Re: Big Love (was: Sherlock)
"Peter T. Chattaway" <petert-LOVM4QxV+tDq6eQxt3vRmLDks+cytr/[email protected]>
| Newsgroups | gmane.music.dadl.ot |
|---|---|
| Message-ID | <[email protected]> |
On Fri, 29 Oct 2010, pcg wrote: > > On the other hand, this seems like tame stuff for Chloe Sevigny. > > There's nothing I've seen so far here that approaches her work in > > Boys Don't Cry, much less (ahem) The Brown Bunny. > > Er... I doubt she'll ever top "The Brown Bunny." Oh, there are ways... but short of co-starring with Ron Jeremy, I doubt she'll ever go there. Then again... hmmm. I don't think she did anything all *that* outrageous in Kids. But at least one of the *next* films that Larry Clark directed -- which Sevigny did *not* co-star in -- certainly had some hardcore stuff. (I'm referring to Ken Park. Boy, did I feel dirty after seeing that film. I haven't seen any of Clark's other films.) > Also, it was an interesting experience watching that film. Knowing that > she apparently burst into tears and fled the screening at Cannes (or > wherever it premiered), watching it almost felt like some kind of > violation. On the other hand, she agreed to the script and willingly, > uh, performed, so watching it seemed fair. Well, the version of The Brown Bunny that most people have seen is about 90 minutes, whereas the version that played at Cannes was about 120 minutes and was, by all accounts, just a rough cut of the film. Roger Ebert slammed the 120-minute version pretty hard but liked the 90-minute version, I believe. So Sevigny was probably reacting more to the Cannes audience's reaction to that rough cut, more than anything else. -- dadl-ot mailing list http://mail.thehood.us/mailman/listinfo/dadl-ot_thehood.us http://news.gmane.org/gmane.music.dadl.ot