Re: Re: Copyright Expiration ?
joseph h <joe9438-/[email protected]>
| Newsgroups | gmane.culture.literature.ebook-community |
|---|---|
| Message-ID | <[email protected]> |
On 09/08/2012 4:49 PM, Dave wrote:
> >
> My only reason for suggesting a limited term was to make orphan works
> more accessible. Please note that I originally suggested that such
> limit would only to apply out of print. Presumably this will not
> happen with ebooks.
>
> Regarding the need for a renewal mechanism I think you made my point
> with Disney. And others with similar similar assets - i.e. the recent
> (relatively) resurrection of Betty Boop.
>
> I raised this question as an avid reader who is not involved in
> publishing. I'm encouraged that the flogged horse isn't dead but sorry
> that you feel it isn't going anywhere soon.
>
Dave,
My difficulty is not that I don't understand your points, nor that I am
unaware of the changes that have been happening for the past two
decades, and particularly the last 5 years. But the situation that may
be hard for an observer to recognise is that copyright is 'indivisible'.
By that I mean that it specifically gives control of copying; without
that there would be no, could be no, publishing or film or music industry.
We tend to always look at the major players, the giant companies, the
best sellers, the multi-millionaire pop artistes for our judgements;
"Why should they...?" we ask.
But the industries that rely on IP, and particularly copyright, are
really made up of millions and millions of ordinary people like us, who
put the family bread on the table because that contract between creative
people and the state (and the state is you and I) is honoured and fairly
clear to understand. Writers and publishers of course, but those who
benefit do all the jobs that need to be done in any business, and all
the contractors like designers, like printers or converters of formats,
like booksellers - print or digital, for example. And that even spills
over into delivery, like post offices and bookseller hosts online.
The problem about unavailable works is one of impatience, rather than
any fundamental fault in the system. Like all systems, all industries,
all individuals like you and I, there is a lack of perfection; there are
some desirable things that have to give way to the practical and the
necessary. And, let's face it honestly, we all suffer at times from
sheer bloody-mindedness - and even stupidity.
Are there faults, things to be improved, things that inconvenience us?
Sure there are. But does the business as a whole deliver an incredible
array of material of countless kinds to satisfy a range and complexity
of demand and interest with amazing peaks of quality [and maybe much
dross]? You betcha! And is that worth praising and recognising, even
while we look to improve every possible area?
I think so. In all honesty, don't you?
Joseph Harris
[Non-text portions of this message have been removed]
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