Fwd: Cold War internationally
Kenneth Nolley <[email protected]> Thu, 23 May 2013 08:39:03 -0700
| Newsgroups | gmane.culture.studies.media |
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From: Leo Enticknap <[email protected]> Denise J. Youngblood writes: > ...in my book with Tony Shaw, Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds (2010). Shaw also wrote a book on British cinema and the Cold War (I.B. Tauris, 2006). Related to which, there were literally dozens of 16mm civil defence training films commissioned by the British government between roughly 1955-75 (example - http://www.youtube.com/watch?v=7Ea9xqXEWco ), many of which are similar in purpose to 'Duck and Cover', but devoid of the humour that derives from hindsight and anachronism. That's probably why they eventually inspired Peter Watkins's 'The War Game' (1965) rather than anything like 'The Atomic Café'. It's quite spooky looking on the opening credits of many of them, and seeing a long list of people who began their careers during the final phase of the Documentary Movement 1-2 decades earlier. I don't know of any obvious British fiction film that addresses Cold War ideology (i.e. attacks communism or the polarisation of western and Soviet-bloc ideology) explicitly from the mid-c20, though a number of low-budget science fiction films do so implicitly, notably the Quatermass series. Rather than a film, I would probably recommend John Christopher's novel 'The Death of Grass' or Nevil Shute's 'In the Wet' to students to cover this. The former has been filmed (under the title with which the book was published in the US, 'No Blade of Grass', 1970, dir. Cornel Wilde), but as far as I'm aware is not available on DVD or BD. The other British film that is perhaps worth a mention is 'Seven Days to Noon' (1950, dir. John Boulting). In some ways it's interesting, speaking to public opposition to British involvement in the Korean War in general, and overwhelming opposition to the continuation of compulsory national service in particular (two significant factors behind Labour's 1951 election defeat). Sadly, it is let down by some of the most dreadful acting you're ever likely to see in a single movie (it would make most quota quickie performances look Shakesperean), which totally destroys what would otherwise have been a tighly scripted, atmospheric sci-fi thriller with some almost neo-realist location cinematography. The BFI restored it in the mid-'90s, and I remember the audience at the National Film Theatre in howls of laughter at the mad scientist, flat-footed policeman and salt-of-the-earth Cockney stereotypes. The fact that the landlady of the fugitive scientist (nicks an atomic bomb, which, conveniently enough, fits in his briefcase, and goes to ground in the London suburbs, threatening to nuke the city unless the government disarms unilaterally and makes friends with the commies) is played by an actress (Joan Hickson) who, three decades later, would become a household name playing an Agatha Christie detective in a long-running TV series doesn't help, either. On the other side of the Iron Curtain, the feature documentary 'East Side Story' (1998, dir. Dana Ranga & Andrew Horn), on Eastern Bloc musicals promoting communist ideology is useful in that it includes extensive clips from a number of films that remain totally unavailable in the west. None of them relate the Cold War in the sense that they attack capitalism or the west (though the film argues that the popularity of this essentially Hollywood genre before the Iron Curtain came down in effect forced Eastern European and Soviet filmmakers to adapt it in order to satisfy audience demand), but rather promote communism in a more general sense. It was published on DVD by Kino for a long time, but I gather is now out of print (a colleague I recommended it to some time back could only find second-hand copies for $120). Certainly worth a look if you can find it. Leo --- Leo Enticknap Institute of Communications Studies 2.35, Clothworkers' Building North University of Leeds LS2 9JT United Kingdom Tel. +44 (0)113 343 5853 - office, direct line Fax +44 (0)113 343 5808 Skype: leo_enticknap Web: Leo on the UoL/ICS Website [1] | on academia.edu [2] | personal website [3] NEW BOOK: Film Restoration [4] (forthcoming, Palgrave Macmillan) Links: ------ [1] http://ics.leeds.ac.uk/people/leo-enticknap [2] http://leeds.academia.edu/enticknap [3] http://www.enticknap.net [4] http://www.palgrave.com/products/title.aspx?pid=344520 -- -- Ken Nolley Professor of English and Film Studies Willamette University Salem, OR 97301 Phone: 503-370-6280 Fax: 503-370-6944 --