Re: what are orphan works?

Erica Frank <[email protected]>
Newsgroups gmane.culture.literature.ebook-community
Message-ID <[email protected]>
On 9/27/09, jon <jonjermey-sFbbPxZDHXw0n/[email protected]> wrote:
> > On Sun, Sep 27, 2009 at 9:17 AM, joseph harris <[email protected]> wrote:
>  >
>  >> I am genuinely puzzled at what exactly people do expect to find that is of value. I'm not asking for either justification of the general idea, nor of the view opposing that. I don't think I've seen a fistful of actual examples, or even genuine areas that are going to produce this 'great benefit'.
>  >
>
>
> Here's a fistful for you:
>
>  Between 1924 and 1960 the British author John Rhode wrote all the books
>  listed below under a variety of names. Guess how many of them are now in
>  print? Two or three at the most. Yet Rhode was a famous and established
>  writer who was and is much loved by his fans, and produced a unique type
>  of detective story which has never been surpassed.

How are these "orphaned?" Were they re-registered, and the person or
heir of the person who registered them is unfindable?

If they were published in the US, and weren't re-registered with the
US copyright office 28 years (+/-1) after their original publication,
those are in the public domain.

-- 
"I follow Eris blindly in all things. That She is the Goddess of Chaos
simplifies this immensely."  -- Christian the Pagan


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