Re: Re: Mood Boards

Answers to Questions about Solutions:

   1. I always try for one. Two, when pressed (this hasn't happened very
      often).
   2. Rarely  are both rejected. When it happens it's usually because
      I'm ignoring what clients tell me they need because I get
      obsessesed with a concept.
   3. I do initial concept sketches, usually 3 or 4 and then develop
      one. I do check in with the client as I go along, though.
   4. Revisions depend on the agreement I made with the client. Usually
      not more than a couple.
   5. I think the client usually isn't too worried about the fee when
      they're happy with the result. They allocate funds for the project
      and they want to get the result asap. They don't want it to be an
      elaborate process. We as designers are into the process, they're
      usually into the result.



Michael James Pinto wrote:

>--- Clay Bodine <[email protected]> wrote:
>  
>
>>I've always tried to present one and no more than two solutions. I've 
>>done this pretty successfully at four different business to business and 
>>business to consumer agencies. Early on I used to present more, but 
>>found that invariably clients presented with choices wanted to mix and 
>>match from all the solutions I presented and ended up insisting on a 
>>half-assed compromise. I think it's in the pitch really. If you believe 
>>in the solution you're presenting, sell it. I think you get the best 
>>results.
>>    
>>
>
>Questions:
>
>1. Why two and not just one? Do you ever break your own rule?
>
>2. Have you ever hit a situation where both are rejected?
>
>3. I take it that you still create multiples, it just that
>   you aren't showing them?
>
>4. How many sets of revisions do you allow?
>
>5. I tend to do the multiple thing because I imagine that
>   it justifies the fee on some level - since you only show
>   two - does this financial point ever come up with clients
>   in terms of expectations?
>
>I guess I've always aspired to just showing one thing, and 
>when I did magazine and newspaper design not only could I do
>that - but also as the art direction I could even (but not
>always) push the editor or publisher my way as we were on the
>same team.
>
>But running a firm/agency it feels like they sort of expect
>the "dog and poney show" for their fee - and the three ring
>circus of solutions seems to go over well. EXCEPT yes your
>darn right it tends to result in weaker solutions.
>
>I also tend to work in multiple styles - so while I tend
>to always have a favorite, should I just suck it up and not 
>show all the work that went into it?
>
>Just thinking out loud - any feedback on this would be useful.
>
>
>=====
>Michael James Pinto 
>Interactive Media Pioneer & Low-Budget Renaissance Man
>http://www.vm.com | http://www.anime.com 
>
>This is a must read essay:
>http://comment.independent.co.uk/commentators/story.jsp?story=602558
>
>Please join my Arts & Tech list: 
>http://groups.yahoo.com/group/EIA_list
>
>
>
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