Re: Re: Playing Stacked Tremolo harps

Robert Sloane <[email protected]> Tue, 3 Jan 2012 21:46:14 +0000 (GMT)
Newsgroups gmane.music.equipment.harmonica.big-harmonica
Message-ID <[email protected]>
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Many thanks. I've got a long way to go.



________________________________
 From: clydeclc <[email protected]>
To: [email protected]=20
Sent: Tuesday, 3 January 2012, 12:55
Subject: [big-harmonica] Re: Playing Stacked Tremolo harps
=20

=C2=A0=20
try this

http://www.youtube.com/watch?v=3DoIv0AYQMHmU

--- In [email protected], "Robert" <robert_sloane@...> wrote:
>
> Hi Kelven
>=20
> Do you have any photographs of this method. I've tried your suggestions a=
nd find them very difficult.=20
>=20
> Regards
>=20
> Robert
>=20
> --- In [email protected], "Ong Kelven" <kv_ong@> wrote:
> >
> > Hi,
> > I am Kelven from Singapore.
> > To play in chromatic, place the C# above the C harmonica.
> > Use the right hand to grip the pair of harmonica on the right side.
> > On the left side, you use the left hand to grip them and at the same ti=
me=20
> > let the bottom harmonica( the C key) rest on the palm and supported by =
the=20
> > 4th and 5th finger. Then use the thumb, the index finger and the middle=
=20
> > finger to slide the C# harmonica towards and backwards. You slide the C=
#=20
> > towards your mouth when you are playing a sharp/flat note, you slide it=
 back=20
> > and aim for the C harmonica when you return to the normal note. Practis=
e=20
> > makes perfect and I had already mastered this way of playing. If I am n=
ot=20
> > wrong, I would say that this way of playing was very common in China.
> >=20
> > Regards,
> > Kelven.
> >=20
> >=20
> > >From: "Barry Groves" <cbgroves@>
> > >Reply-To: [email protected]
> > >To: <[email protected]>
> > >Subject: [big-harmonica] Playing Stacked Tremolo harps
> > >Date: Tue, 16 Mar 2004 13:03:29 -0500
> > >
> > >Big-Harmonickers,
> > >
> > >I recently posted this to harp talk.  No one seemed to know about it.
> > >
> > >Thanks,
> > >Barry
> > >
> > >
> > >*********************************
> > >
> > >
> > >All,
> > >
> > >Can anyone talk about the actual TECHNIQUE of changing harps, especial=
ly
> > >very quickly?
> > >
> > >I'm considering trying the Suzuki Baritone(s) (tremolo) paired C/C# fo=
r
> > >chromatic work.  They'd be stacked one on top of the other like a bass=
.=20
> > >This
> > >means changing harps constantly, even in the middle of a melody or run=
.
> > >
> > >How is this done?
> > >
> > >Thanks,
> > >Barry
> > >(who is excited to be doubling on harmonica in an upcoming production =
of=20
> > >The
> > >Wiz, because there is no oboe.)
> > >
> > >
> >=20
> > __________________________________________________________
> > Find love on MSN Personals http://personals.msn.com.sg/
> >
>


=20
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<div style="color:#000; background-color:#fff; font-family:times new roman, new york, times, serif;font-size:12pt"><div><span>Many thanks. I've got a long way to go.</span></div><div><br></div>  <div style="font-family: times new roman, new york, times, serif; font-size: 12pt;"> <div style="font-family: times new roman, new york, times, serif; font-size: 12pt;"> <font size="2" face="Arial"> <hr size="1">  <b><span style="font-weight:bold;">From:</span></b> clydeclc &lt;[email protected]&gt;<br> <b><span style="font-weight: bold;">To:</span></b> [email protected] <br> <b><span style="font-weight: bold;">Sent:</span></b> Tuesday, 3 January 2012, 12:55<br> <b><span style="font-weight: bold;">Subject:</span></b> [big-harmonica] Re: Playing Stacked Tremolo harps<br> </font> <br><met
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<span style="display:none;">&nbsp;</span>



