Multiple responses re: Films whose first images are hard to identify
"Bell-Metereau, Rebecca L" <[email protected]> Thu, 3 Oct 2013 00:54:51 +0000
| Newsgroups | gmane.culture.studies.media |
|---|---|
| Message-ID | <B1A74C8019091E49AE82E7F668720F1D372F953C@EXCHMBX8.matrix.txstate.edu> |
From: Justin Horton [[email protected]] Sent: Wednesday, October 02, 2013 10:09 AM To: H-NET List for Scholarly Studies and Uses of Media Subject: Re: Films whose first images are hard to identify In her essay "What My Fingers Knew," Vivian Sobchack describes such a moment in THE PIANO. Justin Horton Georgia State University On Wed, Oct 2, 2013 at 9:32 AM, Bell-Metereau, Rebecca L <[email protected]>wrote: > From: Curtis, Robin [[email protected]] > > Moderator's note: Try Amistad. Good question. > > From: Curtis, Robin [[email protected]] > Hi all, > I'm wondering if you can help me out in thinking of films whose opening > image offers a perceptual challenge to the viewer? Films such as these are > difficult to make out in the sense that you only slowly begin to understand > what it is that you are looking at. > Any suggestions? Thanks in advance for any tips you might have! > Best wishes, > Robin Curtis > > > Prof. Dr. Robin Curtis > Theorie und Praxis audiovisueller Medien > Medien- und Kulturwissenschaft > Heinrich- Heine-Universität Düsseldorf > Universitätsstr. 1 > 40225 Düsseldorf > Gebäude 23.02. Raum 02.26 > Tel. 0211 81 13067 > Fax 0211 81 11406 > > > > -- > > -- > -- *Justin Horton* * * Ph.D. Student in Moving Image Studies 2CI Fellow in New and Emerging Media Georgia State University Web: justinhorton.net Twitter: @justinbhorton <https://twitter.com/justinbhorton> -- --