Re: A-rate vs K-rate
"iain duncan" <[email protected]> Tue, 25 May 2004 13:11:44 -0700
| Newsgroups | gmane.comp.audio.csound.tekno |
|---|---|
| Message-ID | <007e01c44294$8044c4c0$ed7b149a@xornot1> |
Yup, Josep beat me to it. We got great performance with krate between 100-440, and lots of use of the upsamp and interp opcodes. They work amazingly well. And if you are doing a lot of modulation math ( ie envelopes modulating lfos and patch settings ) the savings are very significant between doing the math at krate and then interpolating at the very end on only the final applied variable, vs doing all the math with higher krate variables or even arate variables. Does this make sense? If not I can find an example around here and post it. Iain ----- Original Message ----- From: "Josep MComajuncosas" <[email protected]> To: <[email protected]> Sent: Tuesday, May 25, 2004 7:59 AM Subject: RE: [CsndTek] A-rate vs K-rate > Use kr=100 or so, maximum 440, but it's not necessary. Keep as much > variables as possible working at k-rate: envelopes (sometimes you'll > need a-rate envelopes), lfo's, GUI-driven controls.... Just at the end > upsample or interp them to a-rate to get better quality. If necessary > you can encapsulate sections of code in instruments working at kr=sr. > > Josep M Comajuncosas > > _______________________________________________ > csoundtekno mailing list > [email protected] > > Subscribe, unsubscribe, change mailing list options: > http://plot.bek.no/mailman/listinfo/csoundtekno _______________________________________________ csoundtekno mailing list [email protected] Subscribe, unsubscribe, change mailing list options: http://plot.bek.no/mailman/listinfo/csoundtekno