New issue: Science Fiction Film & Television Volume: 11, Issue: 2 (June 2018)
"Ainsworth, Megan [mains]" <[email protected]> Thu, 7 Jun 2018 09:21:45 +0000
| Newsgroups | gmane.culture.sf.literature |
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Science Fiction Film & Television Volume: 11, Issue: 2 (June 2018)<https://=
online.liverpooluniversitypress.co.uk/toc/sfftv/11/2?ai=3Dsd&ui=3D273v&af=
=3DT>
Science Fiction Film and Television is a peer-reviewed journal published th=
ree times a year by Liverpool University Press. SFFTV encourages dialogue a=
mong the scholarly and intellectual communities of science fiction studies,=
film studies and television studies.
The above issue is now available online at: https://online.liverpoolunivers=
itypress.co.uk/toc/sfftv/11/2?ai=3Dsd&ui=3D273v&af=3DT
You can keep up to date with the journal by clicking here<https://online.li=
verpooluniversitypress.co.uk/action/showAlertSettings?journalCode=3Dsfftv&a=
ction=3DaddJournal> to sign up to new issue alerts, and can learn more abou=
t the title at its website page here<https://online.liverpooluniversitypres=
s.co.uk/loi/sfftv>.
------------------------------------------------------------------------
Introduction: Mary Shelley, Frankenstein and women in sf<https://online.=
liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.13?ai=3Dsd&ui=3D273v&=
af=3DT>
------------------------------------------------------------------------
A symposium on Mary Shelley, Frankenstein and women in sf: Clone club - =
Frankenstein's daughters<https://online.liverpooluniversitypress.co.uk/doi/=
10.3828/sfftv.2018.14?ai=3Dsd&ui=3D273v&af=3DT>
Stacey Abbott, Sarah Artt, Miranda Butler, Megen de Bruin-Mol=E9, Jane D=
onawerth, Susan A. George, Veronica Hollinger, Gwyneth Jones, Antonija Prim=
orac, Sharon Sharp, Rebekah Sheldon, Sara Wasson, and
Lisa Yaszek
------------------------------------------------------------------------
Precarity, parenthood and play in Jennifer Phang's Advantageous<https://=
online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.15?ai=3Dsd&ui=
=3D273v&af=3DT>
T.S. Miller
------------------------------------------------------------------------
The art of interpretation: Women, directing and sf television<https://on=
line.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.16?ai=3Dsd&ui=3D=
273v&af=3DT>
Stacey Abbott
------------------------------------------------------------------------
'Hail, Mary, the Mother of Science Fiction': Popular fictionalisations o=
f Mary Wollstonecraft Shelley in film and television, 1935-2018<https://onl=
ine.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.17?ai=3Dsd&ui=3D2=
73v&af=3DT>
Megen de Bruin-Mol=E9
------------------------------------------------------------------------
'An otherness that cannot be sublimated': Shades of Frankenstein in Penn=
y Dreadful and Black Mirror<https://online.liverpooluniversitypress.co.uk/d=
oi/10.3828/sfftv.2018.18?ai=3Dsd&ui=3D273v&af=3DT>
Sarah Artt
------------------------------------------------------------------------
Binary, coded: On the 'absence' of the digital in Strange Days<https://o=
nline.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.19?ai=3Dsd&ui=
=3D273v&af=3DT>
Emma J. Withers
------------------------------------------------------------------------
Archive: Women scientists in Frankenstein films, 1945-2015<https://onlin=
e.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.20?ai=3Dsd&ui=3D273=
v&af=3DT>
Lissette Lopez Szwydky and Michelle L. Pribbernow
------------------------------------------------------------------------
Book review<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sf=
ftv.2018.21?ai=3Dsd&ui=3D273v&af=3DT>
Robin Anne Reid
------------------------------------------------------------------------
The Handmaid's Tale. Hulu 2017<https://online.liverpooluniversitypress.c=
o.uk/doi/10.3828/sfftv.2018.22?ai=3Dsd&ui=3D273v&af=3DT>
Aino-Kaisa Koistinen and Hanna Samola
------------------------------------------------------------------------
Passengers (Morten Tyldum US 2016)<https://online.liverpooluniversitypre=
ss.co.uk/doi/10.3828/sfftv.2018.22a?ai=3Dsd&ui=3D273v&af=3DT>
Skye Cervone
------------------------------------------------------------------------
About the contributors<https://online.liverpooluniversitypress.co.uk/doi=
/10.3828/sfftv.2018.23?ai=3Dsd&ui=3D273v&af=3DT>
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<div class=3D"WordSection1">
<p class=3D"MsoPlainText"><span style=3D"font-size:18.0pt;color:#C00000"><a=
href=3D"https://online.liverpooluniversitypress.co.uk/toc/sfftv/11/2?ai=3D=
sd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Science Fiction =
Film & Television Volume: 11, Issue: 2 (June 2018)</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><i><o:p> </o:p></i></p>
<p class=3D"MsoPlainText"><i>Science Fiction Film and Television</i> is a p=
eer-reviewed journal published three times a year by Liverpool University P=
ress.