    <div id="yiv1276069848ygrp-text">
      
      
      <div>try this<br>
<br>
<a rel="nofollow" target="_blank" href="http://www.youtube.com/watch?v=oIv0AYQMHmU">http://www.youtube.com/watch?v=oIv0AYQMHmU</a><br>
<br>
--- In <a rel="nofollow" ymailto="mailto:big-harmonica%40yahoogroups.com" target="_blank" href="mailto:big-harmonica%40yahoogroups.com">[email protected]</a>, "Robert" &lt;robert_sloane@...&gt; wrote:<br>
&gt;<br>
&gt; Hi Kelven<br>
&gt; <br>
&gt; Do you have any photographs of this method. I've tried your suggestions and find them very difficult. <br>
&gt; <br>
&gt; Regards<br>
&gt; <br>
&gt; Robert<br>
&gt; <br>
&gt; --- In <a rel="nofollow" ymailto="mailto:big-harmonica%40yahoogroups.com" target="_blank" href="mailto:big-harmonica%40yahoogroups.com">[email protected]</a>, "Ong Kelven" &lt;kv_ong@&gt; wrote:<br>
&gt; &gt;<br>
&gt; &gt; Hi,<br>
&gt; &gt; I am Kelven from Singapore.<br>
&gt; &gt; To play in chromatic, place the C# above the C harmonica.<br>
&gt; &gt; Use the right hand to grip the pair of harmonica on the right side.<br>
&gt; &gt; On the left side, you use the left hand to grip them and at the same time <br>
&gt; &gt; let the bottom harmonica( the C key) rest on the palm and supported by the <br>
&gt; &gt; 4th and 5th finger. Then use the thumb, the index finger and the middle <br>
&gt; &gt; finger to slide the C# harmonica towards and backwards. You slide the C# <br>
&gt; &gt; towards your mouth when you are playing a sharp/flat note, you slide it back <br>
&gt; &gt; and aim for the C harmonica when you return to the normal note. Practise <br>
&gt; &gt; makes perfect and I had already mastered this way of playing. If I am not <br>
&gt; &gt; wrong, I would say that this way of playing was very common in China.<br>
&gt; &gt; <br>
&gt; &gt; Regards,<br>
&gt; &gt; Kelven.<br>
&gt; &gt; <br>
&gt; &gt; <br>
&gt; &gt; &gt;From: "Barry Groves" &lt;cbgroves@&gt;<br>
&gt; &gt; &gt;Reply-To: <a rel="nofollow" ymailto="mailto:big-harmonica%40yahoogroups.com" target="_blank" href="mailto:big-harmonica%40yahoogroups.com">[email protected]</a><br>
&gt; &gt; &gt;To: &lt;<a rel="nofollow" ymailto="mailto:big-harmonica%40yahoogroups.com" target="_blank" href="mailto:big-harmonica%40yahoogroups.com">[email protected]</a>&gt;<br>
&gt; &gt; &gt;Subject: [big-harmonica] Playing Stacked Tremolo harps<br>
&gt; &gt; &gt;Date: Tue, 16 Mar 2004 13:03:29 -0500<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;Big-Harmonickers,<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;I recently posted this to harp talk.  No one seemed to know about it.<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;Thanks,<br>
&gt; &gt; &gt;Barry<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;*********************************<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;All,<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;Can anyone talk about the actual TECHNIQUE of changing harps, especially<br>
&gt; &gt; &gt;very quickly?<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;I'm considering trying the Suzuki Baritone(s) (tremolo) paired C/C# for<br>
&gt; &gt; &gt;chromatic work.  They'd be stacked one on top of the other like a bass. <br>
&gt; &gt; &gt;This<br>
&gt; &gt; &gt;means changing harps constantly, even in the middle of a melody or run.<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;How is this done?<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;Thanks,<br>
&gt; &gt; &gt;Barry<br>
&gt; &gt; &gt;(who is excited to be doubling on harmonica in an upcoming production of <br>
&gt; &gt; &gt;The<br>
&gt; &gt; &gt;Wiz, because there is no oboe.)<br>
&gt; &gt; &gt;<br>
&gt; &gt; &gt;<br>
&gt; &gt; <br>
&gt; &gt; __________________________________________________________<br>
&gt; &gt; Find love on MSN Personals <a rel="nofollow" target="_blank" href="http://personals.msn.com.sg/">http://personals.msn.com.sg/</a><br>
&gt; &gt;<br>
&gt;<br>
<br>
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