CFP reminder: IASPM-US 2019 conference, March 7-10, 2019

Steve Waksman <[email protected]>
Newsgroups gmane.culture.studies.general
Message-ID <CA+2dzKEkW4Fzsv5pqQQM5hjJCGH6e-Ldu3OO4M==7b2YEt-q1Q@mail.gmail.com>
The deadline for the 2019 IASPM-US conference is coming up on October 1.
The conference will be held March 7-10, in New Orleans and this year’s
theme is “Musical Cities: Music, Historiography and Myth.” For the call for
papers and submission guidelines, follow the link: http://iaspm-us.net/2019-
conference.



IASPM-US is taking big steps to make the organization more accessible,
inclusive and visible. We adjusted our membership fee structure in 2017-18
to offer more options for students and lower-income members and cut our
bottom fees significantly. We now offer a sliding scale membership for
students of $25-40, and fees for non-student members start at $35 depending
on income level. We have made similar adjustments to our conference
registration fees as well. To join IASPM-US, go to
http://iaspm-us.net/signup.



This summer, IASPM-US published the first issue of its journal, the *Journal
of Popular Music Studies*, with its new publisher, University of California
Press. The double issue, produced under the auspices of co-editors Oliver
Wang and Diane Pecknold with managing editor Meghan Drury, includes a
stellar mix of full-length articles by Kevin Fellezs, Sharon Hochhauser,
David Verbuc, and Eric Weisbard; specially commissioned album reviews by
Taylor Black and Shana Redmond; a feature where Amy Coddington comments on
a “classic” JPMS article from 1988 by Venise Berry; and the printed version
of Nadine Hubbs’ stirring keynote address from the 2017 conference in
Cleveland. Content of the special issue is free, and can be accessed at
http://jpms.ucpress.edu. We also welcome incoming editors Robin James and
Eric Weisbard, managing editor Esther Morgan-Ellis, and assistant book
review editor Alyx Vesey who joins continuing review editor David Suisman.

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