Science Fiction Film & Television Volume: 11, Issue 3 (October 2018)
"Reid, Moira [hsmreid2]" <[email protected]> Tue, 9 Oct 2018 14:19:04 +0000
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Science Fiction Film & Television Volume: 11, Issue 3 (October 2018)<https:=
//online.liverpooluniversitypress.co.uk/toc/sfftv/11/3?ai=3Dsd&ui=3D51qs&af=
=3DT>
Science Fiction Film and Television is a peer-reviewed journal published th=
ree times a year by Liverpool University Press. SFFTV encourages dialogue a=
mong the scholarly and intellectual communities of science fiction studies,=
film studies and television studies.
You can keep up to date with the journal by clicking here<https://online.li=
verpooluniversitypress.co.uk/action/showAlertSettings?journalCode=3Dsfftv&a=
ction=3DaddJournal> to sign up to new issue alerts, and can learn more abou=
t the title at its website page here<https://online.liverpooluniversitypres=
s.co.uk/loi/sfftv>.
The above issue is now available online at: https://online.liverpoolunivers=
itypress.co.uk/toc/sfftv/11/3
Contents:
------------------------------------------------------------------------
Orphan Black as protest: A symposium on Orphan Black<https://online.liverpo=
oluniversitypress.co.uk/doi/10.3828/sfftv.2018.24?ai=3Dsd&ui=3D51qs&af=3DT>
Everett Hamner, Priscilla Wald, Sherryl Vint, Nathaniel Comfort, Rebekah Sh=
eldon,
David M. Higgins, Rebecca Wilbanks, Jennifer L. Lieberman, Kirsten Dillende=
r,
and Everett Hamner
------------------------------------------------------------------------
Challenging capitalism: Ethics, exploitation and the sublime in Moon and So=
urce Code<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2=
018.25?ai=3Dsd&ui=3D51qs&af=3DT>
Catherine Constable
------------------------------------------------------------------------
Negotiating humanity: Anthropomorphic robots in the Swedish television seri=
es Real Humans<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sf=
ftv.2018.26?ai=3Dsd&ui=3D51qs&af=3DT>
Johan Hallqvist
------------------------------------------------------------------------
The click of a button: Video games and the mechanics of speculation<https:/=
/online.liverpooluniversitypress.co.uk/doi/10.3828/sfftv.2018.27?ai=3Dsd&ui=
=3D51qs&af=3DT>
Cameron Kunzelman
------------------------------------------------------------------------
Living in the future<https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.28?ai=3Dsd&ui=3D51qs&af=3DT>
Gerry Canavan
------------------------------------------------------------------------
Book reviews<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfft=
v.2018.29a?ai=3Dsd&ui=3D51qs&af=3DT>
Barbara Selznick
------------------------------------------------------------------------
Book reviews<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfft=
v.2018.29b?ai=3Dsd&ui=3D51qs&af=3DT>
D. Harlan Wilson
------------------------------------------------------------------------
Book reviews<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfft=
v.2018.29c?ai=3Dsd&ui=3D51qs&af=3DT>
Scott Selisker
------------------------------------------------------------------------
Book reviews<https://online.liverpooluniversitypress.co.uk/doi/10.3828/sfft=
v.2018.29d?ai=3Dsd&ui=3D51qs&af=3DT>
John Rieder
------------------------------------------------------------------------
Blade Runner 2049 (Denis Villeneuve US 2017)<https://online.liverpooluniver=
sitypress.co.uk/doi/10.3828/sfftv.2018.30?ai=3Dsd&ui=3D51qs&af=3DT>
Giorgina Paiella
------------------------------------------------------------------------
About the contributors<https://online.liverpooluniversitypress.co.uk/doi/10=
.3828/sfftv.2018.31?ai=3Dsd&ui=3D51qs&af=3DT>
------------------------------------------------------------------------
Index to volume 11<https://online.liverpooluniversitypress.co.uk/doi/10.382=
8/sfftv.2018.32?ai=3Dsd&ui=3D51qs&af=3DT>
------------------------------------------------------------------------
Copyright 2018 Liverpool University Press. All Rights Reserved.
