Fwd: CAAH - Celebrating Print fall 2016 issue

Margaret Samu <[email protected]> Tue, 13 Dec 2016 07:59:21 -0500
Newsgroups gmane.culture.studies.history.slavic
Message-ID <CAN4sfYLz_m2HR2=8Jp1PQJUO_3EhdsofSM=fHp1kWU6Dv6rUBg@mail.gmail.com>
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---------- Forwarded message ----------
From: Suzanna Simor <[email protected]>
Date: Mon, Dec 12, 2016 at 10:59 PM
Subject: CAAH - Celebrating Print fall 2016 issue
To: [email protected]


(posted on behalf of Katerina Kyselica)



We are pleased to announce a release of the fall issue of Celebrating
Print, a publication that covers fine art print and printmaking in Central
and Eastern Europe.



In this issue, art historian Julia Meszaros offers a survey of modern
Hungarian printmaking, which encompasses early forms of narrative works as
well as the radical trends of 1980s and 1990s, when artists defied the
medium=E2=80=99s traditions by experimenting with Xerox technology and othe=
r
devices. Curator Barbora Kundracikova explores the aesthetic nature of
prints in Sensing Beyond Seeing by applying theory to the works of Alena
Kucerova, Marie Blabolilova and Romana Rotterova=E2=80=94three Czech printm=
akers
who continuously translate their personal experiences into digestible
pictorial content. The issue also delves into the realm of fantasy art, a
phenomenon typically associated with Central and Eastern European print.
Art historian Eva Trojanova=E2=80=99s Carousels of Life focuses on the expa=
nsive
oeuvre of Slovak artist Vladimir Gazovic and his =E2=80=9Cefforts to reveal=
 the
truth=E2=80=9D by combining astute observations of reality with phantasmal =
motifs.
Fluctuations between dreams and reality find a fixed state in the works of
Kamila Stanclova, another Slovak artist interviewed by editor Katerina
Kyselica. Stanclova=E2=80=99s line-based etchings come interlaced with subl=
ime
shapes generated by her imagination and subconscious. Croatian artist Ana
Vivoda, whose project Traces is presented to shed light on the printmaking
process, reflects on her interactions with the environment as she marks the
matrix.



The fall issue (and the previous two issues) can be purchased as an
individual issue or via subscription at www.celebratingprint.com.



If you would like to support the magazine's mission, please consider
subscribing.



Celebrating Print is the only English publication about fine art print and
printmaking practice in Central and Eastern Europe. Curators, scholars and
printmaking educators contribute articles, essays and interviews that
profile modern and contemporary print across the region. Celebrating Print
was founded as an information platform for scholars, collectors and print
enthusiasts to navigate the culture of Central and Eastern European print
as well as discover works by present-day creators that reflect the region=
=E2=80=99s
rich tradition. Launched in 2015, the biannual magazine is published in
full-color in October and April by New York=E2=80=93based creative studio K=
ADS New
York in both print and digital format.=E2=80=8B



Katerina Kyselica

Principal, KADS New York

[email protected]

www.kadsny.com

phone: +1-646-275-0725 <(646)%20275-0725> (mobile)

facebook.com/kadsny

twitter.com/kadsny



Suzanna Simor, PhD

Head, Queens College Art Library

Queens College/CUNY

719.997.3771 <(719)%20997-3771>

[email protected]

