From SHERA-SAH Liaison: Selections from Journal of the Society of Architectural Historians | December Issue
"Anna Sokolina" <[email protected]> Sun, 11 Dec 2016 19:56:20 -0500
| Newsgroups | gmane.culture.studies.history.slavic |
|---|---|
| Message-ID | <[email protected]> |
This is a multipart message in MIME format.
--===============0867349618==
Content-Type: multipart/alternative;
boundary="----=_NextPart_000_0024_01D253E8.A575E210"
Content-Language: en-us
This is a multipart message in MIME format.
------=_NextPart_000_0024_01D253E8.A575E210
Content-Type: text/plain;
charset="us-ascii"
Content-Transfer-Encoding: 7bit
Selections from:
Journal of the Society of Architectural Historians
Vol. 75, No. 4, December 2016
Editorial
The Legacy of Complexity and Contradiction in Architecture
Patricia A. Morton
Books
Robert Venturi's Complexity and Contradiction in Architecture
Robert Venturi's Complexity and Contradiction in Architecture: A Fifty-Year
Reception - Reviewed by Joan Ockman
The Mannerism of Architecture and the City in Complexity and Contradiction -
Reviewed by Maarten Delbeke
Venturi and the Recovery of Metaphor and Precedent in Architecture -
Reviewed by Thomas Noble Howe
History and Representation: Venturi's Engagement with Modern "Islamic"
Architecture - Reviewed by Kishwar Rizvi
Review: Power and Privilege - Reviewed by Jonathan Massey
Unbuilt Utopian Cities 1460 to 1900: Reconstructing Their Architecture and
Political Philosophy, by Tessa Morrison Reviewed by Nathaniel Robert Walker
Multimedia
Masterworks of American Avant-Garde Experimental Film 1920-1970, produced by
David Shepard and curated by Bruce Posner Reviewed by Amy Murphy
------=_NextPart_000_0024_01D253E8.A575E210
Content-Type: text/html;
charset="us-ascii"
Content-Transfer-Encoding: quoted-printable
<html xmlns:v=3D"urn:schemas-microsoft-com:vml" =
xmlns:o=3D"urn:schemas-microsoft-com:office:office" =
xmlns:w=3D"urn:schemas-microsoft-com:office:word" =
xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" =
xmlns=3D"http://www.w3.org/TR/REC-html40"><head><meta =
http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii"><meta name=3DGenerator content=3D"Microsoft Word 15 =
(filtered medium)"><style><!--
/* Font Definitions */
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0in;
margin-bottom:.0001pt;
font-size:12.0pt;
font-family:"Times New Roman",serif;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:blue;
text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-priority:99;
color:purple;
text-decoration:underline;}
p.MsoPlainText, li.MsoPlainText, div.MsoPlainText
{mso-style-priority:99;
mso-style-link:"Plain Text Char";
margin:0in;
margin-bottom:.0001pt;
font-size:10.0pt;
font-family:"Arial",sans-serif;}
span.PlainTextChar
