. The woman--Katarina Vasilissa-- is maybe Brass' most beautiful gift to =
its admirers. This is a wonderful thing with Brasssome speak about dirty de=
sires, etc.. Yet with Brass there is something almost touching and worthy i=
n the act of some men looking between an actress' legsit's not dirty, it's =
not phony. Brass, pushing the things, gave, paradoxically, its human dimens=
ion to the act of watching erotic films.

He is not the only one to have done that. Yet he is perhaps the best, and t=
he most conspicuous and famous. He situated the fact in its own terms; he s=
tated it correctly. He knew what a certain audience want; he aimed exactly,=
 and he gave that audience what was needed. Watching an erotic film is watc=
hing a (faked, usually) sexual act; or looking between an actress' legs. We=
ll, Brass gave this activity its true and human and concrete dimensions.

There are voyeurs and spies in his films. The sexual act is spied, watched.=
 Yet this remains within the confines of the humans. In Brass' films, the v=
oyeurism is the act of a pervert; yet this pervert is rightly situated, if =
I may say so.

Francesco Casale spies Katarina Vasilissa in The Voyeur.In La Chiave, the o=
ld husband spies his horny wifewhile she pisses, or while she's in the bath=
tub, or simply as she sleeps. An image enjoyed by Brass is that of the woma=
n pissing; and this may be, indeed, a fine show. Serena Grandi is seen, wat=
ched pissing in Miranda (1985). Stefania Sandrelli is seen pissing in The K=
ey. In Senso '45 (2002) Anna Galiena pisses after a sexual act (a very heal=
thy habit, it prevents infections).This is correlated with Brass' huge appe=
tite for the derri=C3=A8res of his actresses.

It looks like Katarina Vasilissa didn't really make a career in the cinema.=
 That's too bad. Brass worked with several able actresses (Mme Sandrelli, M=
me Grandi, Mme Galiena, etc.); Katarina Vasilissa isn't one of them. But sh=
e is outstanding. Brass explores the huge _expressivity of her naked body. =
For me, Katarina is a legend, and a cult actress. And I can say the same th=
ings about her colleague in this movie, the strikingly beautiful Cristina G=
aravaglia. She deserved a real career. Yet the number of the movies made by=
 these two actresses is certainly irrelevant, since they had the chance of =
making one of the best ten erotic films ever. (To give a counterexample, Mm=
e. Kristel has an impressive careeryet she NEVER had the chance of such a f=
ilm.)

The Voyeur has a certain dreamy look, a dreamy feel, enhanced by Brass flai=
r for the grotesque and the bizarre _expressivity. Brass' cinematographic s=
tyles reaches here one of its richest moments. The Voyeur is a peak, and a =
feast of Brass style.

In Brass' films, the woman is essentially a mistress; if she's a wife, she'=
s a depraved, horny one. On the other hand, in Brass' movies the husbands h=
ave an insatiable lust for their wives. They do indeed ceaselessly desire t=
heir women. In various movies, Mmes. Sandrelli, Vasilissa, Galliena have hu=
sbands that intensely desire them; while Mme. Grandi will get one at the fi=
nal of her "Miranda". The male is the one who desires and sexually adores h=
is wife.

The cinema was invented to make films like Brass' The Voyeur.

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The Voyeur (1994) DVDRip
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