RE: How did you find Jane?
"Ben Thomas" <[email protected]>
| Newsgroups | gmane.music.jane-siberry |
|---|---|
| Message-ID | <[email protected]> |
I especially love the 'touched by the hand of Jane Siberry'...puts me in mind of Boy George's musical 'Taboo', where there's a featured song called 'Touched by the Hand of Cool', a tribute to Leigh Bowery-ish number. Love it, Love Jane, Love this list. Ben T >>> Shawn Syms <[email protected]> 11/16/05 11:53 AM >>> This discussion thread led me to write a bit about Jane in my online journal (http://2fruition.livejournal.com). Much of what I had to say about Jane's work is old news to the people on this list, but I thought I'd reproduce it here anyway... "Take a lesson from the strangeness you feel... and know you'll never be the same" I was first touched by the hand of Jane Siberry at the age of fourteen. The lyrics to her initial Canadian pop hit "Mimi on the Beach" were the first time I heard the word "queer" and didn't feel like it had poked me like a sharp pointed stick. I devoured the rest of the album that spawned it, the aptly named No Borders Here. As a lonely gay teen growing up in an unsupportive small town back in the 1980s, her artistic nourishment reinforced in me the importance of seeing the world through your own eyes-and the intrinsic value of being different, of being yourself. Jane's music struck me first for its unpredictable intellect: her songs seemed to speak of geometry, of cartography, maybe even of Vikings-all things I wasn't used to hearing on the radio. She employed quirky, lumbering time signatures I'd never heard used before. Behind icy synthesized squalls, she talked of being abandoned in the frozen dirt. She sang of being two-hundred years old. Twenty-one years later, Jane's work speaks to my older self on a deep emotional level. Her annual winter concerts bring me to tears and rejuvenate me for the year to come. When I was younger her work validated my experience of non-conformity. Now, it's a touchstone reminder of how much I have in common with everyone else. Songs like "Love is Everything," "Red High Heels," and "The Life is the Red Wagon" are touching reminders of the fragile beauty of shared human experience. If that sounds like a clichi, it's only because my writing capabilities pale next to Jane's, and because her oeuvre defies easy description. Listen to it to find out what I mean. If you're interested in exploring Jane's work, visit her website, where she's currently offering free/pay-what-you-wish downloads of much of her twenty-five-year artistic catalog. And if you like what you hear, please consider purchasing one of her albums online, and thus supporting an independent Canadian artist with a poignant and distinctive vision. I know there are other Jane aficionados who may have favourite songs to recommend. I suggest starting with "Hockey"-I consider it an vital component of Canadian culture. Her song, that is-even more so than the sport. Shawn Syms http://2fruition.livejournal.com