Re: 2001:A Space Odyssey, SpaceX, A.I.

On Sun, 6/14/2026 2:16 AM, David B. wrote:
> On 13/06/2026 17:29, Mr. Man-wai Chang wrote:
>>
>> HAL 9000: "I'm sorry Dave, I'm afraid I can't do that" - YouTube
>> <https://www.youtube.com/watch?v=ARJ8cAGm6JE>
> What happened AFTER that?!!!
> 

Dave is the only crew member left, because HAL
sabotaged the life support for the crew members in
suspended animation.

   http://miscel.wikidot.com/2001-transcript

In the last two sections, are some dialogs.

The first one, Dave is trying to get back into the
ship and HAL will not let him. Dave has to do a ship-to-ship
transfer, and under vacuum, he shoots from one ship (pod) to the
other at considerable velocity. Then he has to re-pressurize
the place he entered.

The last part of the transcript, is the scene where HAL is
being shut down by having some memory-modules unplugged.
As HAL loses his mind, he sings a song he was taught at the
factory. Then, the message the crew was supposed to get
when they arrived at Jupiter, starts to play (because HAL
is no longer there to stop it from playing).

The scenes where Dave is transported by the monolith, there's
no dialog, so there can't be a transcript. Eventually, Dave
returns to earth, as a super-being.

   https://exclaim.ca/film/article/did_stanley_kubrick_himself_finally_just_explain_the_ending_to_2001_a_space_odyssey

A later movie, plays with the idea. I didn't see that one,
not on TV either.

The Youtube selections, are just parts of the 2001 movie,
teasers of a sort, to sell DVD collections or whatever. I don't
think there are enough sections, to make the full movie.

   https://en.wikipedia.org/wiki/2001:_A_Space_Odyssey

      "The film was announced in 1965 as a "Cinerama"[64] film and was photographed in Super Panavision 70
       (which uses a 65 mm negative combined with spherical lenses to create an aspect ratio of 2.20:1). It
       would eventually be released in a "roadshow" 70 mm version and a later general release 35 mm version.[65][66]
       Colour processing and 35 mm release prints were done using Technicolor's dye transfer process. The 70 mm
       prints were made by MGM Laboratories, Inc. on Metrocolor. The production was $4.5 million over the initial
       $6 million budget and 16 months behind schedule.[67]"

It's probably best to see it in a facility that can offer 2.20:1 viewing.
The 35 mm version is likely to toss out some of the detail.

   Paul