CFP: The Golden Age of LGBT Representations in Film and Television (6/1/14; 10/29-11/1/14)
Darryl Wiggers <[email protected]> Fri, 7 Mar 2014 06:28:17 -0500
| Newsgroups | gmane.culture.studies.media |
|---|---|
| Message-ID | <[email protected]> |
From: Cynthia Miller <[email protected]> CALL FOR PAPERS CFP: The Golden Age of LGBT Representations in Film and Television An area of multiple panels for the 2014 Film & History Conference: Golden Ages: Styles and Personalities, Genres and Histories The Madison Concourse Hotel and Governor=92s Club Madison, WI (USA) October 29-November 2, 2014 DEADLINE for abstracts: June 1, 2014 AREA: The Golden Age of LGBT Representations in Film and Television The GLAAD media report for the 2012-2013 television season reported the = highest number of LGBT characters and storylines ever. In the current = season, as well, LGBT characters and stories continue to make up a = percentage of mainstream film and television that is roughly equivalent = to the population of Americans who self-identify as LGBT. Is this shift = in representation merely a function of changing politics, or have = politics been changed by what we=92ve been exposed to on screen?=20 This area invites 20-minute papers that investigate the proliferation of = LGBT characters and stories on screen. Papers may investigate = individual films (Dallas Buyers=92 Club, Transamerica), television = series (Modern Family, The Fosters, Glee), or web series (Husbands), or = may explore trends within a single medium or across media. Questions to consider include: =95 What kind of diversity within the LGBT community is being = depicted on screen? Is on-screen representation really reflective of the = community or is it homogenized for broad audiences? =95 In what ways do LGBT characters and stories deepen, complicate, = reinforce, or dispute mainstream narratives? In what ways do they = engender new narratives and social constructs? =95 What are the implications of greater inclusivity for the = political economy of the film and television industries? =95 What can be said about the persistence of stereotypes and = resistance to change in mainstream film and television? =95 What are the effects of more LGBT-inclusive mainstream media on = independent films? Proposals for complete panels (three related presentations) are also = welcome, but they must include an abstract and contact information, = including an e-mail address, for each presenter. For updates and = registration information about the upcoming meeting, see the Film & = History website (www.filmandhistory.org). Please e-mail your 200-word proposal by 1 June 2014, to the area chair: Bridget Kies University of Wisconsin-Milwaukee=20 [email protected]= --