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Hi,

Could you please post this to the list?

Thank you

Hi everyone,

I am writing to let you know about the release of my new book:

Kane, Carolyn L., *High-Tech Trash: Glitch, Noise, and Aesthetic Failure
<https://www.ucpress.edu/book/9780520340145/high-tech-trash>*, (University
of California Press, 2019).

https://www.ucpress.edu/book/9780520340145/high-tech-trash
https://www.amazon.com/High-Tech-Trash-Aesthetic-Rhetoric-Critique/dp/05203=
40140

Summary

High-Tech Trash analyzes creative strategies in glitch, noise, and error to
chart the development of an aesthetic paradigm rooted in failure. Carolyn
L. Kane explores how technologically influenced creative practices,
primarily from the second half of the twentieth and first quarter of the
twenty-first centuries, critically offset a broader culture of pervasive
risk and discontent. In so doing, she questions how we continue onward,
striving to do better and acquire more, despite inevitable disappointment.
High-Tech Trash speaks to a paradox in contemporary society in which
failure is disavowed yet generates technological innovation.

Reviews:
=E2=80=9CLeonard Cohen sang =E2=80=98There=E2=80=99s a crack in everything =
=E2=80=A6 that=E2=80=99s how the light
gets in.=E2=80=99 Here, Carolyn Kane teaches us how to see that light, one =
crack at
a time.=E2=80=9D =E2=80=93Fred Turner, Stanford University and author of Th=
e Democratic
Surround: Multimedia and American Liberalism from World War II to the
Psychedelic Sixties

=E2=80=9CKane profiles art practices and media discourses that exploit and
celebrate, rather than filter or suppress, all kinds of errors and noises.
A welcome intervention in a number of discursive fields.=E2=80=9D =E2=80=93=
Peter Krapp,
University of California, Irvine and author of Noise Channels: Glitch and
Error in Digital Culture

=E2=80=9CAn original work of scholarship that addresses some of the most pe=
rvasive
phenomena and foundational questions in the contemporary media
environment.=E2=80=9D =E2=80=93Robert Hariman, Northwestern University and =
coauthor of The
Public Image: Photography and Civic Spectatorship


Thanks!





Carolyn L. Kane,
http://procom.ryerson.ca/people/carolyn-kane
Associate Professor, School of Professional Communication
Faculty of Communication and Design
Ryerson University
80 Gould Street
Toronto, Ontario
Canada M5B 2K3

Author of *Chromatic Algorithms: Synthetic Color, Computer Art, and
Aesthetics after Code
<http://www.amazon.com/Chromatic-Algorithms-Carolyn-L-Kane/dp/022600273X/re=
f=3Dsr_1_3?s=3Dbooks&ie=3DUTF8&qid=3D1387478152&sr=3D1-3>*

(University of Chicago Press, 2014)

=E2=80=A2 Interview Magazine
<https://www.interviewmagazine.com/art/glitch-artist-chris-dorland-talks-tr=
anshumanism-author-carolyn-kane>
 Conversation
=E2=80=A2 Review in *Design and Culture*
<http://www.tandfonline.com/doi/abs/10.1080/17547075.2016.1187930?needAcces=
s=3Dtrue>
=E2=80=A2 Review in *Public Books *
<http://www.publicbooks.org/nonfiction/what-world-whose-algorithms>
=E2=80=A2 Review in *New Media & Society
<http://nms.sagepub.com/content/17/7/1192.short>*
=E2=80=A2 Interview with New Books in Science, Technology, and Society
<http://newbooksinscitechsoc.com/2014/12/03/carolyn-l-kane-chromatic-algori=
thms-synthetic-color-computer-art-and-aesthetics-after-code-u-of-chicago-pr=
ess-2014/>
=E2=80=A2 Interview with *Theory, Culture & Society
<http://theoryculturesociety.org/the-aesthetics-of-algorithms-an-interview-=
with-carolyn-l-kane/>*

=3D=3D=3D=3D=3D
General list info and FAQ: http://comm.umn.edu/~grodman/cultstud.html