{mso-style-name:"Plain Text Char";
mso-style-priority:99;
mso-style-link:"Plain Text";
font-family:"Arial",sans-serif;}
span.EmailStyle21
{mso-style-type:personal-reply;
font-family:"Arial",sans-serif;
color:#1F497D;
font-weight:normal;
font-style:normal;}
.MsoChpDefault
{mso-style-type:export-only;
font-family:"Calibri",sans-serif;}
@page WordSection1
{size:8.5in 11.0in;
margin:1.0in 1.0in 1.0in 1.0in;}
div.WordSection1
{page:WordSection1;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext=3D"edit" spidmax=3D"1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext=3D"edit">
<o:idmap v:ext=3D"edit" data=3D"1" />
</o:shapelayout></xml><![endif]--></head><body lang=3DEN-US link=3Dblue =
vlink=3Dpurple><div class=3DWordSection1><div align=3Dcenter><table =
class=3DMsoNormalTable border=3D0 cellpadding=3D0 width=3D624 =
style=3D'width:6.5in'><tr><td width=3D"99%" colspan=3D2 valign=3Dtop =
style=3D'width:99.36%;padding:.75pt .75pt .75pt .75pt'><p =
class=3DMsoNormal><em><b><span =
style=3D'font-size:10.5pt;font-family:"Arial",sans-serif;color:#1F497D;fo=
nt-style:normal'>Selections from: <o:p></o:p></span></b></em></p><p =
class=3DMsoNormal><em><b><span =
style=3D'font-size:10.5pt;font-family:"Arial",sans-serif;color:#262626'>J=
ournal of the Society of Architectural =
Historians</span></b></em><br><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#262626'>Vo=
l. 75, No. 4, December 2016</span><o:p></o:p></p></td></tr><tr><td =
width=3D"99%" colspan=3D2 valign=3Dtop =
style=3D'width:99.36%;padding:.75pt .75pt .75pt .75pt'></td></tr><tr><td =
width=3D"59%" valign=3Dtop style=3D'width:59.22%;padding:.75pt .75pt =
.75pt .75pt'><p class=3DMsoNormal><strong><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#BC3D2B'>Ed=
itorial</span></strong><br><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#262626'><a=
=
href=3D"http://email.membersuite.com/wf/click?upn=3DmtWfdmlartfDTKRXz7-2B=
PbZlO75ALJ7IB5vulYeW6gW0p3Ft2Oy-2Fkcgi-2BsnOBs2sU_-2BtLrULe-2FZKxDOROhb-2=
BNscaKul3px9Cpo55j02PtrelfTobUMB6-2BjCayWOLTR1ihlMehSfvkH2139iHpsIPEgnvZ-=
2BU3-2FnAN24QXkxGqaXCHfeev2wgw9PkxacBz6-2F9dP1kcCIrHbGH0Fn3bp44Bga89tM7bT=
hkse-2FL59kZn0H5f9rhf4b8TqzaPAEOi9p8XD2CVjVu3RiyXKozU8qyOM7fApTGN7laN9pSV=
sTLSs-2BW2nL5MiU8ofhoRGJBrD3VzeH6UjGWJQALG8Mgi0Jzqg6Lf1MVJNFBC3dsIxzEcyIq=
-2FJR9aqczAPXMCqCHM9d-2FpDN77QGrdQBJBeh9z1ZqrP9AB415oAXCFJK3kOB7rTYDpbwz8=
CnNn8YfNVRsdgrwHAm4IH77HGRYKuGYbJ5ziyCT9Bmhtb2RuMACpcDjcH6rj43X-2BAegbVxP=
1xkaIO0MNLdGrdPLgkNGbwhCwFkLV2CK8foq8fr8ghdWTHZKUetJjGGcD-2FXd52GwaHZwaee=
5lcaL8m8esR-2BRxrdisx-2FCAyW873mwPM2XRtVl8SX9-2Bs8yYE-3D">The Legacy of =
<em><span style=3D'font-family:"Arial",sans-serif'>Complexity and =
Contradiction in Architecture</span></em></a><i><br></i>Patricia A. =
Morton</span><o:p></o:p></p></td><td width=3D"39%" valign=3Dtop =
