Query: music performances in film--2 responses

Kenneth Nolley <[email protected]>
Newsgroups gmane.culture.studies.media
Message-ID <CAA1nEoRX2Crx8V94EOX8o32RBqMTXuZptyoq9aCKP34fyZ-Gsw@mail.gmail.com>
From: *Henry M. Taylor* <[email protected]>

Why not just call it the way you do, namely musical performances in film?
You would have to be more specific as to the films and the performances
therein. Musical biopics often have this structure and are reflexive in so
far that the musical numbers often comment on or mirror narrative events,
i.e. the pure performance numbers are diegeticized. In some cases, you
might be dealing with a sort of play-within-a-play kind of situation, like
mise-en-abîme. But I'm not sure that's what you are getting at. In other
instances, the musical numbers may have a sort of 'pillow' function
separating different sequences.

Henry

**************

From: *Enrica Picarelli* <[email protected]>

Hi Kyle,

unfortunately I'm not an expert in the field of performance studies but I
know for sure that prof. Anahid Kassabian's work could be of great help to
you. Give it a look, here's a link to her profile:
http://www.liv.ac.uk/music/staff/ak.htm


Good luck with your research.

All the best,

Enrica Picarelli

Postdoctoral research fellow
Leuphana University (Luneburg)
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