EXTENDED DEADLINE - 3rd Conference on AI Music Creativity (AIMC 2022)

============================EXTENDED DEADLINE: 9 MAY 2022
============================
Apologies for cross-posting. At the request of participants, AIMC 2022's
submission deadline has been extended by two weeks.

NEW! Important dates

**NEW! Submission deadline: 9 May 2022** **NEW! Notification of
acceptance: 27 June 2022** Camera-ready deadline: 15 July 2022 Deadline
for author registration: 31st July 2022 Conference dates: 13-15
September 2022



3rd Conference on AI Music Creativity 13-15 September 2022, online

The 3rd Conference on AI Music Creativity (AIMC 2022) integrates two
overlapping research forums: The Computer Simulation of Music Creativity
Conference (est. 2016) and The International Workshop on Musical
Metacreation (est. 2012). The objective of the conference is to bring
together scholars and artists interested in the emulation and extension
of musical creativity through computational means and to provide them
with an interdisciplinary platform in which to present and discuss their
work in scientific and artistic contexts.

AIMC 2022 will be hosted from Japan and held online. The three-day
program will feature paper presentations, artistic sessions, panel
discussions, workshops/tutorials, and three keynotes.

Further details can be found below and on the conference website:
https://2022.aimusiccreativity.org

Conference theme

The theme of AIMC 2022 is: "The Sound of Future Past — Colliding AI with
Music Tradition" This year we put the emphasis on implications of
political, sociological and aesthetic nature arising when AI techniques
& methods are applied to the generation of music modeled on traditional
musical expressions and heritages. For example, AI involvement with
musical traditions foregrounds issues regarding copyright, technocratic
appropriation and dilution of musical expression specificities,
standardization on genres, perpetuation of embedded musico-cultural
biases and cliches, uniformization of the aesthetic experience as a
result of indiscriminate usage of music corpora, to name but a few.


# Call for Participation/Contribution

We invite submissions in three categories: papers, music works, and
workshops/tutorials

For more information, please visit:
https://2022.aimusiccreativity.org/#calls



# Organizing committee

Conference Chair & Webmaster: Stefano Kalonaris, RIKEN, Japan

Artistic Program Chairs: Akihiro Kubota, Tama Arts University, Japan
Cathy Cox, Kunitachi College of Music, Japan

Scientific Program Chairs: Taketo Akama, Sony CSL, Japan Eric P.
Nichols, Zillow Group, USA

Workshops & Tutorials Chairs: Hiroya Miura, RIKEN, Japan Iris Yuping
Ren, Utrecht University, Netherlands

Virtual Conference Chairs: Tomasz Rutkowski, RIKEN, Japan Anna
Aljanaki, University of Tartu, Estonia Gianluca Micchi, IRIS Audio
Technologies, UK

Public Relations: Motoko Kakubayashi, Freelance Writer, Japan


If you have questions, please do not hesitate to contact us at:
aimc22[at]outlook.jp