style=3D'width:39.82%;padding:.75pt .75pt .75pt .75pt'></td></tr><tr><td =
width=3D"99%" colspan=3D2 valign=3Dtop =
style=3D'width:99.36%;padding:.75pt .75pt .75pt .75pt'><p =
class=3DMsoNormal><strong><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#BD3D2C'>Bo=
oks</span></strong><br><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#262626'>Ro=
bert Venturi's <em><span =
style=3D'font-family:"Arial",sans-serif'>Complexity and Contradiction in =
Architecture</span></em><i><br></i><a =
href=3D"http://email.membersuite.com/wf/click?upn=3DmtWfdmlartfDTKRXz7-2B=
PbZlO75ALJ7IB5vulYeW6gW38LcnIN0hCz4aHuo9EXlT-2F_-2BtLrULe-2FZKxDOROhb-2BN=
scaKul3px9Cpo55j02PtrelfTobUMB6-2BjCayWOLTR1ihlMehSfvkH2139iHpsIPEgnvZ-2B=
U3-2FnAN24QXkxGqaXCHfeev2wgw9PkxacBz6-2F9dP1kcCIrHbGH0Fn3bp44Bga89tM7bThk=
se-2FL59kZn0H5f9rhf4b8TqzaPAEOi9p8XD2CVjVu3RiyXKozU8qyOM7fApTGN7laN9pSVsT=
LSs-2BW2nL5MiU8ofhoRGJBrD3VzeH6UjGWJQALG8Mgi0Jzqg6Lf1MVJNFBC3dsIxzEcyIq-2=
FJR9aqczAPXMCqCHM9d-2FpDN77QGrdQBJBeh9z1ZqrP9AB415oAXCFJK3kOB7rTYDpbwz8Cn=
Nn8YfNVRsdgrwHAm4IH77HGRYKuGYbJ5ziyCT0kiWDTmGmJVNAXuNpAKN0LtxmiC2ShoPPASx=
WWg8YuPH1D1jmpT57qmAi2q6VcAgqR2oY7WDk512b2ZrT-2BJR73MojGq-2B1M-2Ftv94W64b=
oWuWsFaTZ5pBa5U-2FD8bo7tczO6eRYrLQxIPmRS0nUPMxSYw-3D">Robert =
Venturi’s Complexity and Contradiction in Architecture: A =
Fifty-Year Reception</a> - Reviewed by Joan Ockman<br><a =
href=3D"http://email.membersuite.com/wf/click?upn=3DmtWfdmlartfDTKRXz7-2B=
PbZlO75ALJ7IB5vulYeW6gW2uAqtVygr9akn6dAuI0P41_-2BtLrULe-2FZKxDOROhb-2BNsc=
aKul3px9Cpo55j02PtrelfTobUMB6-2BjCayWOLTR1ihlMehSfvkH2139iHpsIPEgnvZ-2BU3=
-2FnAN24QXkxGqaXCHfeev2wgw9PkxacBz6-2F9dP1kcCIrHbGH0Fn3bp44Bga89tM7bThkse=
-2FL59kZn0H5f9rhf4b8TqzaPAEOi9p8XD2CVjVu3RiyXKozU8qyOM7fApTGN7laN9pSVsTLS=
s-2BW2nL5MiU8ofhoRGJBrD3VzeH6UjGWJQALG8Mgi0Jzqg6Lf1MVJNFBC3dsIxzEcyIq-2FJ=
R9aqczAPXMCqCHM9d-2FpDN77QGrdQBJBeh9z1ZqrP9AB415oAXCFJK3kOB7rTYDpbwz8CnNn=
8YfNVRsdgrwHAm4IH77HGRYKuGYbJ5ziyCT8ndU78nuPSoOqFHnddx7jInUEAsf2BDXUClv0e=
X2cBdCAOwn2DW-2BY-2FQ9TcQDMFcZvlSUVRxmV9PuszpWfE8EDIK5cGtLB48ssBUD6Lu-2Fh=
MRg9dvWQEKXOfpw1c8elmYOElDZuVjL54yXz6ZnKfX1-2BU-3D">The Mannerism of =
Architecture and the City in <em><span =
style=3D'font-family:"Arial",sans-serif'>Complexity and =
Contradiction</span></em></a><em><span =
style=3D'font-family:"Arial",sans-serif'> - </span></em>Reviewed by =
Maarten Delbeke<br><a =
href=3D"http://email.membersuite.com/wf/click?upn=3DmtWfdmlartfDTKRXz7-2B=
PbZlO75ALJ7IB5vulYeW6gW1bTARlg5l0cK6HfoxULeYk_-2BtLrULe-2FZKxDOROhb-2BNsc=
aKul3px9Cpo55j02PtrelfTobUMB6-2BjCayWOLTR1ihlMehSfvkH2139iHpsIPEgnvZ-2BU3=
-2FnAN24QXkxGqaXCHfeev2wgw9PkxacBz6-2F9dP1kcCIrHbGH0Fn3bp44Bga89tM7bThkse=
-2FL59kZn0H5f9rhf4b8TqzaPAEOi9p8XD2CVjVu3RiyXKozU8qyOM7fApTGN7laN9pSVsTLS=
s-2BW2nL5MiU8ofhoRGJBrD3VzeH6UjGWJQALG8Mgi0Jzqg6Lf1MVJNFBC3dsIxzEcyIq-2FJ=
