CFP: Star Bodies and the Erotics of Suffering anthology
"Bell-Metereau, Rebecca L" <[email protected]> Sun, 8 Dec 2013 20:48:12 +0000
| Newsgroups | gmane.culture.studies.media |
|---|---|
| Message-ID | <B1A74C8019091E49AE82E7F668720F1D372FF865@EXCHMBX8.matrix.txstate.edu> |
CFP: Star Bodies and the Erotics of Suffering (Anthology) Edited by Rebecca Bell-Metereau and Colleen Glenn Please email queries, proposals, or=97better yet=97completed essays to rb12= @txstate.edu by December 29, 2013. We will respond promptly. Star Bodies and the Erotics of Suffering is a collection of essays currentl= y under final consideration at a university press. The collection deals spe= cifically with the link between suffering and onscreen transformations and = the star persona. At the suggestion of our reviewers, we are currently seek= ing one or two additional contributions on contemporary stars who represent= more ethnic or racial diversity. While we are open to essays on male stars= (Denzel Washington or Sidney Poitier would be great additions), we are par= ticularly interested in essays on female stars of color, such as Halle Berr= y, Oprah Winfrey, Angela Bassett, Sandra Oh, Jennifer Lopez, Cameron Diaz, = or others.=20 Please see the original proposal below for our collection. It is common wisdom that an actor=92s ability to project an enduring image= =97both symbolic and physical=97over the course of a career often predicts = box office success. Movie stardom is inherently associated with continuity,= yet what happens to stars who struggle to maintain a stable screen identit= y, who wish to break away from typecasting, or who suffer or grow old onscr= een? Such stars disrupt the narratives around which their star personas hav= e been constructed, offering film scholars a rich opportunity to address is= sues of casting, audience expectation, and the tensions at play between an = actor=92s double role as human individual and symbol. In Star Bodies and the Erotics of Suffering, we interrogate this notion of = the continuity-image as we examine the struggles of individual stars to tra= nsform their iconic identities and to manage and mine the suffering they ex= perience both onscreen and in their personal lives. A variety of contributo= rs examine how stars suffer, age, or change onscreen and off screen, focusi= ng on those moments or periods in which the continuity of the star persona = is disrupted or damaged. We include analyses of before/after stories (Mickey Rourke and Joaquin Phoe= nix), tales of the longevity of actors and how they manage to mine personal= suffering (like Rock Hudson and Marilyn Monroe) or employ age to an effect= (like Clint Eastwood). Our collection also deals with stars who are contin= ually "punished" onscreen, such as Sissy Spacek and Hilary Swank. This coll= ection covers a range of eras from the 1950s to the present, with the major= emphasis on American film celebrities. Star power and celebrity have been = a significant force from the rise of the star system to the present day, bu= t the examples we examine suggest that relatively few stars actually mainta= in the much-vaunted stability that stardom supposedly demands. This volume = challenges readers to rethink some common assumptions about the true source= of star power and the ethereal nature of celebrity. Contributors, Audience, Approaches: Contributors take eclectic approaches to their subjects, ranging from tradi= tional scholarly and formal analyses to more creative avenues, such as a ph= oto essay on Michael Jackson=92s transformation during the 1980s. The diver= sity and range of this international set of contributors brings a freshness= and contemporaneity to the collection that will appeal to scholars, studen= ts, and film buffs alike. Written in readable prose and supplemented with w= ell-chosen stills and original photographs, this collection will contribute= new insights to scholarly discussions of stardom and work equally as suppl= emental or foundational reading in a course on star acting and the star sys= tem. After an overview of the topic, we divide essays into four broad sections, = grouping chapters through a rough chronology into thematic categories: the = foundation of suffering and dual identity, the quest for eternal youth, the= transformation to maturity and aging, and reconfigurations of celebrity. = Our themes encompass physical transformations and dramatic reinventions, th= e relationship between public fame and private pain, and the articulation b= etween the image and reality of star personas and the actor who embodies th= e celebrity identity. Please email proposals, queries, or completed essays to [email protected] by= December 29, 2013.=20 --