Re: Multiple Responses: cinema program recommendations
"Bell-Metereau, Rebecca L" <[email protected]>
| Newsgroups | gmane.culture.studies.media |
|---|---|
| Message-ID | <9635E21201FE6C4D87374595D062E54E15204AEDBD@BOBCATMAIL1.matrix.txstate.edu> |
From: Henry M. Taylor [[email protected]] Steve, I'm afraid the following quotes really give you away: > I've always worked in practice-heavy programs, and have > never had a problem with production colleagues, or with a curriculum that > failed to value the contributions of history/theory/crit types > As pioneers from > Eisentstein to Godard showed us, [one already shudders, not such a wide range as it's supposed to sound like] > In a healthy university curriculum, students > are required to take both production and history/theory/crit classes [health issues? holism? exchange value rather than use value?] > Segregating these curricular emphases tends to lead to film studies > academics making howling errors when they attempt to discuss the production > process, and to filmmakers re-inventing the wheel in endlessly tedious ways [filmmakers with few exceptions that prove the rule are almost by definition inarticulate and don't really understand the meaning of their work] While there is theory in praxis, and praxis in theory, they don't add up neatly. YOU HAVE TO MAKE A CHOICE OF WHAT YOU REALLY WANT TO BE Henry