New Issue: Science Fiction Film & Television Volume: 11, Issue: 1 (February 2018)
"Ainsworth, Megan [mains]" <[email protected]> Mon, 19 Feb 2018 14:26:47 +0000
| Newsgroups | gmane.culture.sf.literature |
|---|---|
| Message-ID | <[email protected]> |
--_000_f5e1cef05dae4503bdf73fcd6b759b2bliverpoolacuk_
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Science Fiction Film & Television Volume: 11, Issue: 1 (February 2018)<http=
://online.liverpooluniversitypress.co.uk/toc/sfftv/11/1?ai=3Dsd&ui=3D273v&a=
f=3DT>
Science Fiction Film and Television is a peer-reviewed journal published th=
ree times a year by Liverpool University Press. Founded by Mark Bould (UWE)=
and Sherryl Vint (University of California, Riverside), the journal is edi=
ted by Gerry Canavan(Marquette University) and Dan Hassler-Forest (Utretcht=
University) with an international board of advisory editors. Anindita Bane=
rjee (Cornell University) will be joining them as a permanent co-editor beg=
inning in 2019. SFFTV encourages dialogue among the scholarly and intellect=
ual communities of science fiction studies, film studies and television stu=
dies.
The above issue is now available online at: http://online.liverpooluniversi=
typress.co.uk/toc/sfftv/11/1
You can keep up to date with the journal by clicking here<http://online.liv=
erpooluniversitypress.co.uk/action/doUpdateAlertSettings?action=3DaddJourna=
l&journalCode=3Dsfftv> to sign up to new issue alerts, and can learn more a=
bout the title at its website page here<http://online.liverpooluniversitypr=
ess.co.uk/loi/sfftv>.
Contents:
------------------------------------------------------------------------
Stardom and sf: A symposium on the sf films of Scarlett Johansson
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.1?ai=
=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
A fa=E7ade of feminism: Scarlett Johansson and Miss Representation
Malcolm Matthews
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.2?ai=
=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Performing the inhuman: Scarlett Johansson and sf film
Vernon Shetley
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.3?ai=
=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Between attraction and anxiety: Scarlett Johansson, female knowledge and=
the mind-body split in Lucy
Kirsten Stevens
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.4?ai=
=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Johansson's real performance: Documentary style in Under the Skin
Alicia Byrnes
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.5?ai=
=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Race and stardom in Ghost in the Shell
Janice Loreck
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.6?ai=
=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
From Cheap Labour to surplus humanity: World-ecology and the postaparthe=
id speculative in Neill Blomkamp's District 9
Rebecca Duncan
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.7?ai=
=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Sex and the AI: Queering intimacies
Jonathan Alexander and Karen Yescavage
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.8?ai=
=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Anger translator: Jordan Peele's Get Out
Michael Jarvis
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.9?ai=
=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
Book reviews
Jan Johnson-Smith, Miranda Steege, Walter Merryman, Chris Carloy, and
Sarah Holland
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.10?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
DVD reviews
Erin Harrington, Shelby Cadwell, Gerry Canavan, and Matthew Flisfeder
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.11?a=
i=3Dsd&ui=3D273v&af=3DT
------------------------------------------------------------------------
About the contributors
http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.12?a=
i=3Dsd&ui=3D273v&af=3DT
--_000_f5e1cef05dae4503bdf73fcd6b759b2bliverpoolacuk_
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<html xmlns:v=3D"urn:schemas-microsoft-com:vml" xmlns:o=3D"urn:schemas-micr=
osoft-com:office:office" xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" xmlns=3D"http:=
//www.w3.org/TR/REC-html40">
<head>
<meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Diso-8859-=
1">
<meta name=3D"Generator" content=3D"Microsoft Word 14 (filtered medium)">
<style><!--
/* Font Definitions */
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0cm;
margin-bottom:.0001pt;
font-size:11.0pt;
font-family:"Calibri","sans-serif";
mso-fareast-language:EN-US;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:blue;
text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-priority:99;
color:purple;
text-decoration:underline;}
p.MsoPlainText, li.MsoPlainText, div.MsoPlainText
{mso-style-priority:99;
mso-style-link:"Plain Text Char";
margin:0cm;
margin-bottom:.0001pt;
font-size:10.0pt;
font-family:"Arial","sans-serif";
mso-fareast-language:EN-US;}
span.EmailStyle17
{mso-style-type:personal-compose;
font-family:"Arial","sans-serif";
color:windowtext;}
span.PlainTextChar
{mso-style-name:"Plain Text Char";
mso-style-priority:99;
mso-style-link:"Plain Text";
font-family:"Arial","sans-serif";}
.MsoChpDefault
{mso-style-type:export-only;
font-family:"Calibri","sans-serif";
mso-fareast-language:EN-US;}
@page WordSection1
{size:612.0pt 792.0pt;
margin:72.0pt 72.0pt 72.0pt 72.0pt;}
div.WordSection1
{page:WordSection1;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext=3D"edit" spidmax=3D"1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext=3D"edit">
<o:idmap v:ext=3D"edit" data=3D"1" />
</o:shapelayout></xml><![endif]-->
</head>
<body lang=3D"EN-GB" link=3D"blue" vlink=3D"purple">
<div class=3D"WordSection1">
<p class=3D"MsoPlainText"><b><span style=3D"font-size:16.0pt;color:#C00000"=
><a href=3D"http://online.liverpooluniversitypress.co.uk/toc/sfftv/11/1?ai=
=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Science Ficti=
on Film & Television Volume: 11, Issue: 1 (February 2018)</span></a>
<o:p></o:p></span></b></p>
<p class=3D"MsoPlainText"><b><i><o:p> </o:p></i></b></p>
<p class=3D"MsoPlainText"><b><i>Science Fiction Film and Television</i></b>=
is a peer-reviewed journal published three times a year by Liverpool Unive=
rsity Press. Founded by Mark Bould (UWE) and Sherryl Vint (University of Ca=
lifornia, Riverside), the journal
is edited by Gerry Canavan(Marquette University) and Dan Hassler-Forest (U=
tretcht University) with an international board of advisory editors. Anindi=
ta Banerjee (Cornell University) will be joining them as a permanent co-edi=
tor beginning in 2019.
