[LAA] [Extended Deadline!] LAC 2025: Linux Audio Conference 2025 (Lyon, France, June 28-28, 2025) -- Call for Contributions

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[sorry for cross-posting, please distribute widely]

Hi everyone,

We're happy to announce that the submission deadline of LAC 2025 has=20
been extended to March 31, 2025!

We're looking forward to seeing you in Lyon in June!

*Overview*

After a few "quiet" post-covid years, Linux Audio Conference is=20
returning in 2025 (https://jimlac25.inria.fr/lac/)! It will take place=20
in Lyon (France) on June 26-28, 2025 under the hospices of Inria, INSA=20
Lyon, and GRAME-CNCM. It will be preceded by the "Journ=C3=A9es de=20
l'Informatique Musicale (JIM)" which will also happen in Lyon (June=20
23-25, 2025). LAC 2025 welcomes scientific, technical, and artistic=20
contributions. It is free and as open as possible. In that regard, we=20
slightly adapted the call below to encourage submissions by people=20
outside of the academic community. While it is possible to submit=20
academic papers (that will be peer-reviewed and published in the LAC=20
2025 proceedings), open presentations, not necessarily connected to a=20
paper, can be proposed as well.

*Important Dates

*- March 31, 2025 (March 24, 2025): Paper and Music submission deadline
- April 18, 2025: Review deadline
- April 25, 2025: Notification of acceptance
- May 23, 2025: Camera-Ready version deadline
- June 23-25, 2025: Journ=C3=A9es de l'Informatique Musicale (JIM)
- June 26-28, 2025: Linux Audio Conference (LAC)

*Call for Papers / Presentations / Demos / Workshops*

LAC 2025 invites submissions of papers, presentations, and workshops=20
addressing all areas of audio processing based on Linux and open source=20
software.

All submissions and presentations are in English.

Submissions can focus on technical, artistic, and/or scientific issues=20
and target developers and/or users.

This includes (but is not limited to) the following categories:

- Audio and Music Languages
- Audio and AI
- Audio Hardware Support
- Audio Plugins
- Drivers, System and Sound Architecture
- Education and E-Learning
- Games
- Interactive Art
- Interface Design
- Live Coding
- Live Performance
- Media Art
- MIDI, OSC...
- Mobile Audio
- Music Composition
- Music Production
- Networked Audio
- Physical Computing
- Projects Realized using Linux Audio
- Realtime Kernel and Linux Distributions
- Signal Processing and Sound Synthesis
- Sound Spatialization
- Standards and Protocols
- Video
- Etc.

*Full Papers*

Full papers must be written and presented in English. The length of=20
papers is 4 to 8 pages, with up to 5 keywords, including an abstract of=20
up to 200 words. The abstract will be published on the conference=20
website once the paper has been accepted. Full papers will be available=20
on the website during the conference, and after in the proceedings=20
(which will be published with an ISBN number).

All papers are peer reviewed by a committee of experts from different=20
disciplines. Reviewers may suggest improvements to the author(s),=20
require changes in order to accept the submission, or reject it.

Full papers will be presented during the conference as in-person oral=20
presentations.

*Presentations Without an Associated Paper

*LAC 2025 welcomes oral presentations not associated to a peer-reviewed=20
paper published in the conference proceedings. Such presentations are=20
selected by the scientific committee, based on a abstract up to 500=20
words, with up to 5 keywords. No full paper is required in this=20
category. The abstract will be available on the website during and after=20
the conference.

Presentations in this category have the same format as full paper=20
presentations and will hence be presented during the conference as=20
in-person oral presentations.

*Demos

*Demos are informal project (e.g., plug-in, software, interface, idea,=20
etc.) presentations that will be carried out between the papers=20
presentation sessions.

*Workshops

*Workshop presentations (max duration of 2h) should be 1-4 pages, with=20
up to 5 keywords, including an abstract of up to 150 words to be=20
published on the conference website. Make sure that your proposal=20
indicates if participants are expected to have a specific level, if=20
there are prerequisites, if you'd like to limit the number of=20
participants, if you have specific technical requirements, etc

*Call for Music
*
We invite submissions of electronic, electroacoustic and mixed music as=20
well as interactive art installations with an emphasis on open source=20
software. A jury will select the compositions and performances to be=20
included in the LAC 2025 conference program according to artistic merit=20
and technical feasibility. Applicants should expect to perform their=20
work themselves and have all resources needed to perform the piece if=20
selected (e.g., instruments, props, other performers, etc.).

