Vinnaithandi Varuvaya Hd Movie 44
Richelle Raridon <[email protected]> Thu, 25 Jan 2024 03:18:20 -0800 (PST)
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<div>One number love story was my debut followed by films on policekaarans = with lauvv and action. I did yet another cop film. Then I tried to Ctrl+V D= erailed followed by a film on Daddy Daddy, Son Son. I sat at home for a yea= r wondering what to do next. "Time for a love story", I told myself and sta= rted working on the same. I finalized my artistes, technicians, locales and= started shooting ....without a story. I booked Oscar-Grammy award winner A= R Rahman as the music director for my Love Story...without a story. The sh= ooting continued.... without a story. The film was ready and a big Giant bo= ught my film. I was all excited . I went around the globe promoting the fil= m. The film released two days ago. I am still looking for the story. If you= managed to find it contact me on gautam.englishwonlymenon [at] vtv [dot] c= om. Thank you very much.</div><div></div><div>Vaat The Vetti</div><div></di= v><div></div><div></div><div>Travelling, meeting, presenting, sales figures= counting, coughing, more and more coughing for two weeks and at the end of= all this you still wanted to go and watch only because of Gautam Menon-ARR= combo? "Vetti Vetti para vetti!Unakku venum" - ennaye naa sollinden.</div>= <div></div><div></div><div></div><div></div><div></div><div></div><div></di= v><div></div><div></div><div>Vaat The Valentine</div><div></div><div></div>= <div></div><div>Its love at first sight for yet another Karthik (Young supe= rstar Simbhu) from the tamizh film world the moment he sees Jessie (Trisha)= , his neighbour. This budding assistant director in films jumps up in the a= ir, does an SRKai movement, chases her on his bike, hits his chest, speaks = Englipees dialogues which wonly Good-she, Church Park, WCC peoples understa= nd. Jessie doesn't really like him... or so she says. She is very clear tha= t her dad will never approve of a Hindu boy and hence refuses to entertain = Karthik . But he is determined. He chases her all the way till Kerala and s= he kinda falls for him but is vehement. They travel back to Chennai and aft= er ore da lauv in the train, she still says No. Then yes. Then No.. Then sh= e leaves him and off she goes to UK (or US or some phoren country) only to = say "Let's get married" in the end. He makes his first film predictably tit= led 'Jessie' and yeverybody loves the film. Jessie applauds his effort and = a suspense awaits the viewer. Is she is love with him or not? Why did he ma= ke that film? Why did she say No,Yes, No and again Yes time and again? The = director is as clueless as you and I are.</div><div></div><div></div><div><= /div><div>Velli Thiraiyil Vanduttanga</div><div></div><div></div><div></div= ><div>That's the literal translation of "They have arrived!" he he he. Agre= ed. Simbhu looks cool and has done a decent job, much better than his earli= er films that I have seen on Sun and KTV. But somewhere, the I-chew-all-my-= dialogues-and-spit-them-out is still intact. And that's probably why I coul= dn't see him in the same league as former chocolate boys of Kollywood-Bolly= wood- Madhavan (Alaipayuthey wonly), Aamir Khan (QSQT), Surya (several film= s :-p). Trisha's work is very good. Very understated and looks lovely excep= t for a few closeups where the pancake makeup doesn't quite help camouflage= her puffy eyes.</div><div></div><div></div><div></div><div>Vadakan The Vee= rakadha</div><div></div><div></div><div></div><div>Too much mallu-ing puts = me off. The heroine is from the Mallu land, speaks Mallu on and off, there = are scenes involving the entire family where the dialogues are fully "ende,= unde , aaaaraaanu, oonu kazhinggghoo". Thank God I saw the English-subtitl= ed version. Do the TN released prints have tamizh subtitled for mallu dialo= gues?</div><div></div><div></div><div></div><div>Vaat The Vorking</div><div= ></div><div></div><div></div><div>Two people in love, daddy and brother opp= ose. He yearns for her. She feels for him. They sing together... dance toge= ther. They separate. They are back. We have seen all of this before. Its a = simple plot yet narrated with no melodrama, aruvaal, Tata Sumo, "daaaai" et= c. The burden is entirely on the lead and they have managed to pull it off = quite well... at least till the first half.</div><div></div><div></div><div= ></div><div>The intimate scenes between Trisha and Simbhu are very well con= ceived, picturized. You can totally relate to them.</div><div></div><div></= div><div></div><div>Very Terrific Viewfinder</div><div></div><div></div><di= v></div><div>Super impressed with cinematographer Manoj Paramahamsa (Eeram,= Unnaipol Oruvan). He has managed to retain the very middle class look of t= he film through and through with no flashy look-I-am-the-cameraman composit= ions.</div><div></div><div></div><div></div><div>Vogue and The Vague</div><= div></div><div></div><div></div><div>Trisha's sarees are going to become ho= t stuff post this film thanks to costume designer Nalini Sriram. But she co= uld have done a much better job in the Western outfits. These look vague, p= ut together in a hurry and terrible in the Kannukkul Kann song.</div><div><= /div><div></div><div></div><div>Very True Vaarthaigal</div><div></div><div>= </div><div></div><div>Like all Goutam Menon's films this one too has 'norma= l' everyday dialogues. There is even a dialogue in the film taking a dig at= his own films with English dialogues.The Kaadhal dialogues like "Yaarum un= kann vazhiya enna paakaliye!" fit into the film beautifully.Nice.