Re: Neat summary of Google strategy
Chris <[email protected]>
| Newsgroups | gmane.culture.literature.ebook-community |
|---|---|
| Message-ID | <[email protected]> |
On Mon, 8 Jun 2009, Marion Gropen wrote:
> -- Works DO go into the public domain eventually, so it's not
> as if there will never be the possibility of re-issuing them.
This is certainly true if you simply don't know how to track down
heirs who are rightsholders. However - how does this work if
everyone has lost track of the author? If there is no definitive
report of an author's death, when does "life+X" start counting
down?
> -- There are always a LOT of alternative works that could be
> used. It's just not very likely that you've found the one and
> only work that fits your need. It's a classic newbie mistake to
> think that his or her book is unique, and I think it would be
> similarly off-base to think that an orphan work is
> irreplaceable.
This comment has been leaving me with a very uneasy feeling for
two weeks now. And to be clear - that's because I'm thinking it
might be *right*, not because I think it is wrong.
If this is generally true - that for any given book, there are
alternatives that fit the role to some degree - then it's likely
going to be true for any book -- even new ones. This is not to
say that one book isn't going to be a better fit than the rest,
and that it can justify a higher value. But in general, this is
going to mean that the greater the sheer volume a book is
competing against, the less it can justify its value above its
competitors. And to be clear - I don't have a problem thinking
that in many cases, paper books are competing against video and
audio in all it's various forms, as well as competing against
electronic text.
Seen this way, e-books are not a specific threat to paper books.
They are just one of a number of symptoms of a massive volume of
material .. "out there". Many of these alternatives can take
advantage of new technologies to lower distribution costs, which
has the effect of enabling a wider swath of material to become
available.
But it also means that for any author who is not at the top of
the pile (and maybe even some of those), the value of their next
work is getting lower each time. And it's not piracy that's doing
it - it's the wide array of material that serves as your
competition.
Marion, your long-standing question about what to do if and/or
when free ebooks can't drive the sales of paper (because
electronic has become the primary mode) starts to look a little
different. The low and lowering cost of electronic means that a
new book - ebook or paper - is competing against an ever
increasing swell of material of all types. The question still
stands, and is important - but the reason we get to that point is
much more about the entire range of creative media, not just
because of ebooks.
The problem for paper books may then be that the creation process
simply means they cost more than the market will bear. And you
could legislate copyright all you want, but at the end of the
day, if it costs more than people will pay, then they won't pay.
They might pirate, or they might select something cheaper - but
they won't pay.
Unless we re-write copyright to *force* people to pay creators to
create (whether or not they want the results), then strong
copyright will only hasten the downfall of relatively expensive
works. Of course, rampant copying will also hasten the downfall
of expensive works. But in the face of such economic pressure,
perhaps nothing can keep the value of works up. (I've yet to see
a law that can oppose strong economic pressure.)
This ends up being a brutally simply direction.
Most people will pay less. Most creators will earn less. Creators
will either accept less or stop creating. Those creators
accepting less might very well find that there are many more
outlets for their creativity, and other ways - yes, such as
advertising - to tap into the flow of value. But that still may
not make up for the losses elsewhere.
In such an environs, ebooks will almost certainly work very well.
But - that's hardly the point here, is it?
... Chris
: chris smith ::::::::::::::::::::::::::::::::::::::::::::::::::
: nihil tam munitum quod non expugnari pecunia possit - cicero :
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