*Concert Venues*

The LAC 2025 musical program will consist of three concerts, two of=20
which will take place at Le Th=C3=A9=C3=A2tre Astr=C3=A9e=20
(https://theatre-astree.univ-lyon1.fr/qui-sommes-nous/), a concert hall=20
equipped with an 8.4 sound system. For this venue, we are particularly=20
interested in electronic / computer music pieces that will leverage the=20
multichannel set up. The third concert will take place at Le Sucre=20
(https://le-sucre.eu/le-lieu/), an event that will host live coding sets=20
and other performances devised for a night club setting with stereo=20
diffusion.

*How to Submit Your Work?*

Please, visit the lac website for additional information on how to=20
submit your contribution to LAC 2025: https://jimlac25.inria.fr/lac/

*Contact*

For any questions, feel free to contact us at [email protected]





--=20
Romain Michon
+33 (0) 7 67 39 72 40
https://ccrma.stanford.edu/~rmichon

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    <div class=3D"moz-text-html" lang=3D"x-unicode"> [sorry for
      cross-posting, please distribute widely]<br>
      <br>
      Hi everyone,<br>
      <br>
      We're happy to announce that the submission deadline of LAC 2025
      has been extended to March 31, 2025!<br>
      <br>
      We're looking forward to seeing you in Lyon in June!<br>
      <br>
      <b><font size=3D"5">Overview</font></b><br>
      <br>
      After a few "quiet" post-covid years, Linux Audio Conference is
      returning in 2025 (<a class=3D"moz-txt-link-freetext"
        href=3D"https://jimlac25.inria.fr/lac/">https://jimlac25.inria.fr=
/lac/</a>)!
      It will take place in Lyon (France) on June 26-28, 2025 under the
      hospices of Inria, INSA Lyon, and GRAME-CNCM. It will be preceded
      by the "Journ=C3=A9es de l'Informatique Musicale (JIM)" which will =
also
      happen in Lyon (June 23-25, 2025). LAC 2025 welcomes scientific,
      technical, and artistic contributions. It is free and as open as
      possible. In that regard, we slightly adapted the call below to
      encourage submissions by people outside of the academic community.
      While it is possible to submit academic papers (that will be
      peer-reviewed and published in the LAC 2025 proceedings), open
      presentations, not necessarily connected to a paper, can be
      proposed as well. =C2=A0 <br>
      <br>
      <b><font size=3D"5">Important Dates</font><br>
        <br>
      </b>- March 31, 2025 (<strike>March 24, 2025</strike>): Paper and
      Music submission deadline<br>
      - April 18, 2025: Review deadline<br>
      - April 25, 2025: Notification of acceptance<br>
      - May 23, 2025: Camera-Ready version deadline<br>
      - June 23-25, 2025: Journ=C3=A9es de l'Informatique Musicale (JIM)<=
br>
      - June 26-28, 2025: Linux Audio Conference (LAC)<br>
      <br>
      <b><font size=3D"5">Call for Papers / Presentations / Demos /
          Workshops</font></b><br>
      <br>
      LAC 2025 invites submissions of papers, presentations, and
      workshops addressing all areas of audio processing based on Linux
      and open source software.<br>
      <br>
      All submissions and presentations are in English.<br>
      <br>
      Submissions can focus on technical, artistic, and/or scientific
      issues and target developers and/or users.<br>
      <br>
      This includes (but is not limited to) the following categories:<br>
      <br>
      - Audio and Music Languages<br>
      - Audio and AI<br>
      - Audio Hardware Support<br>
      - Audio Plugins<br>
      - Drivers, System and Sound Architecture<br>
      - Education and E-Learning<br>
      - Games<br>
      - Interactive Art<br>
      - Interface Design<br>
      - Live Coding<br>
      - Live Performance<br>
      - Media Art<br>
      - MIDI, OSC...<br>
      - Mobile Audio<br>
      - Music Composition<br>
      - Music Production<br>
      - Networked Audio<br>
      - Physical Computing<br>
      - Projects Realized using Linux Audio<br>
      - Realtime Kernel and Linux Distributions<br>
      - Signal Processing and Sound Synthesis<br>
      - Sound Spatialization<br>
      - Standards and Protocols<br>
      - Video<br>
      - Etc.<br>
      <br>
      <b>Full Papers</b><br>
      <br>
      Full papers must be written and presented in English. The length
      of papers is 4 to 8 pages, with up to 5 keywords, including an
