CFP CAA 2016 "Geometric Abstraction, Op, and Kinetic Art in Transnational Perspective"
Lily Woodruff <[email protected]> Tue, 28 Apr 2015 22:41:32 -0400
| Newsgroups | gmane.culture.studies.history.slavic |
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| Message-ID | <CANRctQns+wNV9dXECW6QBTXoXNOAHV9SMvnFdm=5qPFnQHh=HQ@mail.gmail.com> |
Dear SHERA members, Please consider submitting an abstract to our CAA 2016 panel "Geometric Abstraction, Op, and Kinetic Art in Transnational Perspective." The panel is sponsored by the European Postwar and Contemporary Art Forum (a CAA affiliate), but you do not need to be a member of EPCAF to present with us. The details are below. Thank you, Lily Woodruff and Daniel Quiles CAA 2016 Washington European Postwar and Contemporary Art Forum Geometric Abstraction, Op, and Kinetic Art in Transnational Perspective Lily Woodruff, Michigan State University; and Daniel Quiles, School of the Art Institute of Chicago. Email: [email protected] and [email protected] During the 1950s and 1960s Geometric Abstraction, Op art, and kinetic art flourished as international styles that linked artists across the globe. These practices were animated by socialist and phenomenological discourses that appealed to visual perception and interactivity as ways to democratize artistic culture. Eliminating elite cultural references, these artists aimed to train or stimulate perception as a gateway toward broader viewer participation. Recent scholarship has brought attention to how these rationalized visual languages became prominent outside of the North Atlantic due to the internationalization of a network of artists and collectives. Has the appeal to the eye been accompanied, however, by universalist assumptions that flatten local particularities? We encourage papers that demonstrate how Geometric, Op, and kinetic practices connect or break with the historical avant-gardes, while situating their innovations within broader social constellations such as urbanism, cybernetics, and labor. PROPOSALS FOR PAPERS TO SESSION CHAIRS Due May 8, 2015 Proposals for participation in sessions should be sent directly to the session chairs. Every proposal should include the following five items: 1. Completed session participation proposal form, located at the end of this pdf, or an email with the requested information. 2. Preliminary abstract of one to two double-spaced, typed pages. 3. Letter explaining speaker’s interest, expertise in the topic, and CAA membership status. 4. CV with home and office mailing addresses, email address, and phone and fax numbers. Include summer address and telephone number, if applicable. 5. Documentation of work when appropriate, especially for sessions in which artists might discuss their own work. The 2016 Annual Conference will be held in Washington, DC, Wednesday–Saturday, February 3–6, 2016. Sessions are scheduled for two and a half hours. Chairs develop sessions in a manner that is appropriate to the topics and participants of their sessions. A characteristic, though certainly not standard, format includes four or five presentations of twenty minutes each, amplified by audience participation or by a discussant’s commentary. More information at: http://www.collegeart.org/proposals/2016callforparticipation -- Assistant Professor Department of Art, Art History and Design Michigan State University 113 Kresge Art Center 600 Auditorium Road East Lansing, MI 48824 http://art.msu.edu _______________________________________________ Shera mailing list [email protected] http://lists.oakland.edu/mailman/listinfo/shera