</div><di= v></div><div></div><div></div><div>Chinmayi's dubbing works for Trisha. Gan= esh one of the producers who plays Simbhu's friend is witty.</div><div></di= v><div></div><div></div><div>Vinnai Taandiya Vinner...</div><div></div><div= ></div><div></div><div>...A R Rahman! Have been listening to all the songs = for over a month now. My morning routine starts with Omana Penne moving on = to Hosannah, Kannukkul Kannai, Anbil Avan, Vinnaithandi varuvaya, Mannippay= a and ofcourse Aaromale. Two rotations of the songs are a must. The thing a= bout ARR's songs is the simple melody enhanced by the arrangement. If you l= isten to them carefully, there will be a musical note heard far far away in= the background or the extra 'gamakam' humming fading down in the second pa= ragraph or a violin piece for 5 seconds in the middle of the song. In my op= inion, these are the stuff that make them have great recall value.</div><di= v></div><div>In this film, there is a scene where Simbhu hums the ARR backg= round score from Bombay, when he sees Trisha in the church. It goes "Pa sa = ni sa ni sa ri sa ni dha pa ma ga pa ma ga ma ri". It instantly brought bac= k the shot where Arvind Swamy looks at Manisha Koirali from the top and the= camera going round from his point of view. Super!</div><div></div><div></d= iv><div></div><div>Vaat The Vorking-not</div><div></div><div></div><div></d= iv><div>I mentioned in one of the earlier paragraphs about the burden on th= e lead cast. In the second half it becomes extremely difficult for us to si= t through 'coz of the same reason. Simbhu and Trisha are there in all the s= cenes through and through uttering the same thing again and again. Becomes = repetitive after a point.</div><div></div><div></div><div></div><div>Songs = are super but Gautam Menon disappoints with his picturization. Suddenly som= e Lou Bega types emerge from somewhere and point their fingers at us doing = the rap-rap stuff. Disappointing.</div><div></div><div></div><div></div><di= v>Repetition - The director probably thinks that people who watch the film = are dumb idiots who need to be told the same things several times over. The= fact that Trisha's dad doesn't approve of inter-faith marriage and that Si= mbhu is totally in love with Trisha is repeated over and over again. And ev= ery dialogue between them has their name 'attached' at the end of it. "Unak= ku purilaya Karthik? Enga appa-kku idu pidikkadu Karthik. Karthik, enakku u= nna pidikkum Karthik!"... Ayyo! we know the names of the lead characters an= d we understand the problem between them. Why is this repeated like ten tim= es in a scene?</div><div></div><div></div><div></div><div>Vaat The Vague</d= iv><div></div><div></div><div></div><div>Trisha and Simbhu meet at UK and s= uddenly the song shifts to US. Simbhu's debut film's credits have Manoj Par= amahamsa as the cameraman. I thought Ganesh, his friend (whose screen name = i forget) was the director of photography.</div><div></div><div></div><div>= </div><div>Vettu-dabba of The Vellithirai</div><div></div><div></div><div><= /div><div>Samantha and Naga Chaitanya , son of Nagarjuna play Simbhu's on-s= creen hero, heroine. This guy can't act for nuts. And I am told he plays Si= mbhu's role in Telugu version. All the best Andhra-ites!</div><div></div><d= iv></div><div></div><div>Varthaila vanTha V *!&^ </div><div></div><div></di= v><div></div><div>I am not for using foul language in films even if they ar= e beeped out. The f word pops up pretty frequently. It is very evident that= the second half had put the Censor board to sleep. Simbhu's tamizh M word = goes unedited, un-beeped.</div><div></div><div>Vendaam This Vinai</div><div= ></div><div>In the last scene, Trisha asks Simbhu how he managed to get her= number and he says "adutha padathula sollaren". "Ayyo, vendam Gautam Menaa= - nee padamum edukkavendam , engalukku sollavum vendam" </div><div></div><= div></div><div></div><div>Voltage &The Vegam...</div><div></div><div></div>= <div></div><div>are missing in the film.The film is not pacy. It should not= be, infact. You really don't mind the slow narrative in the first half bec= ause of Simbhu and Trisha. But its completely the opposite in the second ha= lf. You get put off with the repetitions (oops! Aint I repeating the same t= hing again and again? VTV influence I guess!) and the yawwwn climax. There = is no high point in the film... everything is in a mega serial pace.</div><= div></div><div></div><div></div><div>Vinnaithandi Varuvaya - A lovely first= half is spoilt by the maha boring second half.</div><div></div><div>Vaasal= aye Thaandala - 2.5 out of 5</div><div></div><div></div><div></div><div></d= iv><div></div><div></div><div></div><div>Vinnaithandi Varuvaya Hd Movie 44<= /div><div></div><div>Download Zip: https://t.co/MTNQDb0zgk </div><div></div= ><div></div><div>vinnaithandi varuvaya is the most pathetic movie I have ev= er seen.</div><div></div><div>Firstly, there is absolutely no story..only t= he 2 lovers talking all the time, imagining things and fighting ..the movie= keeps on revolving around the same issues mentioned again and again. the i= nterval is a good relief</div><div></div><div>to have some tea and recover = from headache to prepare for u for the </div><div></div><div>rest of the tr= agedy to get over.</div><div></div><div>If you have nothing else to do in l= ife , go and sit through the pain,</div><div></div><div>else do good by don= ating the ticket cost to charity!!</div><div></div><div> dd2b598166</div>