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All depends on the context, for me.. 6ms, playing two metres from your amp,
not a problem. Put headphones on, it is.. Best way to keep play reactive,
and use modern latency-inducing tech, is to get some kind of direct
monitoring going on, even quietly.
On Fri 8 Feb 2019, 19:04 [email protected] [midiguitar] <
[email protected] wrote:
>
>
> For me 4ms is the absolute highest limit too.
> But it depends on what you play.
>
> 4ms is equivalent of playing through an analog flanger with original
> signal removed.
>
> If it is a very slow passage, you can get away with quite a lot of latenc=
y.
> It is the faster pieces that makes you feel dislocated and then jams up
> your playing.
>=20
>
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<div dir=3D"auto">All depends on the context, for me.. 6ms, playing two met=
res from your amp, not a problem. Put headphones on, it is.. Best way to ke=
ep play reactive, and use modern latency-inducing tech, is to get some kind=
of direct monitoring going on, even quietly.=C2=A0</div><br><div class=3D"=
gmail_quote"><div dir=3D"ltr">On Fri 8 Feb 2019, 19:04 <a href=3D"mailto:li=
[email protected]">[email protected]</a> [midiguita=
r] <<a href=3D"mailto:[email protected]">midiguitar@yahoogroups=
..com</a> wrote:<br></div><blockquote class=3D"gmail_quote" style=3D"margin:=
0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
<u></u>
=20
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<span style=3D"display:none">=C2=A0</span>
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<p><div>For me 4ms is the absolute highest limit too.</div><div>But i=
t depends on what you play.</div><div><br></div><div>4ms is equivalent of p=
laying through an analog flanger with original signal removed.<br></div><di=
v><br></div><div>If it is a very slow passage, you can get away with quite =
a lot of latency.</div><div>It is the faster pieces that makes you feel dis=
located and then jams up your playing.<br></div></p>
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Posted by: Eanna Butler <[email protected]> <hr=
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