CFP: Seeking El Dorado: Golden Ages of Nationalism, Empire, and International Relations (6/1/14; 10/29-11/1/14)
Darryl Wiggers <[email protected]> Mon, 3 Mar 2014 21:40:48 -0500
| Newsgroups | gmane.culture.studies.media |
|---|---|
| Message-ID | <[email protected]> |
From: Cynthia Miller <[email protected]> CALL FOR PAPERS Seeking El Dorado: Golden Ages of Nationalism, Empire, and International = Relations An area of multiple panels for the Film & History Conference on =93Golden = Ages=94 October 29=96November 2, 2014 The Madison Concourse Hotel and Governor=92s Club Madison, WI (USA) DEADLINE for abstracts: June 1, 2014 =93Golden Ages=94 have long been a way to construct notions of national = identity. Encompassing tales of origin and descent, exile and migration, = liberation and rebirth, =93golden ages=94 are legends that allow us to = understand the geographic, cultural, and historical boundaries by which = nationhood is understood. How do =93Golden Ages,=94 as depicted on screen, give birth to = nationalism, national identity, and/or transnationalism? To what degree = is the concept of the national =93golden age=94 linked to empire? To = what degree is national character important to our definitions of = =93golden ages=94 in Hollywood and non-US cinema? This area, comprising multiple panels, will examine all aspects of the = =93golden age=94 in film, television, and visual media. Papers that = explore how national myths are played out in media from outside the US = are especially welcome. Possible topics include, but are not limited to, = the following: =95 The Sun Never Sets? The British Empire on Screen (e.g., Zulu, = Lawrence of Arabia) =95 Seven Cities of Gold: Spanish Cinema and Empire (e.g., Alatriste, = The Devil=92s Backbone) =95 Napoleon Complex? French Film and Nationhood (e.g., Napoleon, Le = Crabe-tambour, The Battle of Algiers) =95 Deutschland =DCber Alles? Germany on Screen (e.g., Aguirre, The = Wrath of God; Downfall; The Lives of Others) =95 Eight Corners of the World? Japanese Imperialism on Screen (e.g. = Fires on the Plain; Merry Christmas, Mr. Lawrence) =95 Paradise Found? American Territories on Screen (e.g., Edison=92s = Rough Riders films, Hawaii, Amigo) =95 The Golden Arches: America, Cultural Imperialism, and = McDonaldization =95 Where the Streets Are Paved in Gold: Immigrants and Emigrants (e.g., = An American Tail) =95 All That Glitters: Myths of International Relations (e.g., Babel; = Love Actually; Midnight in Paris) Proposals for complete panels (three related presentations) are also = welcome, but they must include an abstract and contact information, = including an e-mail address, for each presenter. For updates and = registration information about the upcoming meeting, see: = www.filmandhistory.org. Please e-mail your 200-word proposal by 1 June 2014 to the area chairs: Elizabeth Rawitsch University of North Carolina Wilmington=20 [email protected]=20 and=20 Noah McLaughlin=20 Kennesaw State University=20 [email protected] Area Co-Chairs, 2014 Film & History Conference --