R9aqczAPXMCqCHM9d-2FpDN77QGrdQBJBeh9z1ZqrP9AB415oAXCFJK3kOB7rTYDpbwz8CnNn=
8YfNVRsdgrwHAm4IH77HGRYKuGYbJ5ziyCT9a9r8td6ek7AT8he9cShhvF6i02-2FITtK2KYB=
KQeUGYILkUOo74NBamtgxc1vswA9-2FsY-2BovQ4HG3w9f5GHa2alBNE63sOX28AI48JWjokQ=
659OHS9maQVoTY7g0W2A-2BVcNTXGUlto90cM-2FbaLvtI4T4-3D">Venturi and the =
Recovery of Metaphor and Precedent in Architecture</a> - Reviewed by =
Thomas Noble Howe<br><a =
href=3D"http://email.membersuite.com/wf/click?upn=3DmtWfdmlartfDTKRXz7-2B=
PbZlO75ALJ7IB5vulYeW6gW2-2F66JdtZDFrFDe7q57INl3_-2BtLrULe-2FZKxDOROhb-2BN=
scaKul3px9Cpo55j02PtrelfTobUMB6-2BjCayWOLTR1ihlMehSfvkH2139iHpsIPEgnvZ-2B=
U3-2FnAN24QXkxGqaXCHfeev2wgw9PkxacBz6-2F9dP1kcCIrHbGH0Fn3bp44Bga89tM7bThk=
se-2FL59kZn0H5f9rhf4b8TqzaPAEOi9p8XD2CVjVu3RiyXKozU8qyOM7fApTGN7laN9pSVsT=
LSs-2BW2nL5MiU8ofhoRGJBrD3VzeH6UjGWJQALG8Mgi0Jzqg6Lf1MVJNFBC3dsIxzEcyIq-2=
FJR9aqczAPXMCqCHM9d-2FpDN77QGrdQBJBeh9z1ZqrP9AB415oAXCFJK3kOB7rTYDpbwz8Cn=
Nn8YfNVRsdgrwHAm4IH77HGRYKuGYbJ5ziyCT4FpXgYjY7zL3CH6iMxojhMagVgfWnchC7neE=
P56tCDGTMo59wGXTEhzoVBK8VWcfDUCHdhO0Sv-2FLMFQF0WAHib6S4GJzaavXBlcrsBelPFg=
pnZaVziLGHPVRnz7JCrCQNb55lhIWumJVCWykNfXTXg-3D">History and =
Representation: Venturi's Engagement with Modern "Islamic" =
Architecture</a> - Reviewed by Kishwar Rizvi<br><a =
href=3D"http://email.membersuite.com/wf/click?upn=3DmtWfdmlartfDTKRXz7-2B=
PbZlO75ALJ7IB5vulYeW6gW2r7qKIQWU1ZibR36CpyVRl_-2BtLrULe-2FZKxDOROhb-2BNsc=
aKul3px9Cpo55j02PtrelfTobUMB6-2BjCayWOLTR1ihlMehSfvkH2139iHpsIPEgnvZ-2BU3=
-2FnAN24QXkxGqaXCHfeev2wgw9PkxacBz6-2F9dP1kcCIrHbGH0Fn3bp44Bga89tM7bThkse=
-2FL59kZn0H5f9rhf4b8TqzaPAEOi9p8XD2CVjVu3RiyXKozU8qyOM7fApTGN7laN9pSVsTLS=
s-2BW2nL5MiU8ofhoRGJBrD3VzeH6UjGWJQALG8Mgi0Jzqg6Lf1MVJNFBC3dsIxzEcyIq-2FJ=
R9aqczAPXMCqCHM9d-2FpDN77QGrdQBJBeh9z1ZqrP9AB415oAXCFJK3kOB7rTYDpbwz8CnNn=
8YfNVRsdgrwHAm4IH77HGRYKuGYbJ5ziyCT6ygj5i64S9EAIxBvTzMBQiYcEjcKsfEYXFpTHE=
YTrSe79Jexcpo4SkKK-2BL5WGhqfwmgubLKAnfreeoruBAM1n1rjDJQP48sxxD6jQMQtW7d5F=
yUIdskxYy988NPSEh6qRVkgcEK7dSiAmuIyYGlo-2BQ-3D">Review: Power and =
Privilege</a> - Reviewed by Jonathan Massey<br><a =
href=3D"http://email.membersuite.com/wf/click?upn=3DmtWfdmlartfDTKRXz7-2B=
PbZlO75ALJ7IB5vulYeW6gW33ebMBfsFbSb8wvUFqjsPL_-2BtLrULe-2FZKxDOROhb-2BNsc=
aKul3px9Cpo55j02PtrelfTobUMB6-2BjCayWOLTR1ihlMehSfvkH2139iHpsIPEgnvZ-2BU3=
-2FnAN24QXkxGqaXCHfeev2wgw9PkxacBz6-2F9dP1kcCIrHbGH0Fn3bp44Bga89tM7bThkse=
-2FL59kZn0H5f9rhf4b8TqzaPAEOi9p8XD2CVjVu3RiyXKozU8qyOM7fApTGN7laN9pSVsTLS=
s-2BW2nL5MiU8ofhoRGJBrD3VzeH6UjGWJQALG8Mgi0Jzqg6Lf1MVJNFBC3dsIxzEcyIq-2FJ=
R9aqczAPXMCqCHM9d-2FpDN77QGrdQBJBeh9z1ZqrP9AB415oAXCFJK3kOB7rTYDpbwz8CnNn=
8YfNVRsdgrwHAm4IH77HGRYKuGYbJ5ziyCTz888ZLkDQfeAF4R65waXc46ugyC72UYG6FbcpM=
TT4hh13ZydJXeAIJsLliQn61eounlNtU75GXYIDq8Y8wW1oN7derXWzU814HmuKz7T3gXLuSb=
