CFP: Mythic Characters and Places Made Real (6/1/12; 9/26-30/12)

Kenneth Nolley <[email protected]>
Newsgroups gmane.culture.studies.media
Message-ID <CAA1nEoT+S5_B9bMK-x3aGZM0PtP8-bo8r_R3esxoLsALcS1Jog@mail.gmail.com>
From: Cynthia Miller <[email protected]>

CALL FOR PAPERS
“Mythic Characters and Places Made Real: TV and Film In Situ”
An area of multiple panels for the Film & History Conference on “Film and
Myth”
September 26-30, 2012
Milwaukee, Wisconsin, USA
www.filmandhistory.org
Deadline: June 1, 2012

Popular media increasingly are becoming the foundation for “non-mediated”
experiences with local, material culture. Now, the representation of
certain fictive historical times, people and places on film and TV have led
to their commemoration in real places. Fictional settings and characters
have become mythic as certain films and TV shows have become depoliticized
symbolic inducements with the power to transform the messy complexities of
history into desirable but unfulfillable narratives. What does this mean?
How are television and film used by the wider public as a resource of
collective memory? Why are certain stories selected by civic boosters for
the purposes of place promotion, heritage and tourism production? Why do
fans visit these sites and what do they get out of them? Fans of TV and
movies much less residents of places that commemorate these media must
confront questions of authenticity, popular culture as public culture, and
the hyperreal.

This area, comprising multiple panels, will treat all aspects of the
relationships between mythic film and television and the real places that
are connected to the narratives and characters associated with them.
Possible topics include, but are not limited to, the following:

- Vampire Tourism from Transylvania to Forks, WA (Dracula; Twilight)
- Having a real pint in a mythic bar (Coronation Street; Cheers; Northern
Exposure)
- Celebrating the Mythos of the final frontier. (Star Trek enshrined in
Riverside, IO and Vulcan, AB)
- Mnemonic Myths: The significance of TV land statues. (Happy Days;
Bewitched; The Honeymooners; The Bob Newhart Show)
- Take the Tour: Fandom in Mythic NYC. (Seinfeld, Sex and the City)
- The lasting attraction of Sylvester Stallone statues. (Rocky in
Philadelphia and Serbia)
- Fandom and Conventions in TV and Films' mythic places of origin. (The
Prisoner in Portmeirion, Wales)
- Festivals in mythic hometowns: Embracing fictional TV and films as local
culture. (The Andy Griffith Show in Mount Airy, NC; Superman in Metropolis,
IL; Twin Peaks in North Bend, WA)
- Adaptation and Place Promotion: From Literary Tourism to TV and Film
based Tourism. (Anne of Green Gables)
- Popular History and Popular Memory: Commemorating TV and Film in the
settings that inspired them. (Robocop)
- Real places become mythic: Fictional Film-based tourism. (National
Treasure in Washington, DC; Transformers in Chicago; The Da Vinci Code)
- Mythic characters and mythic places as heritage tourism. (Alice in
Wonderland; King of Kensington)
- Fans and Secular Pilgrimages: Visiting Mythic TV and Film Places. (The
Sound of Music)
- New Zealand as Middle Earth. (Lord of the Rings, The Hobbit)
- The Horror of being associated with Horror Films. (The Amityville Horror,
The Blair Witch Project)

Proposals for complete panels (three related presentations) are also
welcome, but they must include an abstract and contact information,
including an e-mail address, for each presenter.

Please e-mail your 200-word proposal by June 1, 2012:

Derek S. Foster, Area Chair, 2012 Film & History Conference
“Mythic Characters and Places Made Real: TV and Film In Situ”
Department of Communication, Popular Culture and Film
Brock University
Email: [email protected]

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