Re: New BOC but what about new Seefeel?

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I know everybody here are in hype for the new BOC like drunken cheerleaders
but this new Seefeel is very good.

Il lun 4 mag 2026, 07:08 kent williams <[email protected]> ha scritto:

> SOL HZ dropped on Mayday.
>
> Seefeel has always been slippery, hard to define. Mark Cliffords'
> acousmatic approach to sound makes the familiar sounds strange. Guitar
> and synth and Sarah Peacock's voice get treated with effects and
> filters to render them vague shadows of  their source audio.
>
> "Everydays" combines Autechre-esque stumble beats with stretched out
> sounds that might be guitar or synth, but lashed with so much reverb
> and delay it sounds like they recorded it in an abandoned Underground
> Tunnel.
>
> "Ever No Way" is closer to a "classic" Seefeel track with soft voices
> in close harmony.  Giant donk kick and sine bass hold it down the
> shifting layers of swirling harmonies. And Boards of Canada aren't the
> only ones with subliminal layers. Subtle washes of filtered noise
> mutate into gently slapping drums.
>
> "Behind The Seen" combines subsonic morse code with a trash can kick
> drum to provide structure to a glorious chaos of overlapping, dubbed
> out sounds, are they samples of horns and flutes, or what and they
> seem to be floating in a heaving sea of dub echoes.
>
> "AM Flares" has all the midrange-forward intensity of My Bloody
> Valentine.  A garbled vocal sample riffs on the 9th against the root
> tone of the bass. The song doesn't fade out. Everything stops playing,
> but the recording rolls on until the last reverb tail decays.
>
> "Falling First", like "Ever No Way" is also classic Seefeel, but with
> a loping 6/8 meter and shifting almost-violin patterns against a woman
> singing into a resonant bandpass filter.
>
> Seefeel are changing things up, trying beats that stray from the hip
> hop boom bap template their earlier albums used. The brutal, urgent
> log bashing drums of "Until Now" are pushed by bass so low it's a
> pitchless rumble.
>
> https://seefeel.bandcamp.com/album/sol-hz
>

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<div dir=3D"auto">I know everybody here are in hype for the new BOC like dr=
unken cheerleaders but this new Seefeel is very good.=C2=A0</div><br><div c=
lass=3D"gmail_quote gmail_quote_container"><div dir=3D"ltr" class=3D"gmail_=
attr">Il lun 4 mag 2026, 07:08 kent williams &lt;<a href=3D"mailto:chaircru=
[email protected]">[email protected]</a>&gt; ha scritto:<br></div><blockq=
uote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1px #ccc =
solid;padding-left:1ex">SOL HZ dropped on Mayday.<br>
<br>
Seefeel has always been slippery, hard to define. Mark Cliffords&#39;<br>
acousmatic approach to sound makes the familiar sounds strange. Guitar<br>
and synth and Sarah Peacock&#39;s voice get treated with effects and<br>
filters to render them vague shadows of=C2=A0 their source audio.<br>
<br>
&quot;Everydays&quot; combines Autechre-esque stumble beats with stretched =
out<br>
sounds that might be guitar or synth, but lashed with so much reverb<br>
and delay it sounds like they recorded it in an abandoned Underground<br>
Tunnel.<br>
<br>
&quot;Ever No Way&quot; is closer to a &quot;classic&quot; Seefeel track wi=
th soft voices<br>
in close harmony.=C2=A0 Giant donk kick and sine bass hold it down the<br>
shifting layers of swirling harmonies. And Boards of Canada aren&#39;t the<=
br>
only ones with subliminal layers. Subtle washes of filtered noise<br>
mutate into gently slapping drums.<br>
<br>
&quot;Behind The Seen&quot; combines subsonic morse code with a trash can k=
ick<br>
drum to provide structure to a glorious chaos of overlapping, dubbed<br>
out sounds, are they samples of horns and flutes, or what and they<br>
seem to be floating in a heaving sea of dub echoes.<br>
<br>
&quot;AM Flares&quot; has all the midrange-forward intensity of My Bloody<b=
r>
Valentine.=C2=A0 A garbled vocal sample riffs on the 9th against the root<b=
r>
tone of the bass. The song doesn&#39;t fade out. Everything stops playing,<=
br>
but the recording rolls on until the last reverb tail decays.<br>
<br>
&quot;Falling First&quot;, like &quot;Ever No Way&quot; is also classic See=
feel, but with<br>
a loping 6/8 meter and shifting almost-violin patterns against a woman<br>
singing into a resonant bandpass filter.<br>
<br>
Seefeel are changing things up, trying beats that stray from the hip<br>
hop boom bap template their earlier albums used. The brutal, urgent<br>
log bashing drums of &quot;Until Now&quot; are pushed by bass so low it&#39=
;s a<br>
pitchless rumble.<br>
<br>
<a href=3D"https://seefeel.bandcamp.com/album/sol-hz" rel=3D"noreferrer nor=
eferrer" target=3D"_blank">https://seefeel.bandcamp.com/album/sol-hz</a><br=
>
</blockquote></div>

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