Call for Abstracts (Due January 15) - Working the Circuit: Cultural Studies of Florida
A D <[email protected]> Tue, 7 Jan 2020 13:40:54 -0500
| Newsgroups | gmane.culture.studies.general |
|---|---|
| Message-ID | <CAHxi5VoDLDY=tcBeP8hytkKfr_YBX+F-JWNw8YEiGjZoKhJPww@mail.gmail.com> |
--0000000000006df491059b911e45 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Working the Circuit: Cultural Studies of Florida Guest Editors: Aisha Durham, Wesley Johnson, and Sasha Sanders, University of South Florida Florida figures prominently in the US American imaginary. It is a spectacular state of escape for spring breaking coeds, disneyfied kids, and sun-seeking =E2=80=9Csnowbirds=E2=80=9D who flock south among resettled ret= irees, new migrants, longtime locals, and Indigenous communities to cocreate a cultural m=C3=A9lange of cosmopolitan, coastal, and country sensibility. Lo= ng before a presidential New Yorker relocated to a rebranded neo-confederacy, news media and new media already reduced its carnivalesque oddity to a meme. This special issue departs from shorthand comedic snapshots of the Sunshine State by providing methodologically thick, fleshy interpretive analyses that take seriously its cultural politics, people, and popular forms. It attends to the aims and scope of *Departures in Critical Qualitative Research* by privileging experiential, experimental, and embodied approaches represented as personal narrative, textual experience (Durham, 2014), intersectional and decolonial cultural critique, performative writing, mystory, and critical autoethnography. =E2=80=9CWorki= ng the Circuit=E2=80=9D invites inventive research about cultural practices, produ= cts, policies, and performances by drawing from the canonical circuit of culture model (du Gay, Hall et. al, 1997), which emphasizes the interrelated nature of culture and power permeating each key moment. =E2=80=9CWorking the Circuit,=E2=80=9D is a timely special issue for two re= asons: It highlights meaningful conversations about the state when it will take center stage during the upcoming presidential election, and when it will become the home-base for big fan communities with WrestleMania 36 and SuperBowl LIV. In addition to national popular and political events, local conversations about cultural difference, climate change, precarity, and participatory democracy in Florida set the stage for broader ones in US American society. In both spheres, Florida is a site of critical inquiry that is timely and important to the development of contemporary cultural studies. Suggested topics for the special issue include, but are not limited to, the following: #Floridaman Claws (2017-present) Climate change Cultural citizenship Cultural difference Culture wars David Makes Man (2019) Disney, Disney World, or Disneyfication Dream Defenders and #BlackLivesMatter Foodways Freakshows and carnivals Glocalization and transnationalism Intracultural and intercultural contact zones Jane the Virgin (2014-2019) Mass shootings (Parkland, Pulse) Migration and immigration Moonlight (2016) Most Expensivest (2017-present) Music culture Precarity Reality television Regionality Serial killers (Howell Donaldson, Ted Bundy) Social media activism, social movements Space and race relations Sports and game culture Spring break Tourism WrestleMania Youth culture Submission Timeline 1.15.2020: Deadline for 100-word abstracts sent to [email protected] (=E2=80=9CCircuit=E2=80=9D in subject line) 2.12.2020: Notification of acceptance 3.30.2020: Deadline to upload manuscripts to the ScholarOne Manuscripts site for *Departures* 5.18.2020: Deadline to submit revised manuscripts 5.01.2021: Publication of special issue Submission Guidelines Manuscripts should be formatted in Microsoft Word and conform to the Chicago Manual of Style, 17th ed. (2017) with endnotes. Manuscripts should be prepared in a 12-point common font, should be double-spaced, and should not exceed 7,000 words including tables, captions, and endnotes. Visit the journal page for additional information about the form, format, and organization of the full manuscript. Departures in Critical Qualitative Research is a peer-reviewed journal. Submitted manuscripts will be reviewed by a Special Issue Editorial Board and should not be under review by any other publication venue. To inquire about this special issue, please contact: Aisha Durham, Associate Professor Department of Communication University of South Florida 4202 E. Fowler Avenue, CIS1040 Tampa, FL 33620 [email protected] Guest Editors Aisha Durham is an Associate Professor of Communication and 2019 Fulbright-Hays Fellow at the University of South Florida. She is a cultural critic who uses autoethnography, performance writing, and Black feminist-informed intersectional approaches to examine power, identity, and popular culture. Research about hip hop feminism is published in her monograph, *Home with Hip Hop Feminism: Performances in Communication and Culture*, and her edited books *Globalizing Cultural Studies: Ethnographic Interventions in Theory, Method, and Policy*, and *Home Girls Make Some Noise! Hip Hop Feminism Anthology*. Wesley Johnson is an Assistant Professor in the Department of Communication at Pasco-Hernando State College and a doctoral student in the Department of Communication at the University of South Florida where he uses critical media studies and autoethnography to examine white rage, masculinity, and policing in popular culture. Sasha Sanders is a doctoral candidate