<b><i>SFFTV</i></b> encourages dialogue among the scholarly and intellectua=
l communities of science fiction studies, film studies and television studi=
es.<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText">The above issue is now available online at: <span=
style=3D"color:#C00000">
<a href=3D"http://online.liverpooluniversitypress.co.uk/toc/sfftv/11/1"><sp=
an style=3D"color:#C00000">http://online.liverpooluniversitypress.co.uk/toc=
/sfftv/11/1</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText">You can keep up to date with the journal by click=
ing <span style=3D"color:#C00000">
<a href=3D"http://online.liverpooluniversitypress.co.uk/action/doUpdateAler=
tSettings?action=3DaddJournal&journalCode=3Dsfftv"><span style=3D"color=
:#C00000">here</span></a></span> to sign up to new issue alerts, and can le=
arn more about the title at its website page
<span style=3D"color:#C00000"><a href=3D"http://online.liverpooluniversityp=
ress.co.uk/loi/sfftv"><span style=3D"color:#C00000">here</span></a></span>.=
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"><b>Contents:<o:p></o:p></b></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Stardom and sf: A symposium on =
the sf films of Scarlett Johansson
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><a hre=
f=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.1?=
ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http://onli=
ne.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.1?ai=3Dsd&ui=
=3D273v&af=3DT</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> A fa=E7ade of feminism: Scarlet=
t Johansson and Miss Representation
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Malcolm Matthews <o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
18.2?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http:/=
/online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.2?ai=3Dsd&=
;ui=3D273v&af=3DT</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Performing the inhuman: Scarlet=
t Johansson and sf film
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Vernon Shetley <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <a hre=
f=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.3?=
ai=3Dsd&ui=3D273v&af=3DT">
<span style=3D"color:#C00000">http://online.liverpooluniversitypress.co.uk/=
doi/10.3828/sfftv.2018.3?ai=3Dsd&ui=3D273v&af=3DT</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Between attraction and anxiety:=
Scarlett Johansson, female knowledge and the mind–body split in Lucy
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Kirsten Stevens <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <a hre=
f=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.4?=
ai=3Dsd&ui=3D273v&af=3DT">
<span style=3D"color:#C00000">http://online.liverpooluniversitypress.co.uk/=
doi/10.3828/sfftv.2018.4?ai=3Dsd&ui=3D273v&af=3DT</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Johansson’s real performa=
nce: Documentary style in Under the Skin
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Alicia Byrnes <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><a hre=
f=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.5?=
ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http://onli=
ne.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.5?ai=3Dsd&ui=
=3D273v&af=3DT</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Race and stardom in Ghost in th=
e Shell <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Janice Loreck<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><a hre=
f=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.6?=
ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http://onli=
ne.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.6?ai=3Dsd&ui=
=3D273v&af=3DT</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> From Cheap Labour to surplus hu=
manity: World-ecology and the postapartheid speculative in Neill Blomkamp&#=
8217;s District 9
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Rebecca Duncan <o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"><o:p> </o:p></=
span></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <a hre=
f=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.7?=
ai=3Dsd&ui=3D273v&af=3DT">
<span style=3D"color:#C00000">http://online.liverpooluniversitypress.co.uk/=
doi/10.3828/sfftv.2018.7?ai=3Dsd&ui=3D273v&af=3DT</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"><o:p> </o:p></=
span></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Sex and the AI: Queering intima=
cies <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Jonathan Alexander and Karen Yescava=
ge <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><a hre=
f=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.8?=
ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http://onli=
ne.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.8?ai=3Dsd&ui=
=3D273v&af=3DT</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Anger translator: Jordan Peele&=
#8217;s Get Out <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Michael Jarvis <o:p></o:p></p>
<p class=3D"MsoPlainText"> <o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
18.9?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http:/=
/online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.9?ai=3Dsd&=
;ui=3D273v&af=3DT</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Book reviews <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Jan Johnson-Smith, Miranda Steege, W=
alter Merryman, Chris Carloy, and
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Sarah Holland <o:p></o:p></p>
<p class=3D"MsoPlainText"> <o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
18.10?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http:=
//online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.10?ai=3Dsd&a=
mp;ui=3D273v&af=3DT</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> DVD reviews <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Erin Harrington, Shelby Cadwell, Ger=
ry Canavan, and Matthew Flisfeder
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
18.11?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http:=
//online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.11?ai=3Dsd&a=
mp;ui=3D273v&af=3DT</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> About the contributors <o:p></o=
:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
o:p></o:p></span></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <=
a href=3D"http://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.20=
18.12?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http:=
//online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.12?ai=3Dsd&a=
mp;ui=3D273v&af=3DT</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:10.0pt;font-family:"Ar=
ial","sans-serif""><o:p> </o:p></span></p>
<p class=3D"MsoNormal"><o:p> </o:p></p>
</div>
</body>
</html>
--_000_f5e1cef05dae4503bdf73fcd6b759b2bliverpoolacuk_--