Query: the incompetent hero--multiple responses
Kenneth Nolley <[email protected]>
| Newsgroups | gmane.culture.studies.media |
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From: Nora Gilbert <[email protected]> Preston Sturges really liked to go the "incompetent hero" route, particularly when he cast Eddie Bracken as his male lead. *The Miracle of Morgan's Creek* is my personal favorite, but *Hail the Conquering Hero* might be even more to the point. Nora Gilbert University of North Texas * * * * From: Henry M. Taylor <[email protected]> > From: Leo Enticknap <[email protected]> > . . .As writers from Frank Krutnik to contributors to Ian Cameron's book have > noted, the Noir hero HAS to be incompetent, thanks largely to the > prevailing, censorship-imposed standards of morality that existed when > the genre was at its peak. I disagree. The noir protagonist is not so much incompetent as fallible. That's a difference. Henry * * * * From: Amy Heller <[email protected]> I appreciate and applaud Leo Enticknap's addition of the noir hero/patsy into this discussion. My first thought when I read the initial query was of Joseph Cotten's character, Holly Martins in THE THIRD MAN. A third-rate writer of pulp Western novels, Martins is completely oblivious to both the criminality of his supposedly deceased friend and the dangerous world of divided postwar Vienna. And his incompetent (if idealistic) bumblings have dire consequences for both his erstwhile friend Harry Lime and Lime's girlfriend, the lovely Anna Schmidt. Another truly incompetent hero is Vic, the human protagonist of The sci fi classic A BOY AND HIS DOG, played by Don Johnson with appealing lunkheaded charm. In the violent post-apocalyptic world of the film, it is Vic's telepathic super dog, Blood who keeps his human companion alive.