in the Department of Communication at the University of South Florida. Her embodied, reflexive approach to exploring media and culture engages Black feminist thought, critical cultural studies, and performance studies in Communication. =3D=3D=3D=3D=3D General list info and FAQ: http://comm.umn.edu/~grodman/cultstud.html --0000000000006df491059b911e45 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:center;l= ine-height:normal;font-size:11pt;font-family:"Calibri",sans-serif= " align=3D"center"><span style=3D"font-family:"Times New Roman",s= erif">Working the Circuit: Cultural Studies of Florida<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:center;l= ine-height:normal;font-size:11pt;font-family:"Calibri",sans-serif= " align=3D"center"><span style=3D"font-family:"Times New Roman",s= erif"><span>=C2=A0</span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Guest Editors: Aisha Durham, Wesley Johnson, and Sasha Sanders, University of South Florida<span= ></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Florida figures prominently in the US American imaginary. It is a spectacular state of esca= pe for spring breaking coeds, disneyfied kids, and sun-seeking =E2=80=9Csnowbi= rds=E2=80=9D who flock south among resettled retirees, new migrants, longtime locals, and Indigenous communities to cocreate a cultural m=C3=A9lange of cosmopolitan,= coastal, and country sensibility. Long before a presidential New Yorker relocated to= a rebranded neo-confederacy, news media and new media already reduced its carnivalesque oddity to a meme. This special issue departs from shorthand comedic snapshots of the Sunshine State by providing methodologically thick= , fleshy interpretive analyses that take seriously its cultural politics, peo= ple, and popular forms. It attends to the aims and scope of <i>Departures in Cri= tical Qualitative Research</i> by privileging experiential, experimental, and embodied approaches represented as personal narrative, textual experience (Durham, 2014), intersectional and decolonial cultural critique, performative writing, mystory, and critical autoethnogra= phy. =E2=80=9CWorking the Circuit=E2=80=9D invites inventive research about cult= ural practices, products, policies, and performances by drawing from the canonical circuit = of culture model (du Gay, Hall et. al, 1997), which emphasizes the interrelate= d nature of culture and power permeating each key moment.<span>=C2=A0 </span><span><= /span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">=E2=80=9CWorking the Circuit,=E2=80=9D is a timely special issue for two reasons: It highlights = meaningful conversations about the state when it will take center stage during the upcoming presidential election, and when it will become the home-base for b= ig fan communities with WrestleMania 36 and SuperBowl LIV.<span>=C2=A0 </span>= In addition to national popular and political events, local conversations about cultural difference, climate change, precarity, and participatory democracy in Florida set the stage for broader ones in US American society.<span>=C2=A0 </span>In both spheres, Florida is a site of critical inquiry that is timely and important= to the development of contemporary cultural studies.<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Suggested topics for the special issue include, but are not limited to, the following:<span></sp= an></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span>#Floridama= n<span>=C2=A0=C2=A0=C2=A0 </span><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Claws (2017-present)<span></s= pan></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Climate change<span> </span><= span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Cultural citizenship<span></s= pan></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Cultural difference<span>=C2= =A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 </span><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Culture wars<span></span></sp= an></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">David Makes Man (2019)<span>=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 </span><span><= /span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Disney, Disney World, or Disneyfication <span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Dream Defenders and #BlackLivesMatter<span>=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2= =A0 </span><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Foodways <span></span></span>= </p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Freakshows and carnivals<span>=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 </span><spa= n></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Glocalization and transnationalism<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Intracultural and intercultural contact zones<span>=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 </spa= n><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Jane the Virgin (2014-2019)<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Mass shootings (Parkland, Pulse)<span>=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2= =A0 </span><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Migration and immigration<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Moonlight (2016)<span>=C2=A0= =C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 </span><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Most Expensivest<span>=C2=A0 = </span>(2017-present)<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Music