Re: Question, do you feel there's too many models of Bass?

Well,,,,,

For over 20 years there were only 2 basses that anybody (execpt McCartny and his cheapie upside down Hoffner)  that any actual pro would ever be seen on stage with. 

Fender P or J and Gibson EB-0 and EB-3...That was it. Period.

Then came the Brittish invation and the japs got into the copy business and Gibson turned things upside down with the T-Bird and then all hell broke loose. 

Now there are an infinate number of basses and guitars in every shape. 

God bless all of them eventhough my personal opinion is that 80% of them are just awfull !!! (Some are quite good too)  

That's my 2 Cents.

Now,,,What's with the tweeters in a bass amp?  - There one I will just never understand. Those frequencies are the guitar players job!  (Just Kiddin')

Later Gang, 


Smokey 


----- Original Message ----
> From: "[email protected]" <[email protected]>
> To: [email protected]
> Sent: Mon, November 2, 2009 3:45:49 AM
> Subject: Re: [Bass Place] Question, do you feel there's too many models of Bass?
> 
> Different strokes for different folks I guess. As long as we keep buying, 
> they'll keep marketing!
> 
> It was once said (by someone far more wise than I) that if you nail two boards 
> together in a way not done previously, some fool will buy it.
> 
> BTW, don't forget that, after Musicman, Leo went on to found G&L Musical 
> Instruments, with his old friend George Fullerton. Out of that endeavor came 
> perhaps Leo's best bass design of all time, the L-2000.
> 
> Rob Smith
> Sent from my BlackBerry® wireless device from U.S. Cellular
> 
> -----Original Message-----
> From: "soulman928" 
> Date: Mon, 19 Oct 2009 22:19:48 
> To: 
> Subject: [Bass Place] Question, do you feel there's too many models of Bass?
> 
> When I started out, decades ago!, there was only fender, Gibson, and Rick.Then , 
> the jap copies came along, and so did Sir Pauls', Beatle Bass. Along the way, 
> Alembic came about, etc , etc. Then Anthony Jacksons', Idea for a new type of 
> bass guitar, the contrabass guitar. First, he lower His tuning, on his P-bass, 
> because he thought about the bass pedals on a Hammond b 3. Then, because Leo 
> fender made his electric bass in a guitar company, it should of been "called , a 
> bass guitar, instead of being wrongly called a electric bass. Well, Anthony, it 
> is what it is. Now, this was the wildly 70's when all this stuff came about. 
> more strings, vs  more tone. Leo created again, The Musicman Stingray, and The 
> sabre. Yamaha and Ibanez, made in either, Japan, or Korea, with all different 
> options, necks, etc. Washburn, ESP, Guild, Carvin,and all other knock-offs.Then, 
> the reissue deal.Older fenders' Gibson's and Ricks, are better(?") than their 
> newer counterparts. Pre-CBS, Fender japan, and then, Fender Mexico. Not to leave 
> out, CBS fenders. There's a Squier line, then a fender japan(that only sells 
> certain models in the US) Fender Mexico, which makes again, other models which 
> Fender US doesn't make or (it does) makes south of the border. The custom shop, 
> which really will disappear one day, because these new "road worn" models, that 
> the custom shop use to make? Now Gibson, is doing the same thing, a new version 
> of the Ripper 2? I like the Ripper, back in the day, but had a weird body. Ernie 
> Ball musicman, first came out with the S.U.B. line, then it disappeared, only to 
> come back as Sterling by Musicman? I believe, cheaper is better for the working 
> musician,but come on guys, if you cut back on all these models, and just made 
> what you're known for, I would think, things would be better, sales wise. Come 
> on, The Fender Jaquar Bass? What's the purpose? When Leo made the Jazz Bass, it 
> was because,it was to follow behind the new Jazzmaster guitar. Remember, The new 
> Jazz bass, it was more expensive than the P-bass, in those days. To me, many of 
> these new basses on the market, are really "custom models", of what was there in 
> the first place. Fender Gibson, and Rick. I'll give you a good example of what 
> I'm talking about. A 1958 fender P-bass, then a fender American standard, then, 
> a Fender standard(mexico), then a "retro" 1970 fender P-bass(japan), and a 1951 
> Fender P-bass(Japan). Then after all that , you have a "road worn" 1950's Fender 
> p-bass(USA),which the same thing is being made in Mexico? So, whats the deal?
> 
> 
> 
> 
> [Non-text portions of this message have been removed]
> 
> 
> 
> ------------------------------------
> 
> Yahoo! Groups Links
> 
> 
> 


      


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