Re: Multiple responses: Mirrors in movies?
Darryl Wiggers <[email protected]>
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From: Kristof Van den Troost [[email protected]] Johnnie To's Mad Detective (2007) stages the final showdown in a "hall of mirrors" kind of space. It's basically a retake of The Longest Nite (1998), nominally directed by Patrick Yau, but probably mostly directed by To himself. In both films mirrors are violently shattered to express the characters' shattered identities/duplicity, and for sheer visual effect. Kristof Van den Troost Visiting Fellow Department of Asian and International Studies City University of Hong Kong ------------ From: Jadwiga Biskupska [[email protected]] There is also a mirror scene in The Ring (the American version) where a mirror is shown straight on, completely empty, and the inconceivability of the empty mirror shot is proof of the film's power. Little eerie touch. Jadwiga ------------ From: Brian Locke [[email protected]] Nancy Kwan singing "I Enjoy Being a Girl" in Flower Drum Song (1961). Brian Locke Ethnic Studies University of Colorado, Boulder ------------ From: Nils Bothmann [[email protected]] Hello everyone. One scene that comes to my mind is from John Woo's "Face/Off". Agent and terrorist are standing both with their backs to opposite sides of a wall(thereby replaying a classic Woo moment), which is in this case also a mirror on both sides. When they turn around to shoot each other they have to fire at their own reflection - carrying the face of the other. The terrorist wearing the agent's face also says at one point "It's like looking in a mirror... only not". This is one of the scenes best visualising the Lacanian concepts of the Other in oneself and the mirror stage, which can be used when analysing the film. Best regards, Nils ------------ From: Swagato Chakravorty [[email protected]] Dear Professor Jackson, Aronofsky's "Pi" has a climactic scene involving mirrors (the tormented mathematician drills into his head). On a lighter note, the final Harry Potter film involves a narrative strand of two fragments of a mirror acting as a visual portal to each other. This comes from Rowling's story. Alexandre Aja's recent horror film, MIRRORS (2008) is entirely built around the concept of mirrors as portals between worlds. In an interesting aside, mirrors was a very prominent motif in the television series LOST. It often served to highlight the changes undergone by characters between timelines, or to present already-shown incidents in different ways (ie, by switching the timeline around, or by indicating how the experience has changed a character). Toward the end of the series, mirrors became especially dominant as past and present narratives rushed ever closer, and at times there were distinct indications that events occurring simultaneously in parallel timelines were being refracted through mirrors. Cocteau's Oprhic films, of course, famously used mirrors as portals again. TAXI DRIVER's "You talkin' to me?" scene relies on mirrors. Hope this helps. Best, -Swagato. Swagato Chakravorty MA Cinema and Media Studies The University of Chicago. ------------ From: alena williams [[email protected]] Dear Tony, There is a short film by the German filmmakers Christoph Girardet and Matthias Müller-- it's called Kristall (2006). Their work emerges out of the Braunschweig film school, and brings together pivotal shots from older films, often melodramas, into new narratives, commenting on the entire genre and the medium through their selection of scenes and editing. Though use of the word is contentious-- this work is often classified as "experimental" and it brings together many different shots of mirrors from numerous sources: http://films.arsenal-berlin.de/index.php/Detail/Object/Show/object_id/8771 Best wishes, Alena ___________ Alena Williams Art History and Archaeology Columbia University ------------ From: Enrica Picarelli <[email protected]> Don't forget the Ed Norton's monologue in the bar's bathroom in The 25th hour. ------------ From: Andrea Mensch <[email protected]> Aronofsky's recent film Black Swan has a great intertextual mirror moment at the end when Nina stabs herself/Lily with a broken shard after she has shattered the mirror.