culture<span>=C2=A0=C2= =A0 </span><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Precarity <span></span></span= ></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Reality television<span>=C2= =A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 </span><span></span></s= pan></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Regionality<span></span></spa= n></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Serial killers (Howell Donaldson, Ted Bundy)<span>=C2=A0=C2=A0=C2=A0 </span><span></span><= /span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Social media activism, social movements<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Space and race relations<span> </span><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Sports and game culture<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Spring break<span>=C2=A0=C2= =A0=C2=A0=C2=A0 </span><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Tourism<span></span></span></= p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">WrestleMania<span>=C2=A0=C2= =A0 </span><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Youth culture<span></span></s= pan></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Submission Timeline<span></sp= an></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">1.15.2020:<span>=C2=A0 </span= >Deadline for 100-word abstracts sent to <a href=3D"mailto:[email protected]">[email protected]</a> (=E2=80=9CCi= rcuit=E2=80=9D in subject line)<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">2.12.2020:<span>=C2=A0 </span= >Notification of acceptance<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">3.30.2020:<span>=C2=A0 </span= >Deadline to upload manuscripts to the ScholarOne Manuscripts site for <i>Departures</i><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">5.18.2020:<span>=C2=A0 </span= >Deadline to submit revised manuscripts<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">5.01.2021:<span>=C2=A0 </span= >Publication of special issue<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Submission Guidelines<span></= span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Manuscripts should be formatted in Microsoft Word and conform to the Chicago Manual of Style, 17t= h ed. (2017) with endnotes. Manuscripts should be prepared in a 12-point comm= on font, should be double-spaced, and should not exceed 7,000 words including tables, captions, and endnotes. Visit the journal page for additional information about the form, format, and organization of the full manuscript= .<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Departures in Critical Qualitative Research is a peer-reviewed journal. Submitted manuscr= ipts will be reviewed by a Special Issue Editorial Board and should not be under review by any other publication venue. To inquire about this special issue, please contact: <span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Aisha Durham, Associate Professor<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Department of Communication <span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">University of South Florida <span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">4202 E. Fowler Avenue, CIS1040 <span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Tampa, FL 33620 <span></span>= </span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><a href=3D"mailto:aishadurham= @usf.edu">[email protected]</a><span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Guest Editors<span></span></s= pan></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Aisha Durham is an Associate Professor of Communication and 2019 Fulbright-Hays Fellow at the University of South Florida. She is a cultural critic who uses autoethnogra= phy, performance writing, and Black feminist-informed intersectional approaches = to examine power, identity, and popular culture. Research about hip hop femini= sm is published in her monograph, <i>Home with Hip Hop Feminism: Performances in Communication and Culture</i>, and her ed= ited books <i>Globalizing Cultural Studies: Ethnographic Interventions in Theory, Method, and Policy</i>, and <i>Home G= irls Make Some Noise! Hip Hop Feminism Anthology</i>. <span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span><span></sp= an></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Wesley Johnson is an Assistant Professor in the Department of Communication at Pasco-Hernando St= ate College and a doctoral student in the Department of Communication at the University of South Florida where he uses critical media studies and autoethnography to examine white rage, masculinity, and policing in popular culture.<span></span></span></p> <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif"><span>=C2=A0</span></span></p= > <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;line-height:normal;= font-size:11pt;font-family:"Calibri",sans-serif"><span style=3D"f= ont-family:"Times New Roman",serif">Sasha Sanders is a doctoral candidate in the Department of Communication at the University of South Florida. Her embodied, reflexive approach to exploring media and cult= ure engages Black feminist thought, critical cultural studies, and performance studies in Communication.<span></span></span></p> </div> =3D=3D=3D=3D=3D General list info and FAQ: <a href=3D"http://comm.umn.edu/~grodman/cultstud.html" target=3D"_blank">http://comm.umn.edu/~grodman/cultstud.html</a> --0000000000006df491059b911e45--