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<div dir=3D"ltr">Hi,<div><br></div><div>Could you please post this to the l=
ist?=C2=A0</div><div><br></div><div>Thank you</div><div><br></div><div>Hi e=
veryone,<br><br>I am writing to let you know about the release of my new bo=
ok:<br><br>Kane, Carolyn L.,=C2=A0<i><a href=3D"https://www.ucpress.edu/boo=
k/9780520340145/high-tech-trash" target=3D"_blank">High-Tech Trash: Glitch,=
 Noise, and Aesthetic Failure</a></i>, (University of California Press, 201=
9).<div><br><a href=3D"https://www.ucpress.edu/book/9780520340145/high-tech=
-trash" target=3D"_blank">https://www.ucpress.edu/book/9780520340145/high-t=
ech-trash</a><div><a href=3D"https://www.amazon.com/High-Tech-Trash-Aesthet=
ic-Rhetoric-Critique/dp/0520340140" target=3D"_blank">https://www.amazon.co=
m/High-Tech-Trash-Aesthetic-Rhetoric-Critique/dp/0520340140</a><br></div><d=
iv><br>Summary<br><br>High-Tech Trash analyzes creative strategies in glitc=
h, noise, and error to chart the development of an aesthetic paradigm roote=
d in failure. Carolyn L. Kane explores how technologically influenced creat=
ive practices, primarily from the second half of the twentieth and first qu=
arter of the twenty-first centuries, critically offset a broader culture of=
 pervasive risk and discontent. In so doing, she questions how we continue =
onward, striving to do better and acquire more, despite inevitable disappoi=
ntment. High-Tech Trash speaks to a paradox in contemporary society in whic=
h failure is disavowed yet generates technological innovation.<div><br></di=
v><div>Reviews:</div><div>=E2=80=9CLeonard Cohen sang =E2=80=98There=E2=80=
=99s a crack in everything =E2=80=A6 that=E2=80=99s how the light gets in.=
=E2=80=99 Here, Carolyn Kane teaches us how to see that light, one crack at=
 a time.=E2=80=9D =E2=80=93Fred Turner, Stanford University and author of T=
he Democratic Surround: Multimedia and American Liberalism from World War=
=C2=A0II to the Psychedelic Sixties<br><br>=E2=80=9CKane profiles art pract=
ices and media discourses that exploit and celebrate, rather than filter or=
 suppress, all kinds of errors and noises. A welcome intervention in a numb=
er of discursive fields.=E2=80=9D =E2=80=93Peter Krapp, University of Calif=
ornia, Irvine and author of Noise Channels: Glitch and Error in Digital Cul=
ture<br><br>=E2=80=9CAn original work of scholarship that addresses some of=
 the most pervasive phenomena and foundational questions in the contemporar=
y media environment.=E2=80=9D =E2=80=93Robert Hariman, Northwestern Univers=
ity and coauthor of The Public Image: Photography and Civic Spectatorship<b=
r><br><br>Thanks!</div></div></div></div><div><br></div><div><br></div><div=
><br></div><div><br></div><br clear=3D"all"><div><div dir=3D"ltr" class=3D"=
gmail_signature" data-smartmail=3D"gmail_signature"><div dir=3D"ltr"><div><=
div dir=3D"ltr"><div><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><di=
v dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div style=3D"font-size:12.=
8000001907349px"><div style=3D"font-size:12.8px"><div dir=3D"ltr">Carolyn L=
. Kane,</div><div dir=3D"ltr"><span style=3D"font-size:12.8px"><a href=3D"h=
ttp://procom.ryerson.ca/people/carolyn-kane" target=3D"_blank">http://proco=
m.ryerson.ca/people/carolyn-kane</a></span></div><div dir=3D"ltr">Associate=
 Professor, School of Professional Communication<br>Faculty of Communicatio=
n and Design<br>Ryerson University<br>80 Gould Street<br>Toronto, Ontario<b=
r>Canada M5B 2K3<div dir=3D"ltr"><br></div><div dir=3D"ltr"><div style=3D"f=
ont-size:12.8px"><span style=3D"font-size:small">Author of=C2=A0</span><i s=
tyle=3D"font-size:small"><a href=3D"http://www.amazon.com/Chromatic-Algorit=
hms-Carolyn-L-Kane/dp/022600273X/ref=3Dsr_1_3?s=3Dbooks&amp;ie=3DUTF8&amp;q=
id=3D1387478152&amp;sr=3D1-3" target=3D"_blank">Chromatic Algorithms: Synth=
etic Color, Computer Art, and Aesthetics after Code</a></i><span style=3D"f=
ont-size:small">=C2=A0</span><br></div><div><div style=3D"font-size:12.8px"=
><font size=3D"2">(University of Chicago Press, 2014)</font></div><div styl=
e=3D"font-size:12.8px"><font size=3D"2"><br></font></div><div style=3D"font=
-size:12.8px"><div><font size=3D"2">=E2=80=A2=C2=A0<a href=3D"https://www.i=
nterviewmagazine.com/art/glitch-artist-chris-dorland-talks-transhumanism-au=
thor-carolyn-kane" target=3D"_blank">Interview Magazine</a>=C2=A0Conversati=
on</font></div><div><font size=3D"2">=E2=80=A2 Review in=C2=A0<a href=3D"ht=
tp://www.tandfonline.com/doi/abs/10.1080/17547075.2016.1187930?needAccess=
=3Dtrue" target=3D"_blank"><i>Design and Culture</i></a></font></div><div><=
font size=3D"2">=E2=80=A2 Review in=C2=A0<a href=3D"http://www.publicbooks.=
org/nonfiction/what-world-whose-algorithms" target=3D"_blank"><i>Public Boo=
ks=C2=A0</i></a></font></div><div>=E2=80=A2 Review in=C2=A0<i><a href=3D"ht=
tp://nms.sagepub.com/content/17/7/1192.short" target=3D"_blank">New Media &=
amp; Society</a></i></div><div><font size=3D"2">=E2=80=A2 Interview with=C2=
=A0<a href=3D"http://newbooksinscitechsoc.com/2014/12/03/carolyn-l-kane-chr=
omatic-algorithms-synthetic-color-computer-art-and-aesthetics-after-code-u-=
of-chicago-press-2014/" target=3D"_blank">New Books in Science, Technology,=
 and Society=C2=A0</a></font></div><div>=E2=80=A2 Interview with=C2=A0<i><a=
 href=3D"http://theoryculturesociety.org/the-aesthetics-of-algorithms-an-in=
terview-with-carolyn-l-kane/" target=3D"_blank">Theory, Culture &amp; Socie=
ty</a></i>=C2=A0</div></div></div><div><br></div></div></div></div></div></=
div></div></div></div></div></div></div></div></div></div></div></div></div=
>
=3D=3D=3D=3D=3D
General list info and FAQ: <a href=3D"http://comm.umn.edu/~grodman/cultstud.html" target=3D"_blank">http://comm.umn.edu/~grodman/cultstud.html</a>

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