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<div class=3D"WordSection1">
<p class=3D"MsoNormal"><span style=3D"font-size:18.0pt;font-family:"Ar=
ial",sans-serif;color:#C00000"><a href=3D"https://online.liverpooluniv=
ersitypress.co.uk/toc/sfftv/11/3?ai=3Dsd&ui=3D51qs&af=3DT"><span st=
yle=3D"color:#C00000">Science Fiction Film & Television Volume:
11, Issue 3 (October 2018)</span></a><o:p></o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:10.0pt;font-family:"Ar=
ial",sans-serif"><o:p> </o:p></span></p>
<p class=3D"MsoNormal"><i><span style=3D"font-size:10.0pt;font-family:"=
;Arial",sans-serif">Science Fiction Film and Television</span></i><spa=
n style=3D"font-size:10.0pt;font-family:"Arial",sans-serif"> is a=
peer-reviewed journal published three times a year by Liverpool
University Press.</span> <i><span style=3D"font-size:10.0pt;font-family:&q=
uot;Arial",sans-serif">SFFTV</span></i><span style=3D"font-size:10.0pt=
;font-family:"Arial",sans-serif"> encourages dialogue among the s=
cholarly and intellectual communities of science fiction
studies, film studies and television studies.<o:p></o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:10.0pt;font-family:"Ar=
ial",sans-serif"><o:p> </o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:10.0pt;font-family:"Ar=
ial",sans-serif">You can keep up to date with the journal by clicking
<span style=3D"color:#C00000"><a href=3D"https://online.liverpooluniversity=
press.co.uk/action/showAlertSettings?journalCode=3Dsfftv&action=3DaddJo=
urnal"><span style=3D"color:#C00000">here</span></a></span> to sign up to n=
ew issue alerts, and can learn more about the
title at its website page <span style=3D"color:#C00000"><a href=3D"https:/=
/online.liverpooluniversitypress.co.uk/loi/sfftv"><span style=3D"color:#C00=
000">here</span></a></span>.<o:p></o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:10.0pt;font-family:"Ar=
ial",sans-serif"><o:p> </o:p></span></p>
<p class=3D"MsoNormal"><span style=3D"font-size:10.0pt;font-family:"Ar=
ial",sans-serif">The above issue is now available online at:<span styl=
e=3D"color:#C00000">
<a href=3D"https://online.liverpooluniversitypress.co.uk/toc/sfftv/11/3"><s=
pan style=3D"color:#C00000">https://online.liverpooluniversitypress.co.uk/t=
oc/sfftv/11/3</span></a></span><o:p></o:p></span></p>
<p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt;font-family:"=
;Arial",sans-serif"><o:p> </o:p></span></b></p>
<p class=3D"MsoNormal" style=3D"margin-left:36.0pt"><b><span style=3D"font-=
size:10.0pt;font-family:"Arial",sans-serif">Contents:<o:p></o:p><=
/span></b></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.24?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#C=
00000">Orphan Black as protest: A symposium on Orphan Black</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">Everett Hamner, Pris=
cilla Wald, Sherryl Vint, Nathaniel Comfort, Rebekah Sheldon,
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">David M. Higgins, Re=
becca Wilbanks, Jennifer L. Lieberman, Kirsten Dillender,
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">and Everett Hamner <=
o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.25?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#C=
00000">Challenging capitalism: Ethics, exploitation and
the sublime in Moon and Source Code</span></a> </span><o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">Catherine Constable =
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.26?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#C=
00000">Negotiating humanity: Anthropomorphic robots in the
Swedish television series Real Humans</span></a> </span><o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">Johan Hallqvist <o:p=
></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.27?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#C=
00000">The click of a button: Video games and the mechanics
of speculation</span></a> <o:p></o:p></span></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">Cameron Kunzelman <o=
:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.28?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#C=
00000">Living in the future</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">Gerry Canavan <o:p><=
/o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"> <o=
:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.29a?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#=
C00000">Book reviews</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">Barbara Selznick <o:=
p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"> <o=
:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.29b?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#=
C00000">Book reviews</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">D. Harlan Wilson <o:=
p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"> <o=
:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.29c?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#=
C00000">Book reviews</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">Scott Selisker <o:p>=
</o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"> <o:p></o=
:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.29d?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#=
C00000">Book reviews</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">John Rieder <o:p></o=
:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"> <o:p></o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.30?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#C=
00000">Blade Runner 2049 (Denis Villeneuve US 2017)</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">Giorgina Paiella &nb=
sp; <o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><o:p> </o:p></p=
>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.31?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#C=
00000">About the contributors</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"> <o:p></o=
:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt">--------------------=
----------------------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText" style=3D"margin-left:36.0pt"><span style=3D"color=
:#C00000"><a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3=
828/sfftv.2018.32?ai=3Dsd&ui=3D51qs&af=3DT"><span style=3D"color:#C=
00000">Index to volume 11</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> <o:p></o:p></p>
<p class=3D"MsoPlainText">-------------------------------------------------=
-----------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Copyright 2018 Liverpool Univer=
sity Press. All Rights Reserved.
<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoNormal"><b><span style=3D"font-size:10.0pt;font-family:"=
;Arial",sans-serif"><o:p> </o:p></span></b></p>
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