Corrupt CD updates, Jun-2004
Jim Peters <[email protected]> Tue, 22 Jun 2004 23:35:20 +0100
| Newsgroups | gmane.law.eucd.ukcdr |
|---|---|
| Message-ID | <[email protected]> |
Here are a few bits and bobs on the corrupt CD front:
- "No Roots" by Faithless is a recent example of a relatively rare
'corrupt-enhanced' disc, combining audio data corruption with
enhanced video content.
One UK user wrote (with some corrections):
> Subject: Faithless tried to reboot my computer?!
>
> I've just send an email to BMG to complain because Faithless' new
> cd installed "Aplayer" without asking and then told me to reboot
> my computer. How can they just "use" my computer's hard disk
> without asking and try to reboot my computer while I'm busy doing
> something else? I've emailed and told them that I consider their
> software to be a virus and asked for removal instructions from
> them.
- "Contraband" by Velvet Revolver has created a bit of a stir, being
corrupt in both the UK and US (reaching the top of the charts in the
US), and using the MediaMax CD3 corrupt format, the one that
installs a trojan Windows driver to stop normal CD-player software
from working. Halderman (of Felten's group) has updated his
research paper slightly:
http://www.cs.princeton.edu/~jhalderm/cd3/
The Register have covered this, and I've E-mailed them with some of
the newer details that they may have missed. One UK user tested the
disc and found problems extracting on Linux as well, which suggests
that SunComm have modified the original CD3 format to include some
Cactus-style audio data corruption as well to confuse machines where
the trojan Windows driver can't be installed. However, there are
still some drives which see right through it.
- Universal are apparently dropping all use of 'copy-control' in
Germany, at least until better formats can be developed:
http://news.bbc.co.uk/1/hi/entertainment/music/3828575.stm
I'm hoping that we will hear more of the background to this decision
sooner or later.
- There have also been a few people mentioning recently that they can
clearly hear the difference between corrupt and uncorrupted
releases, for example by comparing tracks from albums versus
singles, or album tracks versus tracks from magazine cover disc
samplers. Hopefully this is the beginning of a trend, with more
people becoming aware of what is being done to their music in the
name of 'copy-control'.
More details on recent releases here:
http://ukcdr.org/issues/cd/bad/
That's all for now.
Jim
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