Re: [Csnd-dev] John ffitch has passed away
Greg Schiemer <[email protected]> Thu, 18 Jun 2026 15:59:31 +1000
| Newsgroups | gmane.comp.audio.csound.devel |
|---|---|
| Message-ID | <[email protected]> |
--Apple-Mail=_4F54373C-6A8A-4980-AE5A-0BFFB05ACA7C Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Thanks Dr B for sharing the sad news. John had his eye on what was = happening in the world of computing and music much before he got = involved in Csound. He was a freshly minted PhD working as a maths tutor = at the University of Bath, when I first met him at that unforgettable = computer music conference in Delphi in 1992 with Iannis Xenakis, Paul = Lansky, Roger Reynolds, Perry Cook, and Gerard Pape in attendance and = presentations on NeXT workstations and the UPIC machine. Around that = time John often showed up on the tuning list and was at ICMC in Hong = Kong in 1996 when John Chalmers gave a special presentation on = alternative tuning systems. Shortly afterwards some of Csound=E2=80=99s = first tuning opcodes appeared, written by John ffitch and documented by = Bill Alves on the Csound Book companion CD. I still use these opcodes to = this day. His particular area might have been maths but he had no = trouble communicating and occasionally playing with others in adjacent = paddocks. It was not beneath him to take part in my phone swinging = performances like the one at 2008 ICMC Belfast, even though these were = probably not the most flattering show case of his work. He introduced me = to Gem Finer, another of his many collaborators who worked on a mobile = phone project at the Uni of Bath in 2009. John replicates the example of = Barry Vercoe who created versions of the earliest computer music = resources that allowed researchers to continue the work Max Mathews = began at Bell Labs. I=E2=80=99m sure many on this forum would agree the = reach of Vercoe=E2=80=99s Csound today is due in no small measure to = John=E2=80=99s generosity and breadth of vision. Vale. Greg S > On 18 Jun 2026, at 00:40, Gleb Rogozinsky <[email protected]> = wrote: >=20 > It is very sad to hear about John's passing. For me, and for so many = of us, John ffitch was present in the Csound world from the very = beginning =E2=80=94 a living example of brilliant thinking, = self-discipline, and deep awareness. I hope that someday, in another = universe, we will meet again, and I will have more time to talk with = you, John. Rest in peace. >=20 > On Tue, 16 Jun 2026 at 19:43, Joel Ross <[email protected] = <mailto:[email protected]>> wrote: >> Thank you Richard. This is terribly sad news.=20 >>=20 >> I fondly remember attending the 2008 Linux Audio Conference in K=C3=B6l= n at which John presented a talk about work by one of his students. = John's other contribution to that conference was a panel discussion = which I believe was called Maths Rocks (pun intended, and appropriate!) = including Julius Smith, John ffitch and possibly others talking about = the importance of mathematics for music and audio. It was John's words = which made the most impression on me at the time, he said "Don't filter = your inputs", by which I believe he meant to emphasise the importance of = reading and studying widely in mathematics, since you never know what = connections you might make and besides such an attitude results in a = richer and more fulfilling experience.=20 >>=20 >> I honestly believe this was one of the most important encounters in = my life. I was 18 at the time and I have dedicated much of my life since = (more than half of it at this point) to trying to live up to John's = words and studying mathematics, something which I had formerly = considered myself to be irretrievably bad at. John also recommended a = book "Mathematics and Its History" by John Stillwell which I have been = making periodic attempts at reading for many years now.=20 >>=20 >> We met at a couple of events after that, probably the LAC and ICMC = and he was on each occasion both gracious and encouraging. >>=20 >> For his work on Csound alone we owe John a great deal but for many of = us, as others have been saying, John's presence had a deeper = significance.