[LAU] Re: What happens in the brain when improvising
david <[email protected]>
| Newsgroups | gmane.linux.audio.users |
|---|---|
| Organization | Alias J&J |
| Message-ID | <[email protected]> |
On 12/30/25 22:59, Joel Roth wrote: > Oh, you don't mean theater improvising? No, sorry. Although my piano instructor supplemented his income by accompanying ballet practices and classes at the Sacramento Ballet, where the instructor/director would tell him the mood he wanted, and my instructor would improvise music around that. My instructor also taught me something about music history. During the so-called Classical Period, now famous for musicians playing well-known pieces from printed music, every musician was expected to improvise. On demand. Someone might stand up in the audience and sing or whistle a melody line. And the musician was expected to improvise a piece (such as two-, three- or four-part counterpoint!) using it. We worked quite a bit on pursuing that skill; I used to be able to improvise 2 and 3 part inventions like that. Now only down to 2 part, unfortunately. > Without reading the article, I think freedom means multiple > pathways available, which is what many musicians spend a > lifetime cultivating. Yes. Being aware of different ways of playing things, styles. For keyboard players, changing voicing for example. Adding instruments a band might not have otherwise. > A director wanting a stable result > will of course have preferences, Pesky directors! 😉 > for example the voicings > to use. Perhaps he even has an approved list of register > settings for a B3 (no leslies, please!!) Sounds dull to me. > > As for who plays the melody lines and who plays harmony > and fills, great if he can accommodate and find room for > others' creative input. Yes! > > On Tue, Dec 30, 2025 at 10:37:25PM -1000, David W. Jones wrote: >> As a life-long (and annoying) improviser, this was interesting. I annoyed the lead guitarist in my old church band, because he'd practice and perfect things for hours. He never improvised, while I would show up and improvise my way through it. >> >> And I wouldn't necessarily play a song the same way twice - different instrumentation, style, etc. Maybe piano, then maybe contrapuntal synthesizer or flute or violin lines the next, or add a 'cello line for the bass. A few times, even change something verse-to-verse. (Keyboards can make so many different sounds, why not use them?) >> >> Maybe that's why he's happy I'm NOT in the church's current band! ;-) >> >> <https://nautil.us/heres-whats-happening-in-the-brain-when-youre-improvising-1258457/> >> >> Anyway, what do you think? Do you improvise or 'play it as written'? >> >> May the perfect note you need be there the moment you need it in 2026. Happymerrynewchristmasyear! >> >> --- >> David W. Jones >> [email protected] >> exploring the landscape of god >> http://dancingtreefrog.com >> >> Sent from my Android device with F/LOSS K-9 Mail. >> _______________________________________________ >> Linux-audio-user mailing list -- [email protected] >> To unsubscribe send an email to [email protected] > -- David W. Jones [email protected] authenticity, honesty, community http://dancingtreefrog.com "My password is the last 8 digits of π." _______________________________________________ Linux-audio-user mailing list -- [email protected] To unsubscribe send an email to [email protected]