Re: Fwd: Re: merging mono files

"Dr. Mark Bugeja MD" <[email protected]>
Newsgroups gmane.comp.audio.sox
Message-ID <[email protected]>
neither will it preserve pitch information I noticed. :-(

Ok.... if I were to carry on with sox, what syntax would I need to use 
so that all the 61 files in a folder are matched up with the 
corresponding ones to output files with the same name in a different folder?

The files are called by notes on a scale preceded by a number eg 
036-C.wav, 037-C#.wav, 038-D.wav, and so on. I therefore need to match 
the 036-C.wav in the left folder with the 036-C.wav in the right folder.

Mark


On 09/12/2016 18:48, Erich Eckner wrote:
> Hi,
>
> I just had a brief look at your example files and it looks like the mono
> files are actually stereo, but with one channel muted (in retrospect I
> think, you mentioned that). So the correct sox comman to combine these
> would be
>
> sox -M left.wav right.wav stereo.wav remix 1 4
>
> this imports all 4 channels (actual left channel, silent right channel
> in left file, silent left channel in right file, actual right channel)
> to sox and exports only the actual left and right in one file (a.k.a.
> stereo).
> However, this will still not preserve the markers.
>
> regards,
> Erich
>
> On 09.12.2016 15:10, Dr. Mark Bugeja MD wrote:
>> The mega links works - just tried it myself.
>>
>> These are the original left and right wav samples and the stereo (sox
>> generated) file together with the bat file used.
>>
>> https://mega.nz/#!oYYlARqQ!HMwkzCuDoFjBQvUwEFJjnrDbuJrN5kQ6ptKlEV5QWng
>>
>>
>> On 09/12/2016 14:51, Jan Stary wrote:
>>> On Dec 08 14:36:54, [email protected] wrote:
>>>> Loops are markers that allow appropriate software to keep sounding a
>>>> note
>>>> (recorded sample) played digitally on a MIDI keyboard for as long as the
>>>> note is held down even though the recorded sample may be of only a few
>>>> seconds' duration.
>>>>
>>>> The release marker is placed in the point where the note is released
>>>> in the
>>>> actual recorded sample and where the sounds starts to fade away. The
>>>> software needs to know that moment especially if there are multiple
>>>> releases
>>>> available for that note that would represent "staccato", "portato" and
>>>> longer held notes. This exercise renders more realism when recorded
>>>> samples
>>>> are played from a "sampleset" loaded in software like jOrgan,
>>>> GrandOrgue and
>>>> Hauptwerk.
>>> This would be a perfect beginning of your original post.
>>> Now I understand why you need to preserve them: you are building
>>> and actual sample library to be used with MIDI. Indeed, attack
>>> and sustain and release and decay are indisposable.
>>>
>>>> Picture (42kB):
>>>> https://mega.nz/#!dQIwkDKI!QlrmlYHywFqpG9ujJfJLBm_1skxaYz88AJJJy4Euxs0
>>> An error occurred while loading MEGA.
>>> Filename: :0
>>> Exception: out of memory
>>> Please try again later. We apologize for the inconvenience
>>>
>>>> In the example demonstated there is no release marker as the "tail"
>>>> of the
>>>> waveform was removed and saved as a separate file. So the end of a loops
>>>> would be the release marker in such instances.
>>>>
>>>> Clearly from this picture loops and markers were not retained in the
>>>> merger
>>>> using sox though the exercise was purely a simple exercise without any
>>>> frills of extra codes.
>>> I don't have the picture, but I thnik I can picture it.
>>> How is a piece of audio software (a clickwty editor)
>>> expected to display a waveform with cue points such as release?
>>> Especially if there is more than one possible release point?
>>>
>>> Can you please post some of the original files (that do have
>>> the markers) so that we make actually look at them?
>>>
>>>      Jan
>>>
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>>
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