      abstract of up to 200 words. The abstract will be published on the
      conference website once the paper has been accepted. Full papers
      will be available on the website during the conference, and after
      in the proceedings (which will be published with an ISBN number).<b=
r>
      <br>
      All papers are peer reviewed by a committee of experts from
      different disciplines. Reviewers may suggest improvements to the
      author(s), require changes in order to accept the submission, or
      reject it.<br>
      <br>
      Full papers will be presented during the conference as in-person
      oral presentations.<br>
      <br>
      <b>Presentations Without an Associated Paper<br>
        <br>
      </b>LAC 2025 welcomes oral presentations not associated to a
      peer-reviewed paper published in the conference proceedings. Such
      presentations are selected by the scientific committee, based on a
      abstract up to 500 words, with up to 5 keywords. No full paper is
      required in this category. The abstract will be available on the
      website during and after the conference.<br>
      <br>
      Presentations in this category have the same format as full paper
      presentations and will hence be presented during the conference as
      in-person oral presentations.<br>
      <br>
      <b>Demos<br>
        <br>
      </b>Demos are informal project (e.g., plug-in, software,
      interface, idea, etc.) presentations that will be carried out
      between the papers presentation sessions.<br>
      <br>
      <b>Workshops<br>
        <br>
      </b>Workshop presentations (max duration of 2h) should be 1-4
      pages, with up to 5 keywords, including an abstract of up to 150
      words to be published on the conference website. Make sure that
      your proposal indicates if participants are expected to have a
      specific level, if there are prerequisites, if you'd like to limit
      the number of participants, if you have specific technical
      requirements, etc<br>
      <br>
      <font size=3D"5"><b>Call for Music<br>
        </b></font><br>
      We invite submissions of electronic, electroacoustic and mixed
      music as well as interactive art installations with an emphasis on
      open source software. A jury will select the compositions and
      performances to be included in the LAC 2025 conference program
      according to artistic merit and technical feasibility. Applicants
      should expect to perform their work themselves and have all
      resources needed to perform the piece if selected (e.g.,
      instruments, props, other performers, etc.).<br>
      <br>
      <b>Concert Venues</b><br>
      <br>
      The LAC 2025 musical program will consist of three concerts, two
      of which will take place at Le Th=C3=A9=C3=A2tre Astr=C3=A9e (<a
        class=3D"moz-txt-link-freetext"
        href=3D"https://theatre-astree.univ-lyon1.fr/qui-sommes-nous/">ht=
tps://theatre-astree.univ-lyon1.fr/qui-sommes-nous/</a>),
      a concert hall equipped with an 8.4 sound system. For this venue,
      we are particularly interested in electronic / computer music
      pieces that will leverage the multichannel set up. The third
      concert will take place at Le Sucre (<a
        class=3D"moz-txt-link-freetext"
        href=3D"https://le-sucre.eu/le-lieu/">https://le-sucre.eu/le-lieu=
/</a>),
      an event that will host live coding sets and other performances
      devised for a night club setting with stereo diffusion.<br>
      <br>
      <b><font size=3D"5">How to Submit Your Work?</font></b><br>
      <br>
      Please, visit the lac website for additional information on how to
      submit your contribution to LAC 2025: <a
        class=3D"moz-txt-link-freetext"
        href=3D"https://jimlac25.inria.fr/lac/">https://jimlac25.inria.fr=
/lac/</a><br>
      <br>
      <b><font size=3D"5">Contact</font></b><br>
      <br>
      For any questions, feel free to contact us at <a
        class=3D"moz-txt-link-abbreviated moz-txt-link-freetext"
        href=3D"mailto:[email protected]">[email protected]</a><br>
      <br>
      <br>
    </div>
    <br>
    <br>
    <br>
    <pre class=3D"moz-signature" cols=3D"72">--=20
Romain Michon
+33 (0) 7 67 39 72 40
<a class=3D"moz-txt-link-freetext" href=3D"https://ccrma.stanford.edu/~rm=
ichon">https://ccrma.stanford.edu/~rmichon</a></pre>
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