New Issue: Science Fiction Film & Television 10.3
"Ainsworth, Megan [mains]" <[email protected]> Mon, 23 Oct 2017 09:02:22 +0000
| Newsgroups | gmane.culture.sf.literature |
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Science Fiction Film & Television Volume: 10, Number: 3 (October 2017)<http=
://online.liverpooluniversitypress.co.uk/toc/sfftv/10/3>
Science Fiction Film and Television is a peer-reviewed journal published th=
ree times a year by Liverpool University Press. Edited by Mark Bould (UWE),=
Sherryl Vint (University of California, Riverside) and Gerry Canavan (Marq=
uette University), with an international board of advisory editors, it enco=
urages dialogue among the scholarly and intellectual communities of science=
fiction studies, film studies and television studies.
You can keep up to date with the journal by clicking here<http://online.liv=
erpooluniversitypress.co.uk/action/showAlertSettings?journalCode=3Dsfftv&ac=
tion=3DaddJournal> to sign up to new issue alerts, and can learn more about=
the title at its website page here<http://online.liverpooluniversitypress.=
co.uk/loi/sfftv>.
The above issue is now available online at: http://online.liverpooluniversi=
typress.co.uk/toc/sfftv/10/3?ai=3Dsd&ui=3D273v&af=3DT
Contents:
Mad Max: between apocalypse and utopia<http://online.liverpooluniversity=
press.co.uk/doi/10.3828/sfftv.2017.21?ai=3Dsd&ui=3D273v&af=3DT>
Dan Hassler-Forest
------------------------------------------------------------------------
The American Mad Max: The Road Warrior versus the Postman<http://online.=
liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.22?ai=3Dsd&ui=3D273v&=
af=3DT>
John Hay
------------------------------------------------------------------------
Nowhere to run: Repetition compulsion and heterotopia in the Australian =
post-apocalypse - from 'Crabs' to Mad Max Beyond Thunderdome<http://online.=
liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.23?ai=3Dsd&ui=3D273v&=
af=3DT>
Claire Corbett
------------------------------------------------------------------------
Re-casting nature as feminist space in Mad Max: Fury Road<http://online.=
liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.24?ai=3Dsd&ui=3D273v&=
af=3DT>
Michelle Yates
------------------------------------------------------------------------
'Who killed the world?' Religious paradox in Mad Max: Fury Road<http://o=
nline.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.25?ai=3Dsd&ui=
=3D273v&af=3DT>
Bonnie McLean
------------------------------------------------------------------------
"Beating an undead zombie? Not yet"<http://online.liverpooluniversitypre=
ss.co.uk/doi/10.3828/sfftv.2017.26?ai=3Dsd&ui=3D273v&af=3DT>
Lorenzo Servitje
------------------------------------------------------------------------
Book reviews<http://online.liverpooluniversitypress.co.uk/doi/10.3828/sf=
ftv.2017.27?ai=3Dsd&ui=3D273v&af=3DT>
Dan Hassler-Forest, Sherryl Vint, Jennifer Rhee, Carl Freedman, and Mark=
Bould
------------------------------------------------------------------------
DVD Reviews<http://online.liverpooluniversitypress.co.uk/doi/10.3828/sff=
tv.2017.28?ai=3Dsd&ui=3D273v&af=3DT>
Michael C. Reiff, Cameron Kunzelman, Skye Cervone, and Matt Schneider
------------------------------------------------------------------------
About the contributors<http://online.liverpooluniversitypress.co.uk/doi/=
10.3828/sfftv.2017.29?ai=3Dsd&ui=3D273v&af=3DT>
------------------------------------------------------------------------
Index<http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.201=
7.30?ai=3Dsd&ui=3D273v&af=3DT>
------------------------------------------------------------------------
Copyright 2017 Liverpool University Press. All Rights Reserved.