<i>SFFTV</i> encourages dialogue among the scholarly and intellectual commu=
nities of science fiction studies, film studies and television studies.<o:p=
></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText">The above issue is now available online at: <span=
style=3D"color:#C00000">
<a href=3D"https://online.liverpooluniversitypress.co.uk/toc/sfftv/11/2?ai=
=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">https://onlin=
e.liverpooluniversitypress.co.uk/toc/sfftv/11/2?ai=3Dsd&ui=3D273v&a=
f=3DT</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText">You can keep up to date with the journal by <span=
style=3D"color:#C00000">
<a href=3D"https://online.liverpooluniversitypress.co.uk/action/showAlertSe=
ttings?journalCode=3Dsfftv&action=3DaddJournal"><span style=3D"color:#C=
00000">clicking here</span></a></span> to sign up to new issue alerts, and =
can learn more about the title at its website
page <span style=3D"color:#C00000"><a href=3D"https://online.liverpooluniv=
ersitypress.co.uk/loi/sfftv"><span style=3D"color:#C00000">here</span></a><=
/span>.<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"><a href=3D"https://=
online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.13?ai=3Dsd&=
;ui=3D273v&af=3DT"><span style=3D"color:#C00000;text-decoration:none">&=
nbsp; </span><span style=3D"color:#C00000">Introduction: Mary
Shelley, Frankenstein and women in sf</span></a> <o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.14?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">A sy=
mposium on Mary Shelley, Frankenstein and women in sf: Clone club – F=
rankenstein’s
daughters</span></a> </span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Stacey Abbott, Sarah Artt, Miranda B=
utler, Megen de Bruin-Mol=E9, Jane Donawerth, Susan A. George, Veronica Hol=
linger, Gwyneth Jones, Antonija Primorac, Sharon Sharp, Rebekah Sheldon, Sa=
ra Wasson, and
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Lisa Yaszek <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.15?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Prec=
arity, parenthood and play in Jennifer Phang’s Advantageous</span></a=
>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> T.S. Miller <o:p></o:p></p>
<p class=3D"MsoPlainText"> <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.16?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">The =
art of interpretation: Women, directing and sf television</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Stacey Abbott <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.17?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">R=
16;Hail, Mary, the Mother of Science Fiction’: Popular fictionalisati=
ons of
Mary Wollstonecraft Shelley in film and television, 1935–2018</span>=
</a> </span>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Megen de Bruin-Mol=E9 <o:p></o:p></p=
>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.18?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">R=
16;An otherness that cannot be sublimated’: Shades of Frankenstein in=
Penny
Dreadful and Black Mirror</span></a> </span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Sarah Artt <o:p></o:p></p>
<p class=3D"MsoPlainText"> <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.19?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Bina=
ry, coded: On the ‘absence’ of the digital in Strange Days</spa=
n></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Emma J. Withers <o:p></o:p></p>
<p class=3D"MsoPlainText"> <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.20?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Arch=
ive: Women scientists in Frankenstein films, 1945–2015</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Lissette Lopez Szwydky and Michelle =
L. Pribbernow <o:p>
</o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.21?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Book=
review</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Robin Anne Reid <o:p></o:p></p>
<p class=3D"MsoPlainText"> -------------------------------=
-----------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.22?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">The =
Handmaid’s Tale. Hulu 2017</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Aino-Kaisa Koistinen and Hanna Samol=
a <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.22a?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Pas=
sengers (Morten Tyldum US 2016)</span></a></span>
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Skye Cervone <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"> <=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.23?ai=3Dsd&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Abou=
t the contributors</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoNormal"><o:p> </o:p></p>
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