Re: podcasts, mics, evolution and PG !

GdJ:
> i imagine also cutting dead air, and because of the cutting not
> hesitating to create dead air while thinking about the next thing.

(*grin*)
I suggest you don't get _too_ permissive.  Removing unwanted bits can itself
be a bore.
You must retain discipline --the same discipline you'd have to employ were
you speaking "live."
IOW, post-production minimization is a goal worth pursuing.

> > But relatively good delivery is critical.
>
> i have some ideas.  i think it'll be fun.

He said the main thing.  "Delivery" is nearly _every_thing.  Diction,
animation, intensity, focus, "flow," etcetera.
(I was a stage actor once; I speak from experience.)

> i'm going to do more than talk about the code.  i think d@h offers
> lots of opportunities to talk about evolution in general and even
> about memetics, as well as about fluidiom code and he geometry behind

I was not aware you were seriously interested in evolution itself.
Perhaps I can drive some of a mailing list full of professional
'evolutionists' your way, from the NCSE (National Center for Science
Education --Eugenie C. Scott, president) mailing list.

> On 8/23/06, Kirby Urner <[email protected]> wrote:
> > > please keep in mind that i'm concerned about getting slammed for using
> > > music for which i haven't cleared the rights.  i need to spend an
> > > evening redoing the music with creative commons stuff before it can be
> > > published on a larger scale.
> >
> > I think the worst you would get is a cease and desist, at which point
you
> > could take it down.  But for all we know, the artist might be pleased to
> > associate with your artistry -- send a copy to him somehow and maybe
he'll
> > grant permission?
>
> i found a link to representation here in NL from philipglass.com, and
> i've posed the question to them.  if the worst was certainly a cease
> and desist, i'd do it.  i'm afraid of having to pay a fine for every
> download, which might be difficult to estimate.

_Philip_Glass_ ??!!
EXcellent choice.  You're 'into' "alternative" composers?  Any Tomita being
considered?  Kitaro?  Vangelis?
Have you the Philip Glass // Ravi Shankar collaboration?  (A most
'atmospheric' CD.)

Good luck!

Peace
JB
[email protected]
Web: http://tetrahedraverse.com


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