The Washington Post reviews Dark Reflections...
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Subject: Review-a-Day: Dark Reflections
From: [email protected]
Date: Fri, July 20, 2007 2:00 am
To: [email protected]
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Today's Review From
Washington Post Book World
Dark Reflections
by Samuel R. Delany
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A Poet's Gaze
A review by Andrew Holleran
Samuel Delany's new novel is a triptych -- a biography, in reverse, of a
poet we see at three stages in life. On the first panel,
a decrepit writer is dining with his young editor; on the second,
a middle-aged groom searches for sex in a public restroom on his
wedding night; in the third, a college boy falls in love.
The figure in all three scenes is a man who, whenever he finds
photographs of himself, invariably turns them over and writes
on the back, "The poet Arnold Hawley." More specifically, Arnold
Hawley is a black, gay poet who lives in Manhattan's East Village. Dark
Reflections is a sort of love letter to that part of town,
when it sheltered the homeless and the hustler in a way it no
longer does.
Beneath the physical and psychological squalor, the humiliations
of poetry and poverty, lies a certain nostalgie de la boue. The
10-year-old bookworm raised by an intellectual aunt who prefers
Berg to Webern (Arnold's favorite) ends up "a very fragile" old
man who wonders when he enters the subway whether the smell of
urine is coming from him or the station. He is also unable to
forget the remark a famous white poet made when a poet of color
was admitted to a literary society: "Who let the coon in?"
His consciousness, however, remains essentially childlike. The
same wonder is bestowed on dinner ("her veal -- which really was
awfully good") as on the darkness of a restroom swarming with
homosexuals ("Yes, there were men in here!").
In previous books, Delany has shown himself to be comfortable
with both gay and straight, black and white milieus -- not to
mention various literary forms -- but the hero of this heartfelt,
often funny book is triply alienated. Looking at a beautiful oak
door painted over, he thinks: "Some things were ruined, and you
had to let them go, which was how, actually, Arnold had always
thought about his own sexuality." His only brothers are brothers:
other gay black male writers. Yet sex with men terrifies him.
Meanwhile, the psychotics, policemen, hustlers and suicides he
meets are mere obstructions to be endured till the next poem,
mercifully, arrives.
In the end, like Doctor T.J. Eckleburg in The Great Gatsby, he's
nothing but a pair of spectacles. Yet Dark Reflections, while
harrowing and bleak, is mainly tender -- a loving rendition of
a place that gentrification has all but obliterated, a spot-on
portrait of the East Village artist as a gay black geek.
Andrew Holleran's most recent novel is Grief.
Read the review online at:
http://www.powells.com/n/220/wpb/review/2007_07_20
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