[SPAM] ous Crucifix

 of a monk. Turn to his other pictures; those, for instance, in which he
strove to depict Christ's Passion; we are not looking at the stormy
scene represented by Matsys or Gruenewald; he has none of their harsh
manliness, nor their gloomy energy, nor their tragic turbulence; he only
weeps with the uncomforted grief of a woman. He is a Sister rather than
a Friar-artist; and it is from this loving sensibility, which in the
mystic vocation is more generally peculiar to women, that he has drawn
the pathetic orisons and tender lamentation of his works. And was i

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