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<div dir=3D"ltr"><br>
<div class=3D"gmail_quote">---------- Forwarded message ----------<br>From:=
 <b class=3D"gmail_sendername">Suzanna Simor</b> <span dir=3D"ltr">&lt;<a h=
ref=3D"mailto:[email protected]">[email protected]</a>&gt;</spa=
n><br>Date: Mon, Dec 12, 2016 at 10:59 PM<br>Subject: CAAH - Celebrating Pr=
int fall 2016 issue<br>To: <a href=3D"mailto:[email protected]">caah@princ=
eton.edu</a><br><br><br><div dir=3D"ltr"><div class=3D"gmail_quote"><div di=
r=3D"ltr" style=3D"font-size:12pt;color:rgb(0,0,0);background-color:rgb(255=
,255,255);font-family:calibri,arial,helvetica,sans-serif"><p class=3D"MsoNo=
rmal" style=3D"margin-bottom:0.0001pt;line-height:normal">(posted on behalf=
 of Katerina Kyselica)<span></span></p><p class=3D"MsoNormal" style=3D"marg=
in-bottom:0.0001pt;line-height:normal"><span>=C2=A0</span></p><p class=3D"M=
soNormal" style=3D"margin-bottom:0.0001pt;line-height:normal">We are please=
d to announce a release of the fall issue of Celebrating
Print, a publication that covers fine art print and printmaking in Central =
and
Eastern Europe.<span></span></p><p class=3D"MsoNormal" style=3D"margin-bott=
om:0.0001pt;line-height:normal"><span>=C2=A0</span></p><p class=3D"MsoNorma=
l" style=3D"margin-bottom:0.0001pt;line-height:normal">In this issue, art h=
istorian Julia Meszaros offers a survey of modern
Hungarian printmaking, which encompasses early forms of narrative works as =
well
as the radical trends of 1980s and 1990s, when artists defied the medium=E2=
=80=99s
traditions by experimenting with Xerox technology and other devices. Curato=
r
Barbora Kundracikova explores the aesthetic nature of prints in Sensing Bey=
ond
Seeing by applying theory to the works of Alena Kucerova, Marie Blabolilova=
 and
Romana Rotterova=E2=80=94three Czech printmakers who continuously translate=
 their
personal experiences into digestible pictorial content. The issue also delv=
es
into the realm of fantasy art, a phenomenon typically associated with Centr=
al
and Eastern European print. Art historian Eva Trojanova=E2=80=99s Carousels=
 of Life focuses
on the expansive oeuvre of Slovak artist Vladimir Gazovic and his =E2=80=9C=
efforts to
reveal the truth=E2=80=9D by combining astute observations of reality with =
phantasmal
motifs. Fluctuations between dreams and reality find a fixed state in the w=
orks
of Kamila Stanclova, another Slovak artist interviewed by editor Katerina
Kyselica. Stanclova=E2=80=99s line-based etchings come interlaced with subl=
ime shapes
generated by her imagination and subconscious. Croatian artist Ana Vivoda,
whose project Traces is presented to shed light on the printmaking process,
reflects on her interactions with the environment as she marks the matrix. =
<span></span></p><p class=3D"MsoNormal" style=3D"margin-bottom:0.0001pt;lin=
e-height:normal"><span>=C2=A0</span></p><p class=3D"MsoNormal" style=3D"mar=
gin-bottom:0.0001pt;line-height:normal">The fall issue (and the previous tw=
o issues) can be purchased as an
individual issue or via subscription at <a href=3D"http://www.celebratingpr=
int.com" target=3D"_blank">www.celebratingprint.com</a>.<span></span></p><p=
 class=3D"MsoNormal" style=3D"margin-bottom:0.0001pt;line-height:normal"><s=
pan>=C2=A0</span></p><p class=3D"MsoNormal" style=3D"margin-bottom:0.0001pt=
;line-height:normal">If you would like to support the magazine&#39;s missio=
n, please consider
subscribing.<span></span></p><p class=3D"MsoNormal" style=3D"margin-bottom:=
0.0001pt;line-height:normal"><span>=C2=A0</span></p><p class=3D"MsoNormal" =
style=3D"margin-bottom:0.0001pt;line-height:normal">Celebrating Print is th=
e only English publication about fine art print
and printmaking practice in Central and Eastern Europe. Curators, scholars =
and
printmaking educators contribute articles, essays and interviews that profi=
le
modern and contemporary print across the region. Celebrating Print was foun=
ded
as an information platform for scholars, collectors and print enthusiasts t=
o
navigate the culture of Central and Eastern European print as well as disco=
ver
works by present-day creators that reflect the region=E2=80=99s rich tradit=
ion.
Launched in 2015, the biannual magazine is published in full-color in Octob=
er
and April by New York=E2=80=93based creative studio KADS New York in both p=
rint and
digital format.=E2=80=8B <span></span></p><p class=3D"MsoNormal" style=3D"m=
argin-bottom:0.0001pt;line-height:normal"><span>=C2=A0</span></p><p class=
=3D"MsoNormal" style=3D"margin-bottom:0.0001pt;line-height:normal">Katerina=
 Kyselica<span></span></p><p class=3D"MsoNormal" style=3D"margin-bottom:0.0=
001pt;line-height:normal">Principal, KADS New York<span></span></p><p class=
=3D"MsoNormal" style=3D"margin-bottom:0.0001pt;line-height:normal"><a href=
=3D"mailto:[email protected]" target=3D"_blank">[email protected]</a><s=
pan></span></p><p class=3D"MsoNormal" style=3D"margin-bottom:0.0001pt;line-=
height:normal"><a href=3D"http://www.kadsny.com" target=3D"_blank">www.kads=
ny.com</a><span></span></p><p class=3D"MsoNormal" style=3D"margin-bottom:0.=
0001pt;line-height:normal">phone: <a href=3D"tel:(646)%20275-0725" value=3D=
"+16462750725" target=3D"_blank">+1-646-275-0725</a> (mobile)<span></span><=
/p><p class=3D"MsoNormal" style=3D"margin-bottom:0.0001pt;line-height:norma=
l"><a href=3D"http://facebook.com/kadsny" target=3D"_blank">facebook.com/ka=
dsny</a><span></span></p><p class=3D"MsoNormal" style=3D"margin-bottom:0.00=
01pt;line-height:normal"><a href=3D"http://twitter.com/kadsny" target=3D"_b=
lank">twitter.com/kadsny</a><span></span></p><p class=3D"MsoNormal" style=
=3D"margin-bottom:0.0001pt;line-height:normal"><span>=C2=A0</span></p><p cl=
ass=3D"MsoNormal" style=3D"margin-bottom:0.0001pt;line-height:normal">Suzan=
na Simor, PhD<span></span></p><p class=3D"MsoNormal" style=3D"margin-bottom=
:0.0001pt;line-height:normal">Head, Queens College Art Library<span></span>=
</p><p class=3D"MsoNormal" style=3D"margin-bottom:0.0001pt;line-height:norm=
al">Queens College/CUNY<span></span></p><p class=3D"MsoNormal" style=3D"mar=
gin-bottom:0.0001pt;line-height:normal"><a href=3D"tel:(719)%20997-3771" va=
lue=3D"+17199973771" target=3D"_blank">719.997.3771</a></p><p class=3D"MsoN=
ormal" style=3D"margin-bottom:0.0001pt;line-height:normal"><span style=3D"f=
ont-size:12pt"><a href=3D"mailto:[email protected]" target=3D"_blan=
k">[email protected]</a></span></p><p class=3D"MsoNormal" style=3D"=
margin-bottom:0.0001pt;line-height:normal"><span style=3D"font-size:12pt"><=
br></span></p><p class=3D"MsoNormal" style=3D"margin-bottom:0.0001pt;line-h=
eight:normal"><span></span></p></div></div></div>
</div><br></div>

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