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<div class=3D"WordSection1">
<p class=3D"MsoPlainText"><i><span style=3D"font-size:20.0pt;color:#C00000"=
><a href=3D"http://online.liverpooluniversitypress.co.uk/toc/sfftv/10/3"><s=
pan style=3D"color:#C00000">Science Fiction Film & Television Volume: 1=
0, Number: 3 (October 2017)</span></a></span></i><i><span style=3D"font-siz=
e:20.0pt">
<o:p></o:p></span></i></p>
<p class=3D"MsoPlainText"> <o:p></o:p></p>
<p class=3D"MsoPlainText"><i>Science Fiction Film and Television</i> is a p=
eer-reviewed journal published three times a year by Liverpool University P=
ress. Edited by Mark Bould (UWE), Sherryl Vint (University of California, R=
iverside) and Gerry Canavan (Marquette
University), with an international board of advisory editors, it encourage=
s dialogue among the scholarly and intellectual communities of science fict=
ion studies, film studies and television studies.<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoNormal"><span style=3D"font-size:10.0pt;font-family:"Ar=
ial","sans-serif"">You can keep up to date with the journal =
by clicking
<span style=3D"color:#C00000"><a href=3D"http://online.liverpooluniversityp=
ress.co.uk/action/showAlertSettings?journalCode=3Dsfftv&action=3DaddJou=
rnal"><span style=3D"color:#C00000">here</span></a></span> to sign up to ne=
w issue alerts, and can learn more about the title
at its website page <span style=3D"color:#C00000"><a href=3D"http://online=
.liverpooluniversitypress.co.uk/loi/sfftv"><span style=3D"color:#C00000">he=
re</span></a></span>.<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText">The above issue is now available online at: <span=
style=3D"color:#C00000">
<a href=3D"http://online.liverpooluniversitypress.co.uk/toc/sfftv/10/3?ai=
=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http://online=
.liverpooluniversitypress.co.uk/toc/sfftv/10/3?ai=3Dsd&ui=3D273v&af=
=3DT</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><b><o:p> </o:p></b></p>
<p class=3D"MsoPlainText"><b>Contents:<o:p></o:p></b></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><a hre=
f=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.21=
?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Mad Max: b=
etween apocalypse and utopia</span></a></span>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Dan Hassler-Forest <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.22?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">The A=
merican Mad Max: The Road Warrior versus the Postman</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> John Hay <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.23?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Nowhe=
re to run: Repetition compulsion and heterotopia in the Australian post-apo=
calypse
– from ‘Crabs’ to Mad Max Beyond Thunderdome</span></a> =
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Claire Corbett <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.24?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Re-ca=
sting nature as feminist space in Mad Max: Fury Road</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Michelle Yates <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.25?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">̵=
6;Who killed the world?’ Religious paradox in Mad Max: Fury Road</spa=
n></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Bonnie McLean <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"><a href=3D"http://o=
nline.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.26?ai=3Dsd&=
ui=3D273v&af=3DT"><span style=3D"color:#C00000;text-decoration:none">&n=
bsp; </span><span style=3D"color:#C00000">“Beating an unde=
ad
zombie? Not yet”</span></a> </span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Lorenzo Servitje <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.27?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Book =
reviews</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Dan Hassler-Forest, Sherryl Vint, Je=
nnifer Rhee, Carl Freedman, and Mark Bould
<o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.28?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">DVD R=
eviews</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Michael C. Reiff, Cameron Kunzelman,=
Skye Cervone, and Matt Schneider
<o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
17.29?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">About=
the contributors</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"> <span lang=3D"FR">-------------=
-----------------------------------------------------------
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><span lang=3D"FR"> <span style=3D"colo=
r:#C00000"> </span></span><span style=3D"color:#C00000"><a href=3D"htt=
p://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2017.30?ai=3Dsd=
&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Index</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoNormal"><span style=3D"font-size:10.0pt;font-family:"Ar=
ial","sans-serif""> Copyright 2017 Liverpoo=
l University Press. All Rights Reserved.<o:p></o:p></span></p>
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