CFP: Auteurs and Authorship (6/1/14; 10/29-11/1/14)
Darryl Wiggers <[email protected]> Mon, 10 Mar 2014 06:45:53 -0400
| Newsgroups | gmane.culture.studies.media |
|---|---|
| Message-ID | <[email protected]> |
From: Cynthia Miller <[email protected]> CALL FOR PAPERS CFP: Auteurs and Authorship An area of multiple panels for the 2014 Film & History Conference on = Golden Ages October 29-November 2, 2014 Madison Concourse Hotel=20 Madison, WI USA DEADLINE for abstracts: June 1, 2014 AREA: Auteurs and Authorship Debates concerning authorship and the auteur theory have long divided = the film and media studies scholarly community. A history of film = criticism cannot be told without due attention to the auteurist critics = and those critical of their cinephilic enthusiasm. Even before the = =93Golden Age=94 of the auteur theory (1950s-1960s), certain directors, = producers, writers, and even stars were recognized for inserting an = authorial presence into their films. The rise of the auteur theory was = contemporaneous with the birth of film studies within the academy, = helping it to legitimize itself as an art form worthy of study. What is the future of authorship in the field, particularly in regards = to television and new media? Should we look for authors in the = televisual landscape? Does it still matter? Papers examining = individual auteurs or authorship debates in film criticism and theory = are all welcome. Here are some topics for further exploration:=20 Classic auteurs (Alfred Hitchcock, Howard Hawks, Frank Capra) International auteurs (Ingmar Bergman, Yasujiro Ozu, Federico Fellini, = Jean-Luc Godard) Studio authorship (Warner Bros., Pixar) Indie auteurs (John Cassavetes, Jim Jarmusch, John Sayles, Richard = Linklater) =93Gutter=94 auteurs (Ed Wood, Doris Wishman, Jess Franco, Andy = Milligan) Golden age of auteurist criticism (Cahiers du Cinema, Andrew = Sarris-Pauline Kael debates) TV authors (Joss Whedon, Norman Lear, Seth MacFarlane, Tyler Perry) Early auteurs (Alice Guy, Georges M=E9li=E8s, D. W. Griffith) Women auteurs (Agnes Varda, Jane Campion, Kathryn Bigelow) African-American auteurs (Oscar Micheaux, Spike Lee) Latino auteurs (Gregory Nava, Robert Rodriguez) Queer auteurs (Rainer Werner Fassbinder, Derek Jarman, Su Friedrich) Transnational auteurs (Luis Bu=F1uel, Lars von Trier, Roman Polanski, = Michael Haneke) Proposals for complete panels (three related presentations) are also = welcome, but they must include an abstract and contact information, = including an e-mail address, for each presenter. For updates and = registration information about the upcoming meeting, see the Film & = History website (www.filmandhistory.org). Please e-mail your 200-word proposal by 1 June 2014, to the area chair: Zachary Ingle University of Kansas [email protected] --