Re: Analog synths
Ralf Mardorf <[email protected]>
| Newsgroups | gmane.comp.audio.ardour.user |
|---|---|
| Message-ID | <[email protected]> |
On Sat, 23 Dec 2017 17:05:56 -0600, Brent Busby wrote: >Ralf Mardorf <[email protected]> writes: > >> The most exact way to play virtual drums is by using the most >> advanced plastic thingy, using real drums and mics to trigger the >> virtual drums doesn't work nearly as good. > >I used to be against the acoustic triggers you're describing, putting >triggers on your real acoustic drums to trigger processed sounds. > >I've completely changed my mind about them though. Your live audiences >expect to see real drums. They will never be satisfied by Simmons >hexagon pads, modern circular frisbee pads, or any other kind of pads. >Don't even get into the lack of stage appeal of showing up with a drum >machine or a laptop. No matter how electronic and processed the drum >sound they're hearing, they absolutely believe and expect it has to >come from something that looks like an acoustic drumset. > >So I'm a believer now. Just give them the damned drumset they expect >to see. If you put acoustic triggers on, at least you're honestly >playing what they're hearing, even if the sound isn't quite being made >the way they think it is. I really think this is the way to handle >electronic drum sounds live now. Don't forget that I also mentioned: "However, even the most advanced plastic pads can't be played with that much nuances as a real drum set, let alone that they are visually unaesthetic. I want to see real cymbals with drill holes to stop fissures, not some clean plastic thingy." _______________________________________________ Ardour-Users mailing list [email protected] To unsubscribe or change your mailing preferences please visit: http://lists.ardour.org/listinfo.cgi/ardour-users-ardour.org