Working with visually impaired students
Kenneth Nolley <[email protected]>
| Newsgroups | gmane.culture.studies.media |
|---|---|
| Message-ID | <CAA1nEoS6Zu+WKCoXvMZj3Dda-E_5dV65ugj5z6As2cUcJ-rOGw@mail.gmail.com> |
From: Rittmayer,Allison M <[email protected]> I am currently teaching a course on film history from 1930-1965 and one of my students is visually impaired. Several universities' Student Disability Services websites have the same boilerplate text that reads "Courses with an extremely visual component, such as film studies or art history, are not immediately out of the question for a student with a visual impairment, as there are many ways to appreciate the visual arts and to learn about their history. In fact, a blind or visually impaired student may open up our perspective on subjects such as art appreciation, film-making, etc." but I haven't been able to find any concrete suggestions or articles on the topic. Does anyone have any experience working with visually impaired students? Any advice? My student is highly motivated and does great with the readings, but s/he has trouble negotiating subtitled films (which account for half of our screenings). S/he sometimes misses out on plot-related visual cues (for example, s/he did not realize that Captain von Rauffenstein appears at the beginning of _Grand Illusion_, so when von Rauffenstein appeared later in the film s/he thought he had known de Boeldieu before the war and that was why they were friendly to one another). S/he has some handle on film vocabulary, but s/he does better at identifying shot scale than camera movements (differentiating a tracking shot from a pan). Thanks in advance for any suggestions, Allison -- Allison M. Rittmayer Instructor and Ph.D. Candidate Film and Media Studies Program Department of English University of Florida