New Issue: Science Fiction Film & Television
"Ainsworth, Megan [mains]" <[email protected]> Mon, 3 Jul 2017 09:21:51 +0000
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New Issue: Science Fiction Film & Television<http://online.liverpoolunivers=
itypress.co.uk/toc/sfftv/10/2>
Volume: 10, Number: 2 (June 2017)
Science Fiction Film and Television is a peer-reviewed journal published th=
ree times a year by Liverpool University Press. Edited by Mark Bould (UWE),=
Sherryl Vint (University of California, Riverside) and Gerry Canavan (Marq=
uette University), with an international board of advisory editors, it enco=
urages dialogue among the scholarly and intellectual communities of science=
fiction studies, film studies and television studies.
We invite submissions on all areas of sf film and television, from Hollywoo=
d productions to Korean or Turkish sf film, from SyFy productions to the or=
igins of sf tv in Rod Brown of the Rocket Rangers or The Quatermass Experim=
ent. We encourage papers which consider neglected texts, propose innovative=
ways of looking at canonical texts, or explore the tensions and synergies =
that emerge from the interaction of genre and medium.
You can keep up to date with the journal by clicking here<http://online.liv=
erpooluniversitypress.co.uk/action/showAlertSettings?journalCode=3Dsfftv&ac=
tion=3DaddJournal> to sign up to new issue alerts, and can learn more about=
the title at its website page here<http://online.liverpooluniversitypress.=
co.uk/loi/sfftv>.
The above issue is now available online at: http://online.liverpooluniversi=
typress.co.uk/toc/sfftv/10/2?ai=3Dsd&ui=3D273v&af=3DT
Contents:
Introduction: Stephen King and science fiction
Science Fiction Film & Television; Vol. 10
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.10?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Stephen King's IT and Dreamcatcher on screen: hegemonic white
masculinity and nostalgia for underdog boyhood
Regina Hansen
Science Fiction Film & Television, Vol. 10, No. 2: 161-176.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.11?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Alien on the inside: the adaptation of Stephen King's alien possession
tales
Wickham Clayton
Science Fiction Film & Television, Vol. 10, No. 2: 177-196.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.12?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
'It rained fire': The Running Man from Bachman to Schwarzenegger
Craig Ian Mann
Science Fiction Film & Television, Vol. 10, No. 2: 197-213.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.13?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Who made who(m)? Listening to Stephen King's Maximum Overdrive (1986)
Nicholas C. Laudadio
Science Fiction Film & Television, Vol. 10, No. 2: 215-229.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.14?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
'They brought it on themselves!': adapting and reflecting cultural
fears, from The Shop to Rossum
Erin Giannini
Science Fiction Film & Television, Vol. 10, No. 2: 231-249.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.15?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Navigating uncertainty: trouble in Haven
Max Sexton
Science Fiction Film & Television, Vol. 10, No. 2: 251-265.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.16?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
'Alternate versions of the same reality': adapting Under the Dome as
an sf television series
Simon Brown
Science Fiction Film & Television, Vol. 10, No. 2: 267-283.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.17?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Book review
Stina Attebery
Science Fiction Film & Television, Vol. 10, No. 2: 285-287.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.18?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
DVD reviews
Brian Kenna and Ross P. Garner
Science Fiction Film & Television, Vol. 10, No. 2: 289-298.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.19?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
About the contributors
Science Fiction Film & Television, Vol. 10, No. 2: 299-300.
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.20?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Copyright 2017 Liverpool University Press. All Rights Reserved.