WWCp5zwjywiUlEZqY20RRdgJgvrAurwQTi09ApBSWta1hC-2FViR2nE5H-2FbECQ"><em><sp=
an style=3D'font-family:"Arial",sans-serif'>Unbuilt Utopian Cities 1460 =
to 1900: Reconstructing Their Architecture and Political =
Philosophy</span></em>, by Tessa Morrison</a></span><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#1F497D'> =
</span><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#262626'>Re=
viewed by Nathaniel Robert Walker</span><o:p></o:p></p></td></tr><tr><td =
width=3D"99%" colspan=3D2 valign=3Dtop =
style=3D'width:99.36%;padding:.75pt .75pt .75pt .75pt'></td></tr><tr><td =
width=3D"99%" colspan=3D2 valign=3Dtop =
style=3D'width:99.36%;padding:.75pt .75pt .75pt .75pt'><p =
class=3DMsoNormal><strong><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#BD3D2C'>Mu=
ltimedia</span></strong><i><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#262626'><b=
r></span></i><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#262626'><a=
=
href=3D"http://email.membersuite.com/wf/click?upn=3DmtWfdmlartfDTKRXz7-2B=
PbZlO75ALJ7IB5vulYeW6gW1Zzpg463BNCkNpLQxzSEgN_-2BtLrULe-2FZKxDOROhb-2BNsc=
aKul3px9Cpo55j02PtrelfTobUMB6-2BjCayWOLTR1ihlMehSfvkH2139iHpsIPEgnvZ-2BU3=
-2FnAN24QXkxGqaXCHfeev2wgw9PkxacBz6-2F9dP1kcCIrHbGH0Fn3bp44Bga89tM7bThkse=
-2FL59kZn0H5f9rhf4b8TqzaPAEOi9p8XD2CVjVu3RiyXKozU8qyOM7fApTGN7laN9pSVsTLS=
s-2BW2nL5MiU8ofhoRGJBrD3VzeH6UjGWJQALG8Mgi0Jzqg6Lf1MVJNFBC3dsIxzEcyIq-2FJ=
R9aqczAPXMCqCHM9d-2FpDN77QGrdQBJBeh9z1ZqrP9AB415oAXCFJK3kOB7rTYDpbwz8CnNn=
8YfNVRsdgrwHAm4IH77HGRYKuGYbJ5ziyCT-2BFmNWeHjPCVqQN-2BeTXhuV4QRWW4kTkiJRz=
vnotkfFpGOxfA6-2Bln5B6QXu3vFMTnFyJ95OTNHDP8J-2Bwbs-2FNknoOna71b7JjPQnKKUa=
hjCFxL-2B5eXQoQA-2FC-2FjSb7p-2FfvzV-2FRivwsnjZmbkWoZvnsmlkVIftGyYOMQJR4Yc=
F2-2BJMxu"><em><span =
style=3D'font-family:"Arial",sans-serif'>Masterworks of American =
Avant-Garde Experimental Film 1920-1970</span></em>, produced by David =
Shepard and curated by Bruce Posner</a></span><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#1F497D'> =
</span><span =
style=3D'font-size:9.0pt;font-family:"Arial",sans-serif;color:#262626'>Re=
viewed by Amy Murphy<br><br></span><o:p></o:p></p></td></tr><tr><td =
width=3D"99%" colspan=3D2 valign=3Dtop =
style=3D'width:99.36%;padding:.75pt .75pt .75pt .75pt'><p =
class=3DMsoNormal> <o:p></o:p></p></td></tr></table></div><p =
class=3DMsoNormal><span =
style=3D'font-size:10.0pt;font-family:"Calibri",sans-serif'><o:p> </=
o:p></span></p></div></body></html>
------=_NextPart_000_0024_01D253E8.A575E210--
--===============0867349618==
Content-Type: text/plain; charset="us-ascii"
MIME-Version: 1.0
Content-Transfer-Encoding: 7bit
Content-Disposition: inline
_______________________________________________
Shera mailing list
[email protected]
http://lists.oakland.edu/mailman/listinfo/shera
--===============0867349618==--