Re: Tron Legacy: Derezzed
"Peter T. Chattaway" <petert-LOVM4QxV+tDq6eQxt3vRmLDks+cytr/[email protected]>
| Newsgroups | gmane.music.dadl.ot |
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| Message-ID | <[email protected]> |
On Thu, 28 Oct 2010, pcg wrote: > Along those same lines, I've been a little bit disappointed in some of > the design choices as well. In the original film, all those blue lines > appeared to be circuitry of some kind, pulsating energy that flowed > through everything and everyone, keeping it all going. In the clips I've > seen from the new film, everything looks like real-world stuff with neon > lights attached. I don't know if I'm conveying what I mean very well, > and it's a subtle difference, but it did make me go, "Awww..." I think I know what you mean. There's a deleted scene from the original Tron in which Tron and Yori engage in a bit of, um, foreplay, for lack of a better word, and it plays on the idea that they can "touch" each other through the circuits in their suits. http://www.youtube.com/watch?v=nED_W7NA2Vs Oh, crap, the scene ends with Yori transforming her costume and getting hair. Well *there* goes my argument. Then again, they did *delete* the scene (albeit very late in the process, since the effects are pretty close to completion there). Hmmm. I wonder if the helmets were meant to signify the oppressiveness and lifelessness of living in a totalitarian, Soviet-style system, whereas the hair symbolized American freedom. -- dadl-ot mailing list http://mail.thehood.us/mailman/listinfo/dadl-ot_thehood.us http://news.gmane.org/gmane.music.dadl.ot