RE: Ash of Stars
Dan'l Danehy-Oakes <[email protected]> Mon, 17 Oct 2011 08:26:58 -0700
| Newsgroups | gmane.culture.sf.delany |
|---|---|
| Message-ID | <[email protected]> |
Ralph, The "union of the criminal and the artist" comes, I think, from two things. The first is the existence of a few notable poets in history who were outlaws (notably Francois Villon, arguably the best French poet of his century). The second, and more important to my mind, is that both artists and criminals stand in opposition to society. --Dan'l To: [email protected]; [email protected] From: [email protected] Date: Mon, 17 Oct 2011 04:18:19 -0400 Subject: Re: [delany-list] Ash of Stars I haven't read Delany himself in many years, but reading the first few essays in this book have blown my mind. There are certain aspects of contemporary academic writing and ideology in the book, and the framing of academic concerns, that always irritate me, but the observations of some of these authors give me something new to think about as well as to pinpoint my particular reactions to Delany, to reception of Delany, to subcultures, etc. I don't believe in the union of the criminal and the artist, by the way. That kind of thinking has got to go. On Sun, 16 Oct 2011 01:05:46 -0400, [email protected] wrote: Well, I finally located a cheap copy in a used book store, been on my list for some time. Actually, though, it's been some years since I read anything by or about Delany.Maybe the attempts to decipher k> Leslie Steiner will pique my interest. [Non-text portions of this message have been removed] [Non-text portions of this message have been removed]