Re: How to sort this out, I’d like to hear from knowledgeable others.

Owen Cramer <[email protected]>
Newsgroups gmane.education.classics
Message-ID <DM5PR06MB24581B7FEC19280D72C57FE9B95D0@DM5PR06MB2458.namprd06.prod.outlook.com>
In the age of file-sharing, cautious academics, often constrained by the tenure-review process, cooperate with the monopoly publishers. Musicians and filmmakers are less timid and constrained, and their much larger audiences also have incentives to get hold of the material. Cash cow for now: the California move on Elsevier may be the beginning of the end.
OC

-----Original Message-----
From: Classical Greek and Latin Discussion Group <[email protected]> On Behalf Of DANIEL P. Tompkins
Sent: Saturday, March 23, 2019 7:23 PM
To: [email protected]
Subject: How to sort this out, I’d like to hear from knowledgeable others.

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        Emma Chapman (@DrEOChapman)
3/22/19, 12:10 PM
The academic publishing industry has larger global revenues than the recorded music industry, and is not far short of the film industry.

“It’s like going to a restaurant where you have to take your own food, cook it and pay for the privilege”. ⁦‪@telescoper‬⁩ talks Open Access. pic.twitter.com/p5nvqgxRgw

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