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<div class=3D"WordSection1">
<p class=3D"MsoPlainText"><span style=3D"font-size:22.0pt">New Issue:<b><i>=
<a href=3D"http://online.liverpooluniversitypress.co.uk/toc/sfftv/10/2">
Science Fiction Film & Television</a> <o:p></o:p></i></b></span></p>
<p class=3D"MsoPlainText"><b><span style=3D"font-size:22.0pt">Volume: 10, N=
umber: 2 (June 2017)<i>
<o:p></o:p></i></span></b></p>
<p class=3D"MsoPlainText"><b><i><o:p> </o:p></i></b></p>
<p class=3D"MsoPlainText"><b><i>Science Fiction Film and Television</i></b>=
is a peer-reviewed journal published three times a year by Liverpool Unive=
rsity Press. Edited by Mark Bould (UWE), Sherryl Vint (University of Califo=
rnia, Riverside) and Gerry Canavan
(Marquette University), with an international board of advisory editors, i=
t encourages dialogue among the scholarly and intellectual communities of s=
cience fiction studies, film studies and television studies.<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText">We invite submissions on all areas of sf film and=
television, from Hollywood productions to Korean or Turkish sf film, from =
SyFy productions to the origins of sf tv in Rod Brown of the Rocket Rangers=
or The Quatermass Experiment. We
encourage papers which consider neglected texts, propose innovative ways o=
f looking at canonical texts, or explore the tensions and synergies that em=
erge from the interaction of genre and medium.<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText">You can keep up to date with the journal by click=
ing <a href=3D"http://online.liverpooluniversitypress.co.uk/action/showAler=
tSettings?journalCode=3Dsfftv&action=3DaddJournal">
here</a> to sign up to new issue alerts, and can learn more about the title=
at its website page
<a href=3D"http://online.liverpooluniversitypress.co.uk/loi/sfftv">here</a>=
.<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"><b>The above issue is now available online at: <a=
href=3D"http://online.liverpooluniversitypress.co.uk/toc/sfftv/10/2?ai=3Ds=
d&ui=3D273v&af=3DT">
http://online.liverpooluniversitypress.co.uk/toc/sfftv/10/2?ai=3Dsd&ui=
=3D273v&af=3DT</a> <o:p></o:p></b></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"><span style=3D"font-size:20.0pt">Contents:<o:p></=
o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Introduction: Stephen King and scien=
ce fiction <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Televisio=
n; Vol. 10 <o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.10?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.10?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Stephen King’s IT and Dre=
amcatcher on screen: hegemonic white
<o:p></o:p></p>
<p class=3D"MsoPlainText"> masculinity and nostalgia for u=
nderdog boyhood <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Regina Hansen <o:p></o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Tele=
vision, Vol. 10, No. 2: 161-176.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.11?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.11?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Alien on the inside: the adapta=
tion of Stephen King’s alien possession
<o:p></o:p></p>
<p class=3D"MsoPlainText"> tales <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Wickham Clayton <o:p></o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Tele=
vision, Vol. 10, No. 2: 177-196.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.12?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.12?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> ‘It rained fire’: T=
he Running Man from Bachman to Schwarzenegger
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Craig Ian Mann <o:p></o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Tele=
vision, Vol. 10, No. 2: 197-213.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.13?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.13?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Who made who(m)? Listening to S=
tephen King’s Maximum Overdrive (1986)
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Nicholas C. Laudadio <o:p></o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Tele=
vision, Vol. 10, No. 2: 215-229.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.14?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.14?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> ‘They brought it on thems=
elves!’: adapting and reflecting cultural
<o:p></o:p></p>
<p class=3D"MsoPlainText"> fears, from The Shop to Rossum =
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Erin Giannini <o:p></o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Tele=
vision, Vol. 10, No. 2: 231-249.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.15?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.15?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Navigating uncertainty: trouble=
in Haven <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Max Sexton <o:p></o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Tele=
vision, Vol. 10, No. 2: 251-265.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.16?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.16?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> ‘Alternate versions of th=
e same reality’: adapting Under the Dome as
<o:p></o:p></p>
<p class=3D"MsoPlainText"> an sf television series <o:p></=
o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Simon Brown <o:p></o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Tele=
vision, Vol. 10, No. 2: 267-283.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.17?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.17?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Book review <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Stina Attebery <o:p></o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Tele=
vision, Vol. 10, No. 2: 285-287.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.18?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.18?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> DVD reviews <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Brian Kenna and Ross P. Garner <o:p>=
</o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Tele=
vision, Vol. 10, No. 2: 289-298.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.19?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.19?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> About the contributors <o:p></o=
:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Science Fiction Film & Televisio=
n, Vol. 10, No. 2: 299-300.
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <a href=3D"http://online.liverp=
ooluniversitypress.co.uk/doi/10.3828/sfftv.2017.20?ai=3Dsd&ui=3D273v&am=
p;af=3DT">http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.20?ai=3Dsd&ui=3D273v&af=3DT</a>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Copyright 2017 Liverpool Univer=
sity Press. All Rights Reserved.<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p> </o:p></p>
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--_000_14b750f6087e4562a16eab0f422d57c4liverpoolacuk_--