=20 >>=20 >> Rest in peace. --Apple-Mail=_4F54373C-6A8A-4980-AE5A-0BFFB05ACA7C Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html aria-label=3D"message body"><head><meta http-equiv=3D"content-type" = content=3D"text/html; charset=3Dutf-8"></head><body = style=3D"overflow-wrap: break-word; -webkit-nbsp-mode: space; = line-break: after-white-space;"><p style=3D"margin: 0px; font-style: = normal; font-variant-caps: normal; font-width: normal; font-size: 13px; = line-height: normal; font-family: "Helvetica Neue"; = font-size-adjust: none; font-kerning: auto; font-variant-alternates: = normal; font-variant-ligatures: normal; font-variant-numeric: normal; = font-variant-east-asian: normal; font-variant-position: normal; = font-variant-emoji: normal; font-feature-settings: normal; = font-optical-sizing: auto; font-variation-settings: normal;">Thanks Dr B = for sharing the sad news. John had his eye on what was happening in the = world of computing and music much before he got involved in Csound. He = was a freshly minted PhD working as a maths tutor at the University of = Bath, when I first met him at that unforgettable computer music = conference in Delphi in 1992 with Iannis Xenakis, Paul Lansky, Roger = Reynolds, Perry Cook, and Gerard Pape in attendance and presentations on = NeXT workstations and the UPIC machine. Around that time John often = showed up on the tuning list and was at ICMC in Hong Kong in 1996 when = John Chalmers gave a special presentation on alternative tuning systems. = Shortly afterwards some of Csound=E2=80=99s first tuning opcodes = appeared, written by John ffitch and documented by Bill Alves on the = Csound Book companion CD. I still use these opcodes to this day. His = particular area might have been maths but he had no trouble = communicating and occasionally playing with others in adjacent paddocks. = It was not beneath him to take part in my phone swinging performances = like the one at 2008 ICMC Belfast, even though these were probably not = the most flattering show case of his work. He introduced me to Gem = Finer, another of his many collaborators who worked on a mobile phone = project at the Uni of Bath in 2009. John replicates the example of Barry = Vercoe who created versions of the earliest computer music resources = that allowed researchers to continue the work Max Mathews began at Bell = Labs. I=E2=80=99m sure many on this forum would agree the reach of = Vercoe=E2=80=99s Csound today is due in no small measure to John=E2=80=99s= generosity and breadth of vision. Vale. Greg S</p><div><br><blockquote = type=3D"cite"><div>On 18 Jun 2026, at 00:40, Gleb Rogozinsky = <[email protected]> wrote:</div><br = class=3D"Apple-interchange-newline"><div><div dir=3D"ltr">It is very sad = to hear about John's passing. For me, and for so many of us, John ffitch = was present in the Csound world from the very beginning =E2=80=94 a = living example of brilliant thinking, self-discipline, and deep = awareness. I hope that someday, in another universe, we will meet again, = and I will have more time to talk with you, John. Rest in = peace.<br></div><br><div class=3D"gmail_quote = gmail_quote_container"><div dir=3D"ltr" class=3D"gmail_attr">On Tue, 16 = Jun 2026 at 19:43, Joel Ross <<a = href=3D"mailto:[email protected]">[email protected]</a>&= gt; wrote:<br></div><blockquote class=3D"gmail_quote" style=3D"margin:0px = 0px 0px = 0.8ex;border-left-width:1px;border-left-style:solid;border-left-color:rgb(= 204,204,204);padding-left:1ex"><div dir=3D"ltr"><div>Thank you Richard. = This is terribly sad news. </div><div><br></div><div>I fondly = remember attending the 2008 Linux Audio Conference in K=C3=B6ln at = which John presented a talk about work by one of his students. John's = other contribution to that conference was a panel discussion which I = believe was called Maths Rocks (pun intended, and appropriate!) = including Julius Smith, John ffitch and possibly others talking about = the importance of mathematics for music and audio. It was John's words = which made the most impression on me at the time, he said "Don't filter = your inputs", by which I believe he meant to emphasise the importance of = reading and studying widely in mathematics, since you never know what = connections you might make and besides such an attitude results in a = richer and more fulfilling experience. </div><div><br></div><div>I = honestly believe this was one of the most important encounters in my = life. I was 18 at the time and I have dedicated much of my life since = (more than half of it at this point) to trying to live up to John's = words and studying mathematics, something which I had formerly = considered myself to be irretrievably bad at. John also recommended a = book "Mathematics and Its History" by John Stillwell which I have been = making periodic attempts at reading for many years = now. </div><div><br></div><div>We met at a couple of events after = that, probably the LAC and ICMC and he was on each occasion both = gracious and encouraging.</div><div><br></div><div>For his work on = Csound alone we owe John a great deal but for many of us, as others have = been saying, John's presence had a deeper = significance. </div><div><br></div><div>Rest in peace.</div></div> </blockquote></div> </div></blockquote></div><br></body></html>= --Apple-Mail=_4F54373C-6A8A-4980-AE5A-0BFFB05ACA7C--